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Encyclopedia of French Film Directors

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20 • ANGEL, HÉLÈNE<br />

ANGEL, HÉLÈNE (May 3, 1967, Les Lilas, Seine-<br />

Saint-Denis, France–)<br />

The daughter <strong>of</strong> a painter mother and a sculptor father,<br />

she studied at the Fémis (the new IDHEC) from<br />

1987 to 1991. She began in fi lms directing shorts.<br />

Occasional casting director for a TV movie (1993<br />

Les Années Lycée, episode “Un Air de Liberté,” Eric<br />

Barbier), she also co-wrote Superlove (Jean-Claude<br />

Janer, 1999).<br />

<strong>Film</strong>ography<br />

1989 La Fin d’une Tradition (short; also screenwriter,<br />

dialogist)<br />

1991 Jeune Fille en Désordre (short; also screenwriter,<br />

dialogist)<br />

1995 La Vie parisienne (short; also screenwriter,<br />

dialogist)<br />

1999 Peau d’Homme, Cœur de Bête (also co-screenwriter,<br />

co-dialogist)<br />

2003 Rencontre avec le Dragon (also co-screenwriter,<br />

co-dialogist)<br />

Television <strong>Film</strong>ography<br />

2007 Hôtel des longues Peines (documentary; also<br />

screenwriter)<br />

ANGELO, MARC (December 1, 1951, Meknès,<br />

Morocco–)<br />

He spent his childhood in Morocco. After receiving<br />

his master’s <strong>of</strong> letters degree (his thesis was about<br />

André Delvaux) and his degree in cinematographic<br />

and audiovisual studies from the Sorbonne University,<br />

he directed two shorts before being hiring by Pierre<br />

Schoendoerffer as second assistant director (1977 Le<br />

Crabe-Tambour / US video: Drummer-Crab). He successively<br />

worked as unit manager (1980 La Femme Flic,<br />

Yves Boisset; 1981 Une Etrange Affaire, Pierre Granier-<br />

Deferre), second unit director (1987 Dernier Eté à<br />

Tanger, Alexandre Arcady; 1989 L’Union sacrée, 1990<br />

La Baule-les-Pins / USA: C’est la Vie, Diane Kurys; 1991<br />

Pour Sacha / USA: For Sasha, Alexandre Arcady; 1992<br />

Après l’Amour / UK: After Love / USA: Love After Love,<br />

Diane Kurys), technical adviser (1989 La Barbare), and<br />

co-screenwriter (1992 Le Grand Pardon II / USA: Day<br />

<strong>of</strong> Atonement, Alexandre Arcady).<br />

<strong>Film</strong>ography<br />

1974 Des Bracelets pour une Bague (short)<br />

1975 Symphonie concertante (short)<br />

1984 Tir à Vue<br />

Television <strong>Film</strong>ography<br />

1994 Navarro (episodes “Coup bas,” “Femmes en<br />

Colère”; France / Switzerland)<br />

1995 Pour une Vie ou Deux<br />

1996 Quai No. 1 (episodes “Marie Gare,” “Le Cahier<br />

de Jeanne”; also co-screenwriter; France /<br />

Belgium / Switzerland)<br />

Balade en Ville (also co-screenwriter)<br />

1997 Un Homme en Colère (episodes “La Seconde<br />

Maman,” “Une Mort si douce”)<br />

1998 Bob le Magnifi que (France / Belgium)<br />

Un Flic presque parfait . . .<br />

Bébés Boum<br />

Manèges (co-director with Charlotte Brandström)<br />

1999 Scherpa (episode “Mort dans les Landes”)<br />

2000 B.R.I.G.AD. (episodes “Le Stratagème chinois,”<br />

“La Secte des Lunes,” “Deux Filles en Cavale,”<br />

“Le Forcené,” “Point Bombe,” “Mutinerie”)<br />

2001 Duettistes (episode “Les Jeunes Proies”)<br />

Un Homme en Colère (episode “La Seconde<br />

Maman”)<br />

2002 Alex Santana, Négociateur (episode “L’Inconnue<br />

du Belvédère”)<br />

2003 Diane, Femme Flic (episode “La Dette”)<br />

2004 L’Enfant de l’Aube (also actor)<br />

B.R.I.G.AD. (episodes “Dialogue de Sourds,”<br />

“Noces rouges,” “Petit Môme,” “Sur le Fil du<br />

Rasoir,” “Le Fortin,” “Pavillon noir”)<br />

Diane, Femme Flic (episodes “Sous Infl uence,”<br />

“Engrenage”)<br />

2005 Cyrano de Ménilmontant<br />

Joseph<br />

Lucas Ferré: Le Plaisir du Mal<br />

2006 Diane, Femme Flic (episode “Mauvaise Pente”)<br />

2007 Diane, Femme Flic (episode “L’Amour d’une<br />

Mère”)<br />

Marie Humbert, le Combat d’une Mère<br />

Le Canapé du rouge<br />

2009 Lignes de Feu (six episodes)<br />

ANGELO, YVES (January 22, 1956, France–)<br />

Having graduated from Louis Lumière National<br />

School <strong>of</strong> the Cinema (Vaugirard at the time), photography<br />

section, in 1975, he began as cameraman<br />

(1979 L’Adolescente / Mädchenjähre / USA: The Adolescent,<br />

Jeanne Moreau, France / West Germany) and<br />

was camera assistant from 1979 (Haine / Le Credo<br />

de la Violence / USA: Hate, Dominique Goult) to<br />

1988 (Camille Claudel, Bruno Nuytten). He had since

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