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Encyclopedia of French Film Directors

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48 • BAL, WALTER<br />

1994 Exposition du Mouvement ouvrier (video documentary;<br />

medium-length)<br />

1995 Gens de Métier (video documentary; short)<br />

1996 Marinière, la Vie d’à Bord (video documentary;<br />

medium-length)<br />

1997 Harley, mon Amour (video documentary;<br />

medium-length)<br />

1999 Ecoutez Serge Utgé-Royo (video documentary;<br />

medium-length)<br />

2000 Mireille Jospin-Dandieu (video documentary)<br />

2001 Robert Bothereau (video documentary; short)<br />

2003 Companero Jorge Mac-Ginty (video documentary)<br />

2005 Jean-Baptiste André Godin (video documentary;<br />

medium-length)<br />

2006 La Grande Tournée Outremer du Général de<br />

Gaulle (2 52' video documentary)<br />

BAL, WALTER (1939, Djakarta, Indonesia–)<br />

He started out as assistant cameraman (1973 Etat de<br />

Siège / L’Amerikano / Der unsichtbare Aufstand / UK and<br />

USA: State <strong>of</strong> Siege, Costa-Gavras, France / Italy / West<br />

Germany; 1974 L’Horloger de Saint-Paul / UK: The Watchmaker<br />

<strong>of</strong> St. Paul / USA: The Clockmaker <strong>of</strong> St. Paul, Bertrand<br />

Tavernier; Et Demain?, documentary, short, Pierre<br />

Carpentier; 1975 L’Important c’est d’aimer / L’importante<br />

è amare / Nachtblende / UK: The Main Thing Is to Love /<br />

USA: The Most Important Thing: Love, Andrzej Zulawski,<br />

France / Italy / West Germany) and cameraman (1972<br />

Une Belle Fille comme moi / UK: A Gorgeous Bird Like Me<br />

/ USA: Such a Gorgeous Kid Like Me, François Truffaut;<br />

1973 La Nuit américaine / Effetto notte / USA: Day for<br />

Night, also actor, François Truffaut, France / Italy; 1974<br />

La Course en Tête / Steeds op kop, documentary, Joël<br />

Santoni, France / Belgium) and remained known mostly<br />

as cinematographer for fi lms (1976 Les Conquistadores,<br />

Marco Pauly, Les Œufs brouillés, Joël Santoni; 1977<br />

Juliette et l’Air du Temps, René Gilson; Bloedverwanten /<br />

Mort au Sang d’Honneur, Wim Lindner, Netherlands /<br />

France; 1979 Ils sont grands ces Petits, Joël Santoni; Les<br />

Egoûts du Paradis, José Giovanni; 1994 Art Deco Detective,<br />

Philippe Mora, USA; Pterodactyl Woman from Beverly<br />

Hills, Philippe Mora, USA; 1996 Precious Find, Philippe<br />

Mora, USA; Night <strong>of</strong> the Demons III / Demon House, Jim<br />

Kaufman, USA / Canada; 1997 Back in Business / Heart<br />

<strong>of</strong> Stone, Philippe Mora, USA; 1998 Nico the Unicorn,<br />

Graeme Campbell, Canada / USA; Out <strong>of</strong> Control, Richard<br />

Trevor, USA; 1999 Cinq Minutes de Détente, Tomas<br />

Roméro, France / Canada; 2001 Wrong Number, Richard<br />

Middleton, Canada / USA; Say Nothing, Allan Moyle,<br />

Canada / USA; 2004 Brilliant, Roger Cardinal, Canada)<br />

and TV (1973 The Undersea World <strong>of</strong> Jacques Cousteau,<br />

episode “The Singing Whale,” Jacques-Yves Cousteau;<br />

1977 Der Alte / UK: The Old Fox, episode “Der Alte<br />

schlägt zweimal zu,” José Giovanni, West Germany).<br />

<strong>Film</strong>ography<br />

1979 Bobo Jacco<br />

BALASKO, JOSIANE (Josiane Balskovich / April<br />

15, 1950, Paris, France–)<br />

The daughter <strong>of</strong> Parisian innkeepers, she intended to<br />

dedicate herself to painting before switching to acting<br />

and attending Tania Balachova’s drama courses. She<br />

made her stage debut performing sketches she wrote<br />

in café theaters. In 1975, she joined the Splendid<br />

group and played in successful shows (1976 Le Pot de<br />

Terre contre le Pot de Vin; 1977 Coquillages et Crustacés<br />

. . .). From 1973 (L’An 01, Jacques Doillon, Alain Resnais,<br />

Jean Rouch) to 2008 (Musée haut, Musée bas, Jean-<br />

Michel Ribes), she played supporting and leading roles<br />

in more than sixty fi lms, including those she directed.<br />

She also worked as costume designer (1976 L’Affi che<br />

rouge, Frank Cassenti); dialogist (1978 Pauline et<br />

l’Ordinateur, also actor, Francis Fehr); co-adapter and<br />

dialogist (1980 Retour en Force, also actor, Jean-Marie<br />

Poiré); co-screenwriter, co-adapter, and co-dialogist<br />

(1978 Les Bronzés / USA: <strong>French</strong> Fried Vacation, also actor,<br />

Patrice Leconte; 1979 Les Bronzés font du Ski, also<br />

actor, Patrice Leconte; 1981 Les Hommes préfèrent<br />

les Grosses, also original idea, actor, Jean-Marie Poiré;<br />

1982 Le Père Noël est une Ordure, also actor, Jean-Marie<br />

Poiré; 2006 Les Bronzés 3: Amis pour la Vie / US festival:<br />

Friends Forever, also actor, Patrice Leconte); co-adapter<br />

(1981 L’Année prochaine . . . si tout va bien / UK and<br />

USA: Next Year If All Goes Well, Jean-Loup Hubert); coscreenwriter,<br />

co-adapatator, and dialogist (1986 Nuit<br />

d’Ivresse, also author <strong>of</strong> original play, actor, Bernard<br />

Nauer); and uncredited co-dialogist (1994 Grosse Fatigue,<br />

also actor, Michel Blanc).<br />

<strong>Film</strong>ography<br />

1985 Sac de Noeuds / UK and USA: All Mixed Up<br />

(also co-screenwriter, dialogist, actor)<br />

1987 Les Keufs (also adapter, dialogist, actor)<br />

1991 Ma Vie est un Enfer (also original idea, coscreenwriter,<br />

dialogist, actor)<br />

1995 Gazon maudit / UK: Bushwacked / USA: <strong>French</strong><br />

Twist (also screenwriter, co-adapter, dialogist,<br />

actor)

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