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Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

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medium-length; co-director with Anne-Marie<br />

Miéville)<br />

JLG / JLG—Autoportrait de Décembre (documentary;<br />

also screenwriter, producer, actor as<br />

himself, editor)<br />

1996 Forever Mozart (also screenwriter, editor;<br />

France / Switzerland)<br />

1997 Histoire(s) du Cinéma: Fatale Beauté (video<br />

documentary; short; also screenwriter, actor<br />

as himself, editor)<br />

Histoire(s) du Cinéma: Seul le Cinéma (video<br />

documentary; short; also screenwriter)<br />

1998 Histoire(s) du Cinéma: Les Signes parmi nous<br />

(video documentary; short; also screenwriter,<br />

editor)<br />

Histoire(s) du Cinéma: La Monnaie de l’Absolu<br />

(video documentary; short; also screenwriter,<br />

editor)<br />

Histoire(s) du Cinéma: Le Contrôle de l’Univers<br />

(video documentary; short; also screenwriter,<br />

editor)<br />

Histoire(s) du Cinéma: Une Vague nouvelle (video<br />

documentary; short; also screenwriter, editor)<br />

The Old Place (documentary; medium-length;<br />

co-director with Anne-Marie Miéville; France<br />

/ USA)<br />

2000 L’Origine du XXIème siècle (documentary;<br />

short; also screenwriter, narrator)<br />

2001 Eloge de l’Amour / UK and USA: In Praise <strong>of</strong><br />

Love (also screenwriter, dialogist; France /<br />

Switzerland; shot in 1999–2000)<br />

2002 Liberté et Patrie (video documentary; short;<br />

co-director with Anne-Marie Miéville; also coscreenwriter,<br />

editor; Switzerland)<br />

Ten Minutes Older: The Cello (segment “Dans le<br />

Noir du Temps”; UK / Germany / France)<br />

2004 Moments choisis des Histoire(s) du Cinéma<br />

(documentary; also screenwriter)<br />

Notre Musique / USA: Our Music (also screenwriter,<br />

actor; France / Switzerland)<br />

2006 Vrai faux Passeport (documentary; also screenwriter)<br />

Television <strong>Film</strong>ography<br />

1976 Six Fois Deux / Sur et sous la Communication<br />

(documentary; co-director with Anne-Marie<br />

Miéville)<br />

1977 France / Tour / Détour / Deux / Enfants<br />

(documentary; co-director with Anne-Marie<br />

Miéville)<br />

GOLDENBERG, DANIEL • 453<br />

1986 Série noire (episode “Grandeur et Décadence<br />

d’un petit Commerce de Cinéma”)<br />

1988 Les Français vus par / UK: The <strong>French</strong> as Seen by<br />

. . . / US DVD: The Cowboy and the <strong>French</strong>man<br />

(episode “Le Dernier Mot”; also co-screenwriter)<br />

GODET, FABIENNE (May 20, 1964, Angers, Maineet-Loire,<br />

France–)<br />

She studied social psychology and attended the Conservatoire<br />

<strong>of</strong> Angers (1986–1987). Having graduated<br />

with a bachelor’s degree in cinema from the University<br />

<strong>of</strong> Paris VII, she entered fi lms as an assistant<br />

director on shorts and documentaries.<br />

<strong>Film</strong>ography<br />

1992 Autant dire Rimbaud (short; shot on video)<br />

La Vie comme ça (short; also screenwriter,<br />

dialogist)<br />

1994 Un Certain Goût d’Herbe fraîche (short; also<br />

co-screenwriter, co-dialogist)<br />

1995 Le Soleil a promis de se lever demain (short; also<br />

screenwriter, dialogist)<br />

1999 La Tentation de l’Innocence (short; also coscreenwriter)<br />

2006 Sauf le Respect que je vous dois / UK: Burnt Out<br />

(also co-screenwriter)<br />

Television <strong>Film</strong>ography<br />

2005 Le Sixième Homme (documentary)<br />

GOLDENBERG, DANIEL (August 28, 1931, Paris,<br />

France–)<br />

Having trained as an actor at the Centre Dramatique<br />

de la Rue Blanche and then with Tania Balachova,<br />

he made his stage debut at the Centre dramatique<br />

de l’Ouest under the direction <strong>of</strong> Hubert Gignoux.<br />

He played in a few fi lms (1957 The Vintage, Jeffrey<br />

Hayden, USA; 1960 La Famille Fenouillard, uncredited,<br />

Yves Robert; 1962 Carillons sans Joie / Vento caldo<br />

di battaglia, Charles Brabant, France / Italy; The Four<br />

Horsemen <strong>of</strong> the Apocalypse, Vincente Minnelli, USA;<br />

1978 La Belle Emmerdeuse / On peut le dire sans se<br />

fâcher, Roger Coggio; La Tortue sur le Dos / USA: Like a<br />

Turtle on Its Back, Luc Béraud). A very in-demand fi lm<br />

screenwriter (1988 Baby Blues, as screenwriter, dialogist,<br />

Daniel Moosmann; 1991 Blanval, as co-screenwriter,<br />

dialogist, Michel Mees, Belgium; 1997 La terza<br />

luna, as co-screenwriter, co-dialogist, Matteo Bellinelli,

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