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Encyclopedia of French Film Directors

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530 • JARDIN, FRÉDÉRIC<br />

later (1989 Bille en Tête, Carlo Cotti). Credits (as<br />

co-screenwriter): 1991 Gawin (Arnaud Sélignac); Les<br />

Clés du Paradis (also actor, Philippe de Broca); 1994 Le<br />

Jardin des Plantes / USA: Tales from the Zoo (Philippe de<br />

Broca). His novel Le Zèbre was brought to the screen<br />

in 1992 by Jean Poiret. His brother, Frédéric Jardin, is<br />

also a fi lm director.<br />

<strong>Film</strong>ography<br />

1993 Fanfan (also original novel, co-screenwriter,<br />

co-adapter, co-dialogist)<br />

1996 Oui (also co-screenwriter, co-dialogist, actor)<br />

2000 Le Pr<strong>of</strong> (also original novel, screenwriter, dialogist)<br />

JARDIN, FRÉDÉRIC (May 24, 1968, Paris, France–)<br />

The son <strong>of</strong> novelist and screenwriter Pascal Jardin<br />

and brother <strong>of</strong> novelist and fi lmmaker Alexandre Jardin,<br />

he studied political science in Paris and graduated<br />

with a degree in English from Cambridge University.<br />

He entered fi lms as an assistant director (1991 Allemagne<br />

90 Neuf Zéro / USA: Germany Year 90 Nine Zero,<br />

Jean-Luc Godard; 1992 Amoureuse, Jacques Doillon;<br />

Un Cœur en Hiver / UK: A Heart in Winter / USA: Heart<br />

<strong>of</strong> Stone, Claude Sautet; 1993 Hélas pour moi / USA:<br />

Alas for Me / Oh, Woe Is Me, Jean-Luc Godard, France<br />

/ Switzerland). He appeared as an actor in 1999 Chico<br />

notre Homme à Lisbonne (short, Edouard Baer), 2005<br />

Akoibon (Edouard Baer), and 2007 Pars vite et reviens<br />

tard (Régis Wargnier).<br />

<strong>Film</strong>ography<br />

1994 La Folie douce (also co-screenwriter, co-dialogist)<br />

2000 Les Frères Sœur (also co-screenwriter, co-dialogist;<br />

shot in 1998)<br />

2002 Cravate Club (also co-screenwriter, co-adapter,<br />

co-dialogist)<br />

JASPARD, ALAIN (September 1, 1940, Marseille,<br />

Bouches-du-Rhône, France–)<br />

Having been discharged from his military service (two<br />

years in Algeria), he became an assistant director<br />

(Henri Verneuil, Alex J<strong>of</strong>fé, Pierre Kast, Gilles Grangier).<br />

After shooting many commercials, he directed his fi rst<br />

comedy (La Frisée aux Lardons). A globe-trotter for<br />

ten years, he traveled across South America, Asia, and<br />

Africa shooting many TV documentaries and reports.<br />

He returned to France in the late 1980s and dedicated<br />

himself to animated cinema.<br />

<strong>Film</strong>ography<br />

1979 La Frisée aux Lardons (also screenwriter,<br />

adapter, dialogist)<br />

Les Givrés<br />

Television <strong>Film</strong>ography<br />

1989 Kimboo (animation; 48 5'; also co-screenwriter)<br />

1994 Léa et Gaspard (animation; 26 5'; also coscreenwriter)<br />

1996 Les Contes de la Rue Broca (animation; 26 <br />

13'; co-director with Claude Allix)<br />

1998 Tom-Tom et Nana (animation; 52 5')<br />

1999 La Sorcière Camomille (animation; 52 5')<br />

La Belle lisse Poire du Prince de Motordu (animation)<br />

2001 Le Prince et le Pauvre (animated short; also<br />

screenwriter, adapter, dialogist)<br />

2005 Le Proverbe (animated short)<br />

JASSET, VICTORIN (Victorin-Hippolyte Jasset /<br />

March 30, 1862, Fumay, Ardennes, France–June 22,<br />

1913, Paris, France)<br />

A pupil <strong>of</strong> the sculptor Dalou, he was devoted to fan<br />

painting and was a costume designer before directing<br />

pantomimes and ballets. He also created costumes<br />

and drew the poster for a historical show, Vercingétorix,<br />

which opened the Place Clichy’s racecourse in<br />

1900. He met future director Georges Hatot, who recruited<br />

extras for the show. Hatot introduced him to<br />

Pathé, where he spent some time before being hired<br />

by Gaumont as an assistant director (co-director?),<br />

production designer, and costume designer (1906 La<br />

Vie du Christ / La Naissance, la Vie et la Mort de Notre-<br />

Seigneur / La Passion / USA: The Birth, the Life and<br />

Death <strong>of</strong> Jesus Christ, Alice Guy). He and Hatot joined<br />

a new production company, L’Eclipse, in 1906, then he<br />

created the fi rst <strong>French</strong> fi lm serial (Nick Carter) for<br />

another society, L’éclair. In 1910, he ended his collaboration<br />

with Hatot and became an artistic manager for<br />

L’éclair. In June 1913, he had to interrupt the shooting<br />

<strong>of</strong> his adaptation <strong>of</strong> Jules Verne’s The Children <strong>of</strong> Captain<br />

Grant to undergo a surgical operation and died <strong>of</strong><br />

complications there<strong>of</strong> at age fi fty-one.<br />

<strong>Film</strong>ography<br />

1905 Esmeralda (short; co-director with Alice Guy)<br />

1906 Les Rêves du Fumeur d’Opium (short)<br />

1907 Baignade—Sauts de Tremplin, Match de Water-<br />

Polo (short)

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