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Encyclopedia of French Film Directors

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756 • MOURRE, ANTOINE<br />

1994 Vivre l’Interprétation avec Jeffrey Tate (documentary;<br />

medium-length)<br />

1996 Shakespeare, des Rois dans la Tempête (documentary;<br />

medium-length)<br />

1997 Une Danse le Temps d’une Chanson (7 5'; codirector<br />

only; Belgium / France)<br />

Vivre l’Interprétation avec Hélène Grimaud (documentary;<br />

medium-length)<br />

1998 Chercher sa Voix (documentary; mediumlength)<br />

1999 De Petits Riens (documentary; medium-length)<br />

2005 Chaghcharan, un Hôpital afghan (5 26' documentary)<br />

Le Voyage des Femmes de Zartalé (documentary)<br />

MOURRE, ANTOINE<br />

<strong>Film</strong>ography<br />

1929 Ca aussi! . . . C’est Paris (short)<br />

1931 Le Roi du camembert<br />

1938 Les Pauvres Gens (short)<br />

MOURU DE LACOTTE, GASTON<br />

<strong>Film</strong>ography<br />

1922 Destinée (co-director with Armand du Plessy)<br />

Fleur du Mal<br />

1923 Âmes corses (co-director with Paul Barlatier;<br />

shot in 1921)<br />

1929 Lendemains d’Amour<br />

1930 Sa Maman (also screenwriter)<br />

MOUSSELLE, JEAN (November 15, 1918, Verberie,<br />

Oise, France–)<br />

He made his fi lm debut as a camera operator (1946<br />

Jericho, Henri Calef; Le Père tranquille / USA: Mr. Orchid,<br />

René Clément; 1949 Jour de Fête, Jacques Tati,<br />

shot in 1947) and then worked as a cinematographer<br />

(1945 Cagnes, short; Deux Petits Anges, short; 1948 Au<br />

Cœur de l’Orage, documentary, as co-cinematographer,<br />

Jean-Paul Le Chanois, shot in 1944; 1949 L’Aventure<br />

est au Coin du Bois, short; 1951 Sud, short, as cocinematographer;<br />

La Grande Île au Cœur des Grandes<br />

Eaux, as cinematographer; Réalités malgaches, short, as<br />

cinematographer; Cheveux noirs, Capes grises, short, as<br />

cinematographer; 1953 Les Vacances de Monsieur Hulot<br />

/ UK: Monsieur Hulot’s Holiday / USA: Mr. Hulot’s Holiday,<br />

as co-cinematographer, Jacques Tati, shot in 1951–<br />

1952; Le Chemin de l’Etoile, short, as cinematographer;<br />

Prestige de la Qualité, short, as cinematographer; Paris<br />

présente: le Mime Marceau, short, as cinematographer;<br />

1955 Normandie, short, as cinematographer) before<br />

directing his only feature fi lm.<br />

<strong>Film</strong>ography<br />

1945 Toulon 45 (short; also cinematographer)<br />

1948 Ventes aux Enchères (short; also cinematographer)<br />

1952 La Conquête de l’Eau (short)<br />

1955 Le Pain vivant (also co-adapter)<br />

1960 Saint-Augustin (short)<br />

1962 Le Guérisseur (short)<br />

1966 Benjamin des Antilles (short)<br />

MOUSSY, MARCEL (May 7, 1924, Algiers, Algeria–August<br />

10, 1995, Caen, Calvados, France)<br />

He discovered his interest for writing when still a<br />

teenager and was only eighteen years old when one<br />

<strong>of</strong> his plays was performed at the Opera <strong>of</strong> Algiers.<br />

An English teacher, he decided to quit his job to<br />

dedicate himself to authoring novels (1952 Le Sang<br />

chaud, Gallimard; 1953 Arcole ou La Terre promise, La<br />

Table Ronde; 1955 Les Mauvais Sentiments, Méditerranée<br />

France; 1960 Babylonia, Editions du Seuil). In<br />

1957, he started writing for fi lms (1959 Les Quatre<br />

Cents Coups / UK and USA: The Four Hundred Blows /<br />

USA: The 400 Blows, as co-adapter, dialogist, François<br />

Truffaut; La Sentence, as co-screenwriter, co-adapter,<br />

dialogist, Jean Valère; 1960 Tirez sur le Pianiste / UK:<br />

Shoot the Pianist / USA and Canada: Shoot the Piano<br />

Player, as co-screenwriter, co-adapter, François Truffaut;<br />

1962 Liberté 1, as dialogist, Yves Ciampi, France<br />

/ Senegal; 1963 Ballade pour un Voyou / USA: Ballad<br />

for a Hoodlum, as dialogist, Claude-Jean Bonnardot;<br />

Le Journal d’un Fou, Roger Coggio; 1966 Paris brûlet-il?<br />

/ Is Paris Burning?, as co-adapter, co-dialogist,<br />

René Clément, France / USA; 1968 La Prisonnière /<br />

La prigioniera / UK: Female Prisoner / USA: Woman in<br />

Chains, as co-screenwriter, Henri-Georges Clouzot,<br />

France / Italy) and TV (1957 L’Alchimiste, as screenwriter,<br />

adapter, dialogist, Jean Prat; 1962 L’Inspecteur<br />

Leclerc enquête / L’Inspecteur enquête, as screenwriter,<br />

TV series; 1964 Le Théâtre de la Jeunesse, as screenwriter,<br />

adapter, dialogist, episode “Les Indes noires,”<br />

Marcel Bluwal; 1966 Beaumarchais ou 60000 Fusils, as<br />

screenwriter, adapter, dialogist, Marcel Bluwal; 1970<br />

Le Service des Affaires classées, France / Canada; 1977<br />

Le Confessional des Pénitents noirs, as screenwriter,<br />

adapter, dialogist, Alain Boudet).

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