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Encyclopedia of French Film Directors

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1993 Mons Reynaudi (documentary; shot on video;<br />

also screenwriter)<br />

1994 Point de Fuite (short; also screenwriter)<br />

Parole (documentary; short shot on video; also<br />

screenwriter)<br />

Ensemble (documentary; industrial fi lm shot<br />

on video; co-director with Anne Ducruet)<br />

1996 Nomades (documentary; shot on video; also<br />

screenwriter)<br />

1998 Terres vivantes (documentary; also screenwriter)<br />

Tilleul Menthe (documentary; short; industrial<br />

fi lm shot on video; co-director with Caroline<br />

Philibert)<br />

2001 Christian Bobin: Derrière le Miroir (documentary;<br />

short; also screenwriter)<br />

2002 Déserts (also screenwriter, dialogist)<br />

2003 Autour des Débutantes (documentary; short<br />

shot on video; also adapter)<br />

Notre Vie (documentary; short; also screenwriter)<br />

La Vie faible (documentary; short; also screenwriter)<br />

Christian Bobin: La Vie faible (video documentary;<br />

also screenwriter)<br />

2004 Une Petite Entaille (also adapter)<br />

Le Grand Hôtel (medium-length; also screenwriter)<br />

2005 L’Air du Temps (video documentary; also<br />

screenwriter)<br />

2006 La Nuit bleue (medium-length; also screenwriter)<br />

Les Usines Puzenat (documentary; also screenwriter)<br />

NOÉ, GASPAR (December 27, 1963, Buenos Aires,<br />

Argentina–)<br />

Having arrived in France at age twelve, he was trained<br />

at the Ecole Louis Lumière, where he fi lmed his fi rst<br />

short (Tintarella di luna). Other credits (as assistant<br />

director): 1985 Tangos, l’Exil de Gardel / Tangos, el exilio<br />

de Gardel / USA: Tangos, the Exile <strong>of</strong> Gardel (Fernando<br />

E. Solanas, France / Argentina); 1986 Sur / Le Sud /<br />

USA: The South (Fernando E. Solanas, Argentina /<br />

France); (as cinematographer): 1987 La Première Mort<br />

de Nono (short, Lucile Hadzihalilovic); 1996 La Bouche<br />

de Jean-Pierre (medium-length, Lucile Hadzihalilovic);<br />

(as actor): 1995 Cinématon (Gérard Courant); 1996<br />

Le Rocher d’Acapulco (voice only, Laurent Tuel); 1997<br />

Dobermann (Jan Kounen); 2005 Philippe Nahon, de<br />

NOÉ, YVAN • 771<br />

l’Acteur fétiche à l’Icône (documentary, as himself, Arnaud<br />

Carfaxe); (as camera operator): 1998 Good Boys<br />

Use Condoms (short, Lucile Hadzihalilovic).<br />

<strong>Film</strong>ography<br />

1985 Tintarella di luna (short; also screenwriter,<br />

dialogist, editor)<br />

1987 Pulpe amère (short; also screenwriter, dialogist,<br />

producer, editor)<br />

1991 Carne (short; also screenwriter, dialogist)<br />

1998 Intoxication (short)<br />

Sodomites (short)<br />

Seul contre tous / UK: One Against All / USA: I<br />

Stand Alone (also screenwriter, dialogist, editor)<br />

2002 Irréversible (also screenwriter, dialogist, producer,<br />

cinematographer, uncredited actor, editor)<br />

2006 Destricted (segment “We Fuck Alone”; also<br />

screenwriter)<br />

2008 8 (segment “Sida”; also screenwriter, cinematographer;<br />

shot in 2006)<br />

Television <strong>Film</strong>ography<br />

1995 Une Expérience télévisuelle (short; also screenwriter)<br />

NOÉ, YVAN (Marie Edgar Noetinger / May 9, 1895,<br />

Nancy, Meurthe-et-Moselle, France–July 7, 1963, Nice,<br />

Alpes-Maritimes, France)<br />

He was a well-known playwright when his association<br />

with cinema began. In 1930, he was hired by MGM<br />

and went to California, shooting the <strong>French</strong> version<br />

<strong>of</strong> Charles Brabin’s Call <strong>of</strong> the Flesh / The Singer<br />

<strong>of</strong> Sevilla. His American experience inspired him to<br />

author a book against Hollywood (1933 L’Epicerie<br />

des Rêves, Editions Baudinière, Paris). Other screenwriting<br />

credits (as <strong>French</strong>-language dialogist): 1930<br />

Monsieur Le Fox (Hal Roach, USA); 1931 Quand on est<br />

belle (<strong>French</strong>-language version <strong>of</strong> Jack Conway’s The<br />

Easiest Way, Arthur Robison, USA); (as dialogist): 1932<br />

Rocambole (Gabriel Rosca); 1933 Eve cherche un Père<br />

(<strong>French</strong>-language version <strong>of</strong> Nunzio Malasomma’s<br />

La signora dell’autobus, Mario Bonnard, Italy); 1933<br />

L’Indésirable (Emile de Ruelle); Le Dernier Preux (also<br />

adapter, Pierre-Jean Ducis); 1938 Un Soir à Marseille<br />

(also adapter, Maurice de Canonge); 1939 Le Danube<br />

bleu (as co-dialogist, Emile-Edwin Reinert, Alfred<br />

Rode); 1946 Un Ami viendra ce Soir / USA: A Friend Will<br />

Come Tonight (Raymond Bernard); 1947 Les Gosses

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