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Encyclopedia of French Film Directors

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Les Beaux Jours (documentary; episode “Antecume<br />

ou la Vie choisie”)<br />

1974 L’Album de Zouc (documentary)<br />

Vive le Cinéma (documentary; episode “Micheline<br />

Presle”)<br />

Au-delà du Pont (documentary; co-director<br />

with Claude de Givray)<br />

Lieux communs (documentary; short; episode<br />

“La Bella Poutina”)<br />

1977 Une Autre Vie, une Chronique de quelques Indiens<br />

Wayana (6 60' documentary)<br />

1979 Bande à Part (documentary; episodes “Les Degling’s,”<br />

“Aimée la bien-nommée,” “F comme<br />

Catcheuse”)<br />

1981 Rue des Archives (documentary; episode “Le<br />

Monde ouvrier vu par la Télévision”)<br />

Danielle a disparu (documentary)<br />

Sous une Pluie d’Or (documentary)<br />

1982 Loin des Sans-Pareils (documentary)<br />

1985 Entre Ciel et Terre—Jérusalem: En attendant le<br />

Messie (documentary)<br />

Nouveaux Mondes (documentary; episodes<br />

“Des Ranchs au Milieu de nulle part,” “Dame<br />

Nature”)<br />

1986 L’Afrique en Noirs et Blancs (documentary; shot<br />

in 1983)<br />

Nouveaux Mondes (documentary; episode<br />

“Philippines: Le Retour de l’Homme en<br />

blanc”)<br />

MATALON, EDDY (Elie Isidore Matalon / September<br />

11, 1937, Marseille, Bouches-du-Rhône, France–)<br />

A former assistant director, he began his directing career<br />

shooting shorts. He produced a short (1971 Tous<br />

Risques, Jacques Doillon) and co-produced La Chair de<br />

l’Orchidée / Un orchidea rossa sangue / Das Fleisch der<br />

Orchidee / USA: Flesh and the Orchid (Patrice Chéreau,<br />

France / Italy / West Germany, 1975), The Romantic Englishwoman<br />

/ Une Anglaise romantique (Joseph Losey, UK<br />

/ France, 1975), Malevil (Christian de Chalonge, France<br />

/ West Germany, 1981), and Thank You Satan! / Oh!<br />

Satan! (as executive producer, André Farwagi, France<br />

/ Canada, 1989). Other credit (as author <strong>of</strong> original<br />

story): 2002 Partners in Action (Sidney J. Furie, USA).<br />

<strong>Film</strong>ography<br />

1962 Gaspard a un rendez-vous (short; also screenwriter,<br />

author <strong>of</strong> commentary)<br />

Gaspard fait du Cheval (short; also screenwriter)<br />

MATHOT, LÉON • 691<br />

Gaspard se marie (short; also screenwriter)<br />

1966 Le Chien fou (also screenwriter, adapter, dialogist)<br />

1970 Trop petit mon Ami / UK: Ticky / USA: Too Small<br />

My Friend (also co-screenwriter)<br />

L’Île aux Coquelicots<br />

1973 Les Garces / UK: Love Hungry Girls / USA: Dangerous<br />

When Aroused (as Jack Angel; France /<br />

Italy)<br />

La Révélation (co-director with Alain Lavalle;<br />

shot in 1971)<br />

1974 La Pension du libre Amour / UK: Hotel <strong>of</strong> Free<br />

Love (as Jack Angel)<br />

Et avec les Oreilles qu’est-ce que vous faîtes?<br />

(also screenwriter)<br />

La Promenade (short)<br />

1975 La Chatte sans Pudeur (as Jack Angel)<br />

La Bête à Plaisir / Ma Femme, mon Amour<br />

Filles insatiables<br />

1977 Cathy’s Curse / Cauchemars / Une si gentille petite<br />

Fille (as Eddy Greenwood; also co-screenwriter,<br />

producer; Canada / France)<br />

1978 Blackout / New York Black Out / Black-Out à<br />

New York / Et la Terreur commence / New<br />

York ne répond plus (also producer; Canada /<br />

France)<br />

1979 Brigade mondaine: La Secte de Marrakech<br />

1980 T’inquiète pas, ça se soigne (also co-screenwriter)<br />

1983 Prends ton Passe-Montagne, on va à la Plage<br />

(also screenwriter, co-adapter)<br />

1993 Sweet Killing / Deux Doigts de Meurtre (also<br />

co-screenwriter; Canada / France / UK; shot<br />

in 1991–1992)<br />

1998 Au Jour le Jour (short)<br />

Television <strong>Film</strong>ography<br />

1967 Quand la Liberté venait du Ciel (13 26'; codirector<br />

only)<br />

1968 Spécial Bardot (TV show; co-director with<br />

François Reichenbach)<br />

MATHOT, LÉON (March 5, 1886, Roubaix, Nord,<br />

France–March 6, 1968, Paris, France)<br />

He spent his childhood in Liège, Belgium. His passion<br />

for theater led him to take acting courses at the<br />

Paris Conservatory. He entered fi lms as an extra in<br />

La Course à la Perruque (short, Georges Hatot, André<br />

Heuzé) and soon became a leading man <strong>of</strong> <strong>French</strong><br />

silent cinema. From 1906 to 1939 (Deuxième Bureau

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