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Encyclopedia of French Film Directors

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446 • GIRRE, RONAN<br />

GIRRE, RONAN (December 12, 1959, Paris,<br />

France–)<br />

After studying law and philosophy, he wrote scores<br />

for fi lms (1982 La Fonte de Barlaeus, short, Pierre-<br />

Henry Salfati; Le Beau Mariage / UK: A Good Marriage<br />

/ USA: The Well-Made Marriage, Eric Rohmer; 1984<br />

L’Enfance invisible, André Lindon; Mon Inconnue, short,<br />

Philippe Harel; 1987 Les Aventures de Reinette et Mirabelle<br />

/ USA: Four Adventures <strong>of</strong> Reinette and Mirabelle,<br />

Eric Rohmer; 1998 Les Amis de Ninon, short, Rosette)<br />

and worked as an associate and music producer <strong>of</strong><br />

the Chez Maupassant TV series (2007–2008).<br />

<strong>Film</strong>ography<br />

1992 Tendres Intrus (short; as Romain Baboeuf; also<br />

composer)<br />

1994 Tina et le Revolver (short; as Romain Baboeuf;<br />

also composer)<br />

2000 Virilité / Virilité et autres Sentiments modernes<br />

(also screenwriter, dialogist, composer)<br />

GIUSTI, STÉPHANE (August 13, 1964, Toulon, Var,<br />

France–)<br />

He studied history and political sociology before<br />

co-writing TV movies (1994 Eclats de Famille, Didier<br />

Grousset; 1995 Facteur VIII, Alain Tasma; Act Up, short,<br />

Philippe Gautier; Act Up 2, Philippe Gautier; 1996<br />

La Femme rêvée, Miguel Courtois; 1997 Si je t’oublie<br />

Sarajevo, Arnaud Sélignac; La Balade de Titus, Vincent<br />

de Brus; Mauvaises Affaires, Jean-Louis Bertucelli;<br />

1998 Les Insoumis, Gérard Marx; 2006 Les Bleus, also<br />

creator and collection director, episode “Premiers<br />

Pas dans la Police,” Alain Tasma; Mes Parents terribles,<br />

Philomène Esposito; 2007 Les Bleus, episodes “Dommage<br />

collatéral,” Vincent Monnet; “Une Vie de Chien,”<br />

Vincent Monnet; “Fantôme du Passé,” Vincent Monnet;<br />

“Hôtels particuliers,” Didier Le Pêcheur; “Retour<br />

de Flammes,” Didier Le Pêcheur; “Faux semblants,”<br />

Didier Le Pêcheur; “Otages,” Didier Le Pêcheur;<br />

“Rien ne va plus,” Didier Le Pêcheur; “Infi ltration,”<br />

Patrick Poubel; “Enquête interne,” Patrick Poubel)<br />

and directing movies since 1999.<br />

<strong>Film</strong>ography<br />

1999 Pourquoi pas moi? / ¿Entiendes? (also screenwriter,<br />

dialogist; France / Spain; shot in 1997)<br />

2001 Bella ciao (also co-screenwriter; co-dialogist;<br />

France / Italy)<br />

2008 Made in Italy (also screenwriter, dialogist)<br />

Television <strong>Film</strong>ography<br />

1997 L’Homme que j’aime (also screenwriter, dialogist,<br />

actor)<br />

2006 Fort comme un Homme<br />

GIVRAY, CLAUDE DE (Claude Pierre Simon<br />

Givray Desmouceaux / April 7, 1933, Nice, Alpes-<br />

Maritîmes, France–)<br />

A former fi lm critic for Arts et Spectacle and Les Cahiers<br />

du Cinéma, he befriended New Wave directors<br />

and was an assistant to François Truffaut (1957 Les<br />

Mistons / UK: The Brats / USA: The Kids, short, François<br />

Truffaut) and to Claude Chabrol (1958 Le Beau Serge<br />

/ UK: Bitter Reunion / USA: Handsome Serge). He appeared<br />

in Erotissimo (Gérard Pirès, France / Italy,<br />

1969) and co-wrote several movies (1961 Me faire ça<br />

à moi / USA: It Means That Much to Me, Pierre Grimblat;1968<br />

Baisers voles / USA: Stolen Kisses, François<br />

Truffaut; 1970 Domicile conjugal / Non drammatizziamo<br />

è solo questione di corna! / UK and USA: Bed and Board,<br />

also co-dialogist, France / Italy; 1984 Un Eté d’Enfer /<br />

Un verano d’infi erno, as adapter only, Michaël Schock,<br />

France / Spain; 1988 La Petite Voleuse / USA: The Little<br />

Thief, Claude Miller). His fi rst directing effort was a<br />

remake <strong>of</strong> Jean Renoir’s Tire-au-Flanc.<br />

<strong>Film</strong>ography<br />

1961 Tire-au-Flanc 62 / USA: The Army Game (codirector<br />

with François Truffaut; also coscreenwriter,<br />

co-adapter, co-dialogist)<br />

1962 Une Grosse Tête (also co-screenwriter, coadapter)<br />

1965 Un Mari à Prix fi xe (also co-screenwriter, coadapter;<br />

shot in 1963)<br />

L’Amour à la Chaîne / USA: Tight Skirts, Loose<br />

Pleasures (also co-screenwriter, co-adapter)<br />

Television <strong>Film</strong>ography<br />

1967 Cinéastes de notre Temps: Jacques Becker (documentary)<br />

1970 Mauregard (6 60'; also co-screenwriter, actor)<br />

1971 Adieu mes quinze Ans (19 13')<br />

1975 Les Cinq dernières Minutes (episode “Un Cœur<br />

sur Mesure”)<br />

1985 Vivement Truffaut (documentary)<br />

1986 La Méthode rose<br />

2003 On Location to Bed and Board (video documentary)

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