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Encyclopedia of French Film Directors

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lance journalist for Paris-Jour. In 1959, he co-founded<br />

with future screenwriter Jean Curtelin a fi lm review<br />

(Présence du Cinéma). While collaborating as a fi lm<br />

critic with such magazines as Cinéma (1958–1962), Les<br />

Lettres Françaises, and Midi-Minuit Fantastique, he served<br />

as an assistant director (1959 La Nuit des Espions / La<br />

notte delle spie / UK: Night Encounter / USA: Double<br />

Agents, Robert Hossein, France / Italy; Le Vent se lève /<br />

Il vento si alza / UK: Operation Time Bomb / USA: Time<br />

Bomb, Yves Ciampi, France / Italy; 1961 Qui êtes-vous,<br />

Monsieur Sorge? / La spia del secolo / Wer sind Sie, Dr.<br />

Sorge? / Spy Sorge: Shinjuwan zenya, Yves Ciampi, France<br />

/ Italy / West Germany / Japan; Il colosso di Rodi / Le<br />

Colosse de Rhodes / El coloso de Rodas / USA: The Colossus<br />

<strong>of</strong> Rhodes, Sergio Leone, Italy / France / Spain; 1962<br />

Liberté I, Yves Ciampi; 1963 L’Aîné des Ferchaux / Lo sciacallo<br />

/ UK: Magnet <strong>of</strong> Doom / US TV: An Honorable Young<br />

Man, Jean-Pierre Melville, France / Italy; 1965 L’Arme<br />

à Gauche / Corpo a corpo / Armas para el Caribe / UK:<br />

Guns for the Dictator / USA: The Dictator’s Guns, Claude<br />

Sautet, France / Italy / Spain; 1966 Un Monde nouveau<br />

/ Un mondo nuovo / UK: A New World / USA: A Young<br />

World, Vittorio de Sica, France / Italy; Roger la Honte /<br />

Trappola per l’assassino, Riccardo Freda, France / Italy;<br />

Paris brûle-t-il? / Is Paris Burning?, René Clément, France<br />

/ USA; Le Deuxième Souffl e / UK and USA: Second<br />

Breath, Jean-Pierre Melville; 1967 Coplan ouvre le Feu à<br />

Mexico / Moresque: Obiettivo allucinante / Entre las redes<br />

/ USA: Mexican Slayride, Riccardo Freda, France / Italy /<br />

Spain; La morte non conta I dollari / USA: Death at Owell<br />

Rock / No Killing Without Dollars, George Lincoln = Riccardo<br />

Freda, Italy). Other credit (as co-screenwriter):<br />

2003 L’Adieu (two-part TV movie: “Zone interdite,”<br />

“Terre brûlée,” François Luciani).<br />

<strong>Film</strong>ography<br />

1968 Coplan sauve sa Peau / Horror: l’assassino ha le<br />

ore contate / UK: Devil’s Garden / UK and USA:<br />

Requiem for a Snake (also co-screenwriter, coadapter;<br />

France / Italy)<br />

1970 Cran d’Arrêt / Il caso “Venere privata” / USA:<br />

Safety Catch (also co-screenwriter, co-adapter;<br />

France / Italy)<br />

Un Condé / L’uomo venuto da Chicago / UK:<br />

Blood on My Hands / USA: The Cop (also coscreenwriter,<br />

co-adapter; France / Italy)<br />

1971 Le Saut de l’Ange / Da parte degli amici: Firmato<br />

mafi a! (also co-screenwriter, co-adapter;<br />

France / Italy)<br />

1972 L’Attentat / L’attentato / Das Attentat / German<br />

video: Die tödliche Falle (Die Affäre Sadiel) / UK:<br />

BOISSET, YVES • 115<br />

Plot / USA: The Assassination / The <strong>French</strong> Conspiracy<br />

(France / Italy / West Germany)<br />

1973 R.A.S. / R.A.S. nulla da segnalare (also coscreenwriter,<br />

co-adapter, co-dialogist; France<br />

/ Italy)<br />

1975 Dupont-Lajoie / UK: Rape <strong>of</strong> Innocence / USA:<br />

The Common Man (also co-adapter; France /<br />

Italy)<br />

Folle à tuer / Una donna di uccidere (also<br />

screenwriter, co-adapter)<br />

1977 Le Juge Fayard dit “Le Shérif ” (also co-screenwriter)<br />

Un Taxi mauve / Un taxi color malva / USA: The<br />

Purple Taxi (also screenwriter, adapter; France<br />

/ Italy / Ireland)<br />

1978 La Clé sur la Porte / USA: The Key Is in the Door<br />

(also co-screenwriter, co-adapter)<br />

1980 La Femme-Flic (also co-screenwriter)<br />

1981 Allons z’Enfants (also co-screenwriter, coadapter,<br />

co-dialogist)<br />

1982 Espion, lève-toi! (also co-screenwriter, coadapter,<br />

actor)<br />

1983 Le Prix du Danger / US video: The Prize <strong>of</strong> Peril<br />

(also co-screenwriter, co-adapter)<br />

1984 Canicule / USA: Dog Day (also co-screenwriter,<br />

co-adapter)<br />

1986 Bleu comme l’Enfer (also co-screenwriter, coadapter,<br />

co-dialogist)<br />

1988 La Travestie (also screenwriter, adapter, dialogist,<br />

actor)<br />

1989 Radio Corbeau (also co-screenwriter, coadapter,<br />

co-dialogist)<br />

1991 La Tribu (also co-screenwriter, co-adapter, codialogist)<br />

Television <strong>Film</strong>ography<br />

1966 Rouletabille (episode “Le Parfum de la Dame<br />

en noir”)<br />

1979 Histoires insolites (episode “La stratégie du<br />

Serpent”; also co-screenwriter, co-adapter)<br />

1988 Médecins des Hommes (episode “Les Karen, le<br />

Pays sans Péché”; also co-screenwriter)<br />

Série noire (episode “La Fée Carabine”)<br />

1989 Le Suspect (also co-screenwriter)<br />

1991 Les Carnassiers (also co-screenwriter)<br />

Haute Tension (episode “Frontière du Crime”;<br />

France / Canada)<br />

1993 Morlock (also co-screenwriter)<br />

L’Affaire Seznec (also co-screenwriter, coadapter)<br />

Chute libre (also co-screenwriter)

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