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Encyclopedia of French Film Directors

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770 • NION, DIDIER<br />

/ Tempo d’amore / USA: It Only Happens to Others, Nadine<br />

Trintignant, France / Italy; 1976 Une Femme fi dèle<br />

/ UK: When a Woman in Love / USA: Game <strong>of</strong> Seduction,<br />

Roger Vadim) and on TV (1973 Molière pour rire et<br />

pour pleurer, 6 52', Marcel Camus; Lucien Leuwen,<br />

4 90', Claude Autant-Lara; 1974 Les Fargeot, 49 <br />

13', Patrick Saglio; 1975 Paul Gauguin, 7 50', Roger<br />

Pigaut), he also co-wrote two TV movies (1986 Le<br />

Salon du Prêt-à-saigner, Joël Séria; 1990 La Femme et le<br />

Pantin, Mario Camus, Spain / France).<br />

<strong>Film</strong>ography<br />

1976 La Syncope (short)<br />

1980 Anthracite (also screenwriter, dialogist)<br />

1987 Poussière d’Ange (also co-screenwriter)<br />

1992 Le Retour de Casanova (also co-screenwriter,<br />

co-adapter, co-dialogist)<br />

Television <strong>Film</strong>ography<br />

1984 L’Ennemi public No. 2 (also co-adapter; coscreenwriter)<br />

1987 L’Heure Simenon (episode “Les Demoiselles de<br />

Concarneau”; also co-screenwriter)<br />

1995 Le Blanc à Lunettes (also co-screenwriter, codialogist;<br />

shot in 1993–1994)<br />

L’Instit (episode “D’une Rive à l’autre”)<br />

1997 Les Pardaillan (also co-screenwriter, codialogist)<br />

1998 L’Enfant des Terres blondes<br />

1999 Premier de Cordée (co-director with Pierre-<br />

Antoine Hiroz)<br />

2002 Sauveur Giordano (episode “Noces de Papier”)<br />

2005 Marc Eliot (episodes “C’est votre Enfant,”<br />

“Tant qu’il y aura des Flics”)<br />

2008 Le Septième Juré (France / Belgium)<br />

NION, DIDIER (January 21, 1959, Le Petit-Quevilly,<br />

Seine-Maritime, France–)<br />

He directed his fi rst amateur short at age seventeen<br />

(Mais si) before working as a cabinetmaker in Switzerland.<br />

He entered fi lms as a grip (1983 Garçon!,<br />

Claude Sautet; 1984 Subway, Luc Besson; 1986 Esther,<br />

Amos Gitai; 1988 Tabataba, Raymond Rajaonarivelo,<br />

France / Madagascar).While fi lming his own movies,<br />

he collaborated on several movies as an assistant<br />

camera operator (1995 Les Semeurs de Peste, Christian<br />

Merlhiot) and cinematographer (1992 L’Echappée<br />

belle, short, Antoine Vaton; 1993 Le Joueur (Same Player<br />

Shoots Again), short; Les Roses de Staline, short, Antoine<br />

Voituriez; Léon (Portrait), documentary, short, Marie<br />

de Laubier; 1994 Le Temps des Cerises, short, Lionel<br />

Boncompagni; 1997 Les Moyens du Bord, short, Antoine<br />

Vaton; 1998 Fils de Personne, short, Niels Dubost;<br />

Ulysse au Pays des Merveilles, short, Charles Bouchery;<br />

1999 Fleshback, short, Fred Noël; 2002 Toujours tout<br />

droit, Mario Caniglia).<br />

<strong>Film</strong>ography<br />

1998 Clean Time—Le Soleil en plein Hiver (documentary;<br />

short; also cinematographer)<br />

2000 Juillet<br />

2003 Dix-sept Ans (also screenwriter, cinematographer)<br />

NIVOIX, PAUL (December 24, 1893, Saint-Denis,<br />

France–September 14, 1958, France)<br />

A newspaper editor in Marseille (Spectator), he went<br />

to Paris, where he published articles in Comoedia<br />

(known at the time as the only daily review <strong>of</strong> letters<br />

and arts). He earned some success as a playwright<br />

and became a screenwriter when movies began talking<br />

(1932 Direct au Coeur, also co-author <strong>of</strong> original<br />

play, co-screenwriter, dialogist, Roger Lion; 1933 Un<br />

peu d’Amour, dialogist only, Hans Steinh<strong>of</strong>f, Germanlanguage<br />

version: Scampolo, ein Kind der Strasse / Um<br />

einen groschen Liebe, Germany; 1936 La Maison d’en<br />

Face / USA: The House Across the Street, author <strong>of</strong><br />

original story, Christian-Jaque; 1937 A Venise, une Nuit,<br />

Christian-Jaque; 1938 Barnabé, dialogist only; Alexander<br />

Esway; 1943 Mahlia la Métisse, dialogist only,<br />

Walter Kapps; 1948 Emile l’Africain, author <strong>of</strong> original<br />

play, dialogist, Robert Vernay).<br />

<strong>Film</strong>ography<br />

1950 Les Nouveaux Maîtres (supervised by Jacques<br />

Daniel-Norman; also original play, screenwriter,<br />

dialogist)<br />

NIVOT, ERIC (May 26, 1969, Montceau-les-Mines,<br />

Saône-et-Loire, France–)<br />

Having graduated with a master’s degree in modern<br />

letters in 1991, he earned a diploma in cinema two<br />

years later.<br />

<strong>Film</strong>ography<br />

1991 L’Excès contraire (16-mm short; also screenwriter,<br />

dialogist)<br />

1992 Ceca (documentary; industrial fi lm shot on<br />

video; also screenwriter)

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