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Encyclopedia of French Film Directors

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Whistler, un Américain en Europe (documentary)<br />

Les Ambitions de Pierre Puget, Peintre, Sculpteur,<br />

Architecte (documentary)<br />

1997 Savoir d’Egypte (documentary)<br />

Manet, Monet, la Gare Saint-Lazare (documentary)<br />

1998 Le Louvre (documentary)<br />

1999 Losing Touch (documentary)<br />

Animus (documentary)<br />

2000 Dans le Champ des Etoiles (documentary)<br />

2001 Henri Poincaré (documentary)<br />

2002 L’Orient de Saladin (documentary)<br />

Video Documentaries<br />

1982 Beuve-Méry par lui-même<br />

Le Tour du Monde<br />

Television <strong>Film</strong>ography<br />

1992 La Musique des Sphères (video documentary)<br />

1995 A l’Ecoute de la Terre (documentary; France /<br />

Belgium)<br />

1996 Les Volcans (documentary)<br />

Les Cartes du Monde (documentary)<br />

1998 A l’Ecoute des Climats (documentary)<br />

JAFFÉ, GEORGES (April 2, 1907, Paris, France–)<br />

He successively was an assistant director (1944 L’Ange<br />

de la Nuit, André Berthomieu; 1950 Ils ont Vingt Ans,<br />

René Delacroix), screenwriter (1947 L’Homme de la<br />

nuit, as co-screenwriter, co-adapter, co-dialogist, René<br />

Jayet; 1948 Triple Enquête, as adapter, Claude Orval, shot<br />

in 1946; 1949 Piège à Hommes, as screenwriter, Jean<br />

Loubignac), and production manager (1949 Ma Tante<br />

d’Honfl eur) before directing short and feature fi lms.<br />

<strong>Film</strong>ography<br />

1949 Extra-Lucide (short)<br />

Un Fin Limier (short)<br />

1950 Refrains d’Amour (short)<br />

Le Pédicure chinois (short)<br />

Ce Pauvre Desbonnets (short)<br />

Merci cher Maître (short)<br />

Le Fou du Sixième (short)<br />

1954 Gamin de Paris<br />

1959 Nuits de Pigalle (also screenwriter, adapter,<br />

dialogist)<br />

JAHAN, OLIVIER (January 1, 1956, Paris, France–)<br />

A former assistant director (1979 Certaines Nouvelles,<br />

Jacques Davila, shot in 1976), he worked as a cast-<br />

JAMAIN, PATRICK • 525<br />

ing director on about fi fty commercials. He was the<br />

assistant delegate <strong>of</strong> the Cannes <strong>Film</strong> Festival <strong>Directors</strong>’<br />

Fortnight and contributed to the organization<br />

<strong>of</strong> several other festivals (Deauville, Avoriaz). An occasional<br />

actor (1994 Les Amoureux, Catherine Corsini;<br />

1999 La Nouvelle Eve / A Nova Eva, Catherine Corsini,<br />

France / Portugal; 1999 La Voleuse de Saint-Lubin,<br />

Claire Devers; 2006 Les Ambitieux, Catherine Corsini)<br />

and screenwriter (2005 Saint-Valentin, Philippe Harel),<br />

he directed half a dozen movies, mostly shorts.<br />

<strong>Film</strong>ography<br />

1993 Parlez après le Signal sonore (short; also<br />

screenwriter)<br />

1994 Comme un Dimanche (short; also screenwriter)<br />

1996 Au Bord de l’Autoroute / USA: Along the Freeway<br />

(short; also screenwriter)<br />

1997 Beaucoup trop loin (short; also screenwriter)<br />

2001 Faites comme si je n’étais pas là (also coscreenwriter;<br />

shot in 1999)<br />

2004 Du Bois pour l’Hiver (short; also co-screenwriter)<br />

2008 40x15 (documentary)<br />

JALLAUD, PIERRE (October 10, 1922, Paris,<br />

France–February 17, 2006, Lyon, Rhône, France)<br />

A true “fi lm author,” he was marginalized by the commercial<br />

failure <strong>of</strong> his fi lms. He also played a small part<br />

in Voir l’Eléphant (Jean Marboeuf, 1990).<br />

<strong>Film</strong>ography<br />

1964 Véronique et le Chat (documentary; short; codirector<br />

with Sylvia Jallaud)<br />

1972 Une infi nie Tendresse (shot in 1969)<br />

1975 La Chaise vide (also co-screenwriter, codialogist,<br />

shot in 1973)<br />

1985 Le Temps d’un Instant<br />

Television <strong>Film</strong>ography<br />

1978 Mais qu’est-ce qu’on va faire de lui?<br />

1981 Mon meilleur Noël (8 25'; co-director only;<br />

episode “Un Contretemps inoubliable”)<br />

1985 Tous les Jours Dimanche<br />

JAMAIN, PATRICK (June 5, 1944, Châteauroux,<br />

Indre, France–)<br />

Having trained as an actor, he worked with Jean-Louis<br />

Barrault at the Théâtre de l’Odéon. He entered fi lms<br />

as an assistant director (1970 Vertige pour un Tueur /<br />

Vertigine per un assassino, Jean-Pierre Desagnat, France

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