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Encyclopedia of French Film Directors

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834 • POLLÈS, RENAN<br />

1977 Nucléaire = Danger immédiat (documentary)<br />

1978 Malville: Etat de Siège (documentary; mediumlength;<br />

also co-cinematographer, co-editor)<br />

1979 Le Juste Droit (documentary; co-director with<br />

Sandra Zadeh)<br />

1980 Le Noir Printemps des Jours (documentary; also<br />

cinematographer, co-editor; shot in 1978)<br />

1981 Solidarnösc / Solidarité (documentary)<br />

POLLÈS, RENAN (February 5, 1943, Paris, France–)<br />

He entered fi lms as a camera operator (1971 Le Frisson<br />

des Vampires / UK: Sex and the Vampire / The Terror<br />

<strong>of</strong> the Vampires / Thrill <strong>of</strong> the Vampires / USA: Strange<br />

Things Happen at Night / US DVD: The Shiver <strong>of</strong> the<br />

Vampire, Jean Rollin; 1972 Les Petits Enfants d’Attila,<br />

Jean-Pierre Bastid) and then became one <strong>of</strong> the busiest<br />

cinematographers <strong>of</strong> the past four decades (more<br />

than seventy shorts, feature fi lms, documentaries, and<br />

TV movies).<br />

<strong>Film</strong>ography<br />

1965 Univermag II. (short)<br />

1968 Le Maître du Monde (short)<br />

2002 Cinq Tableaux du Temps qui passe dans un Appartement<br />

(short)<br />

2004 Elle critique tout (co-director with Alain Riou;<br />

also editor)<br />

2006 Tous les Hommes sont des Romans (co-director<br />

with Alain Riou)<br />

Television <strong>Film</strong>ography<br />

1984 Gavrinis (documentary; short)<br />

1988 Mythes et Mégalithes (documentary)<br />

1990 Francis Haskell, Questions de Goûts (documentary)<br />

1993 Egyptomanie (documentary)<br />

1997 Il était une Fois l’Atlantide (documentary)<br />

1998 Les Supports de l’Ecrit (documentary)<br />

1999 Les Ecrans du Savoir au Bahrein (documentary)<br />

2000 Maurice Limat (documentary)<br />

Y a-t-il un Bug dans l’Avion (documentary;<br />

short)<br />

Un Rêve américain (documentary)<br />

2001 Pop Art & Co (documentary)<br />

2006 Henri Pollès, Paris & Henri Pollès, Plougescrant<br />

(2 7'30")<br />

POLLET, BÉATRICE (September 19, 1964, Paris,<br />

France–)<br />

Having graduated from the Louis Lumière fi lm school<br />

(image department) and with a master’s degree in cinema<br />

from the University <strong>of</strong> Paris VIII, she worked as a<br />

script supervisor on about forty feature fi lms and TV<br />

movies (from 1987 Un Médecin des Lumières, TV, René<br />

Allio, to 2007 Sous Les Toits de Paris, Hiner Saleem).<br />

<strong>Film</strong>ography<br />

1987 Véra (also screenwriter, dialogist; unreleased)<br />

1993 Le Singe (short; also screenwriter)<br />

1998 Tic-Toc (short; also screenwriter, dialogist)<br />

2003 Portraits de Peintres, d’un Atelier à l’Autre (two<br />

26' video documentaries: “Françoise Adnet,”<br />

“Pierre Henry”; two 52' video documentaries:<br />

“Jansen,” “Pollet”)<br />

2006 Qui sommes-nous? (short; also screenwriter,<br />

dialogist)<br />

Television <strong>Film</strong>ography<br />

1995 Je suis née Transexuelle (documentary; short)<br />

POLLET, JEAN-DANIEL (June 30, 1936, La Madeleine,<br />

Nord, France–September 9, 2004, Cadenet,<br />

Vaucluse, France)<br />

He studied at Sciences Po for two years. After his<br />

military service in the <strong>French</strong> army’s Cinematographic<br />

Service, he served as an assistant director to Julien<br />

Duvivier (1957 L’Homme à l’Imperméable / L’uomo<br />

dall’impermeabile / USA: The Man in the Raincoat, France<br />

/ Italy) and directed his fi rst short. He produced documentary<br />

shorts (1963 Du Côté de Nardemer, Gérard<br />

Vienne; Forêts d’Ardennes, Gérard Vienne, François<br />

Sommer), played in Les Autres (Hugo Santiago, 1974),<br />

and appeared as himself in documentaries (1964<br />

Cinéastes de notre Temps, episode “La Nouvelle Vague<br />

par elle-même,” André S. Labarthe, Robert Valey). In<br />

1989, a train that he was fi lming struck him. He received<br />

twenty-seven fractures and remained paralyzed.<br />

He shot his last fi lms near his house in Cadenet in<br />

Provence. Jean-Paul Fargier completed his last movie in<br />

2006 (Jour après Jour, also cinematographer, actor).<br />

<strong>Film</strong>ography<br />

1958 Pourvu qu’on ait l’Ivresse (short; also screenwriter,<br />

cinematographer)<br />

1959 La Ligne de Mire (also screenwriter, adapter,<br />

dialogist, editor; unreleased)<br />

1961 Gala (short)<br />

1963 Méditerranée (documentary; medium-length;<br />

co-director with Volker Schlöndorff; also cinematographer)

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