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Encyclopedia of French Film Directors

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He also worked as a co-screenwriter for fi lms (1961<br />

Les Démons de Minuit / UK: Demons at Midnight / USA:<br />

Midnight Follies, Marc Allégret, Charles Gérard) and TV<br />

(1974 Un Juge, un Flic, 12 52’, Denys de La Patellière;<br />

1979 Pour tout l’Or du Transvaal, 6 52’, Claude Boissol;<br />

1985 Rue Carnot, 200 26’; 1988 L’Affaire Saint-<br />

Romans, 6 52’, Michel Wyn, shot in 1986; Le Loufi at,<br />

6 52’; 1989 Les Cavaliers aux Yeux verts, Michel Wyn;<br />

1992 L’Ombre du Soir; 1993 Les Duchesnay; 1994 Un<br />

Taxi, la Nuit; Ballon mort; 1997 Le Cri du Silence, Jacques<br />

Malaterre, shot in 1995), production manager for fi lm<br />

(1971 L’Homme du Désir, Dominique Delouche, shot<br />

in 1969; 1973 Au Rendez-vous de la Mort joyeuse / USA:<br />

Expulsion <strong>of</strong> the Devil, Juan-Luis Buñuel, France / Italy)<br />

and TV (1971 Les Nouvelles Aventures de Vidocq, 13 <br />

55’, Marcel Bluwal; 1972 La Demoiselle d’Avignon, 13 <br />

26’, Michel Wyn, shot in 1970; L’Homme qui revient de<br />

là, 6 52’, Michel Wyn), executive producer (1984<br />

Le Montreur d’Ours, Jean Fléchet), and editor (2003<br />

Federico Fadda, TV, Joseph Trudu). From 1969 to 1971,<br />

he taught cinematographic techniques at the IDHEC.<br />

<strong>Film</strong>ography<br />

1960 Les Magiciennes / USA: Double Deception (also<br />

co-screenwriter, producer)<br />

1964 Le Voyage en Question (also screenwriter; shot<br />

in 1962)<br />

1976 Un Mari, c’est un Mari<br />

1996 N’oublie pas d’éteindre en partant (also screenwriter,<br />

dialogist)<br />

1999 L’Assassin pleurait (also screenwriter, dialogist)<br />

Television <strong>Film</strong>ography<br />

1963 L’Inspecteur Leclerc enquête / L’Inspecteur Leclerc<br />

(episode “Knock Out”; shot in 1961)<br />

1965 Le Train bleu s’arrête 13 Fois (episodes “Saint-<br />

Raphaël: Une Balle de trop,” “Beaulieu: Le<br />

Piège”)<br />

La France dans vingt Ans (documentary)<br />

L’Aventure (documentary)<br />

1966 La Vocation d’un Homme (documentary)<br />

1967 Les Descendants (one episode)<br />

Le Phénix<br />

1969 L’Homme du Vent<br />

1975 La Cloche tibétaine / Die gelbe Karawane (6 <br />

52'; co-director with Michel Wyn; also coscreenwriter;<br />

France / West Germany)<br />

1978 Les Grandes Conjurations (episode “Le Tumulte<br />

d’Amboise”)<br />

1980 Salut Champion (also co-screenwriter; episodes<br />

“La Course du Roi Louis,” “La Machina-<br />

FROT-COUTAZ, GÉRARD • 417<br />

tion,” “Dans les Roues des Géants,” “Les plus<br />

beaux Jeux de notre Vie”)<br />

1981 Adieu ma Chérie<br />

1982 Julien Fontanes, Magistrat (episode “L’Âge diffi<br />

cile”)<br />

1985 Châteauvallon (seven episodes, also co-screenwriter;<br />

France / Italy / UK / Luxembourg /<br />

Switzerland)<br />

1989 Le Retour d’Arsène Lupin (episode “Le Bijou<br />

fatidique”; also co-screenwriter)<br />

1997 Un Jour à Lisbonne (documentary)<br />

2002 Sur les Chemins des Îles oubliées (documentary)<br />

<strong>Film</strong>ed Plays Released Only on DVD<br />

2002 Le Bateau pour Lipaïa (shot in 1995)<br />

Le Triomphe de l’Amour (shot in 1996)<br />

Electre (shot in 2000)<br />

Les Amants terribles<br />

2004 La Mouette<br />

2005 Les Affi nités électives<br />

Documentary Released Only on DVD<br />

2004 Gay Paris<br />

FROT-COUTAZ, GÉRARD (September 18, 1951,<br />

Chalons-sur-Saône, Saône-et-Loire, France–March 12,<br />

1992, Créteil, Val-de-Marne, France)<br />

A former fi lm critic at Cinéma, he entered fi lms as an<br />

assistant director (1975 Mort d’un Guide, Jacques Ertaud;<br />

1976 Barocco, André Téchiné; 1977 Les Apprentis<br />

Sorciers, Edgardo Cozarinsky; Le Théâtre des Matières,<br />

Jean-Claude Biette; La Machine, also actor, Paul Vecchiali;<br />

1978 Un Second Souffl e, Gérard Blain; 1979<br />

Corps à Corps / USA: Drugstore Romance, Paul Vecchiali;<br />

1979 Les Belles Manières, also co-dialogist, Jean-Claude<br />

Guiguet; 1980 Simone Barbès ou la Vertu, Marie-Claude<br />

Treilhou; L’Honorable Société, Anielle Weinberger, shot<br />

in 1977; 1981 C’est la Vie!, Paul Vecchiali; 1982 Le Crime<br />

d’Amour, Guy Gilles). He co-wrote the screenplay<br />

and the dialogue <strong>of</strong> La Campagne de Cicéron (Jacques<br />

Davila, 1990, shot in 1988).<br />

<strong>Film</strong>ography<br />

1974 Derniers Remparts (short; also screenwriter)<br />

1976 Transcontinental (short; also screenwriter)<br />

1983 L’Archipel des Amours (segment “Le Goûter de<br />

Josette”; also screenwriter, dialogist)<br />

1985 Le Tiers provisionnel (short; also screenwriter)<br />

1986 Beau Temps mais orageux en Fin de Journée /<br />

USA: Good Weather, but Stormy Late This Afternoon<br />

(also co-screenwriter, co-dialogist)

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