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Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

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ander / USA: Alexander, Yves Robert; Erotissimo, Gérard<br />

Pirès, France / Italy; Vos Gueules les Mouettes!, Robert<br />

Dhéry; 1975 Chronique des Années de Braise / Ahdat<br />

sanawovach el-djamr / UK and USA: Chronicle <strong>of</strong> the<br />

Burning Years / Chronicle <strong>of</strong> the Years <strong>of</strong> Fire, Mohammed<br />

Lakdhar-Hamina, Algeria; 1976 Comme un Boomerang<br />

/ Il fi glio del gangster / USA: Boomerang, José Giovanni,<br />

France / Italy; 1977 Le Gang / La gang del Parigino / US<br />

video: The Gang, Jacques Deray, France / Italy; L’Homme<br />

pressé / L’ultimo giorno d’amore / UK: The Hurried Man /<br />

USA: Man in a Hurry, Edouard Molinaro, France / Italy;<br />

Le Mille-Pattes fait des Claquettes, Jean Girault; 1979 Les<br />

Egouts du Paradis, José Giovanni; 1980 Tous Vedettes,<br />

Michel Lang; 1982 Josépha, Christopher Frank; 1986<br />

Paulette, la pauvre petite Milliardaire, Claude Confortès;<br />

Twist Again à Moscou, Jean-Marie Poiré; Charlotte for<br />

Ever, Serge Gainsbourg) and second unit director<br />

(1971 Les Pétroleuses / Le pistolere / Las pistoleras /<br />

Petroleum Girls / USA: The Legend <strong>of</strong> <strong>French</strong>ie King, Guy<br />

Casaril, Christian-Jaque, France / Italy / Spain / UK;<br />

1979 Le Gendarme et les Extra-Terrestres / UK video:<br />

The Gendarme and the Creatures from Outer Space, Jean<br />

Girault). Other credits (as production manager): 1970<br />

La Voiture électronique (documentary, short, Jacques<br />

Doillon); (as technical adviser): 1975 Bons Baisers de<br />

Hong-Kong (Yvan Chiffre); 1981 Une Affaire d’Hommes<br />

/ USA: Dead Certain (Nicolas Ribowski); 1987 Les Keufs<br />

(Josiane Balasko).<br />

<strong>Film</strong>ography<br />

1983 Tout le Monde peut se tromper (also coadapter)<br />

1984 Charlots Connection<br />

Television <strong>Film</strong>ography<br />

1967– Les Chevaliers du Ciel (39 26'; co-director<br />

1969 with François Villiers)<br />

1971 Le Miroir 2000 / Les Sesterain (13 26'; codirector<br />

with François Villiers)<br />

1973 Les Aventures du Capitaine Lückner / Cap sur<br />

l’Aventure / Trois Mâts pour l’Aventure / Graf<br />

Luckner (13 26'; co-director with Yannick<br />

Andréi, Jean-Pierre Decourt, François Villiers;<br />

France / West Germany)<br />

COUVELAIRE, LOUIS-PASCAL (November 1,<br />

1954, Paris, France–)<br />

He shot more than 400 commercials (his fi rst fi lm<br />

was a trailer for a Jacques Higelin show in 1984) before<br />

directing a couple <strong>of</strong> feature fi lms.<br />

COUZINET, EMILE • 267<br />

<strong>Film</strong>ography<br />

2002 Sueurs (also co-screenwriter, co-dialogist)<br />

2003 Michel Vaillant<br />

COUVELARD, MICHEL (1963, Boulogne-sur-Mer,<br />

Pas-de-Calais, France–)<br />

He settled in Paris with his parents at age seven.<br />

After attending drama courses, in 1981 he went to<br />

Montpellier, where he worked for the Centre National<br />

Dramatique. He returned to the <strong>French</strong> capital<br />

in 1984 and studied audiovisual and communications.<br />

Before directing his fi rst movie, a short, he fi lmed a<br />

documentary and was an assistant director and production<br />

assistant on several motion pictures (1990 La<br />

Captive du Désert, Raymond Depardon; 1991 Bar des<br />

Rails, Cédric Kahn).<br />

<strong>Film</strong>ography<br />

1994 Une Femme dans l’Ennui (short; also screenwriter)<br />

1999 Inséparables (also screenwriter, dialogist, actor)<br />

COUZINET, EMILE (November 12, 1896, Bourgsur-Gironde,<br />

Gironde, France–October 24, 1964,<br />

Bordeaux, Gironde, France)<br />

He made his fortune as a casino manager in Royan.<br />

In 1920, he founded a fi lm release company, Burgus<br />

<strong>Film</strong>s, and opened his fi rst movie theater, the Gallia,<br />

in Agen. He designed the plans <strong>of</strong> the Rex, a baroque<br />

pictures temple in Bordeaux that was classifi ed as a<br />

historical monument. In 1938, he became a producer,<br />

created his own studios (La Côte d’Argent [The<br />

Silver Coast]) in Royan, and directed his fi rst feature<br />

fi lm. He shot some <strong>of</strong> the silliest comedies ever<br />

fi lmed and is regarded by some critics as a kind <strong>of</strong><br />

(wealthy!) <strong>French</strong> cousin <strong>of</strong> Ed Wood. He produced<br />

two movies (1956 L’Inspecteur connaît la Musique, Jean<br />

Josipovici; 1965 Le Coup de Grâce, Jean Cayrol, Claude<br />

Durand).<br />

<strong>Film</strong>ography<br />

1939 Le Club des Fadas (also screenwriter, dialogist,<br />

producer)<br />

L’Intrigante ou La Belle Bordelaise (also producer)<br />

1942 Andorra ou les Hommes d’Airain (also screenwriter,<br />

adapter, dialogist, producer)<br />

1943 Le Brigand gentilhomme (also co-screenwriter,<br />

co-adapter, dialogist, producer)

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