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Encyclopedia of French Film Directors

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384 • FEIX, ANDRÉE<br />

Rocher; 2000 Le Miroir aux Alouettes, E-Dite; 2006 Le<br />

Pied noir à l’Envers, Editions de l’Olivier).<br />

<strong>Film</strong>ography<br />

1978 Pauline et l’Ordinateur (also screenwriter, shot<br />

in 1976)<br />

1982 Roue libre (short; also screenwriter)<br />

Television <strong>Film</strong>ography<br />

1980 Les Nomades de l’Exploit<br />

Marie Cavale<br />

La Danse au Cœur (documentary)<br />

1981 Papiers d’Arménie (documentary)<br />

1982 Charleston et Compagnie (documentary)<br />

La Rivière perdue<br />

1984 La Lanterne des Morts<br />

1985 Noctuailes<br />

1988 Le Crime de Médée n’aura pas lieu<br />

1989 Les Fils du Vent (documentary)<br />

1992 Convois d’Esclaves (documentary)<br />

1995 Malika B . . . (documentary)<br />

1999 Boudiaf, l’Esprit assassiné (documentary)<br />

2001 Le Miroir aux Alouettes<br />

2004 Regards de Femmes (documentary)<br />

2005 On aime trop la Vie (documentary)<br />

2006 La Danse enferme (documentary)<br />

FEIX, ANDRÉE (February 12, 1912, Paris, France–<br />

April 15, 1987, Paris, France)<br />

She started in 1929 as a secretary at Gaumont before<br />

becoming an editor for fi lm (1933 Âme de Clown, Marc<br />

Didier, Yvan Noé; 1934 La Maison du Mystère, Gaston<br />

Roudès; Le Petit Jacques, Gaston Roudès; Fl<strong>of</strong>l oche,<br />

Gaston Roudès; 1936 Mademoiselle Mozart, Yvan Noé;<br />

Gigolette, Yvan Noé; 1951 Le Voyage en Amérique / UK:<br />

The Voyage to America / USA: The Trip to America, Henri<br />

Lavorel; 1953 Koenigsmark, Solange Térac, France /<br />

Italy; Au Diable la Vertu, Jean Laviron; Légère et court<br />

vêtue, Jean Laviron; 1954 Soirs de Paris, Jean Laviron;<br />

Votre Dévoué Blake, Jean Laviron; 1959 Orfeu Negro /<br />

Orfeo negro / Orfeu do Carnaval / USA: Black Orpheus,<br />

Marcel Camus, France / Brazil / Italy; 1960 Os Bandeirantes<br />

/ Rio negro / US TV: Gold <strong>of</strong> the Amazon, Marcel<br />

Camus, France / Brazil / Italy; L’Homme à Femmes /<br />

US TV: Murder by Two, Jacques-Gérard Cornu; 1962<br />

L’Oiseau de Paradis / UK and USA: Dragon Sky, France<br />

/ Italy; 1965 Le Chant du Monde / Ossessione nuda / La<br />

saga dei Forrest, Marcel Camus, France / Italy; 1967<br />

Vivre la Nuit / Vivere la notte, Marcel Camus, France /<br />

Italy; 1970 Un Eté sauvage / L’età selvaggia, Marcel Ca-<br />

mus, France / Italy; 1975 Otalia de Bahia / Os Pastores<br />

da Noite / USA: Bahia, Marcel Camus, France / Brazil)<br />

and TV (1973 Molière pour rire et pour pleurer, 6 52',<br />

Marcel Camus), script supervisor (1940 De Mayerling<br />

à Sarajevo / UK: Sarajevo / US video: From Mayerling<br />

to Sarajevo, Max Ophuls; 1942 Dernier Atout, Jacques<br />

Becker), and fi rst assistant director (1943 Je suis avec<br />

toi, Henri Decoin; 1946 Etoile sans Lumière / UK and<br />

USA: Star Without Light, Marcel Blistène; 1950 Clara<br />

de Montargis, Henri Decoin). She directed only two<br />

movies, supervised by Henri Decoin.<br />

<strong>Film</strong>ography<br />

1946 Il suffi t d’une Fois (supervised by Henri Decoin)<br />

1947 Capitaine Blomet (supervised by Henri Decoin)<br />

FEJTÖ, RAPHAËL (September 17, 1974, Paris,<br />

France–)<br />

Of Hungarian descent, he is the grandson <strong>of</strong> historian<br />

and journalist Ferenc Fejtö. He had his fi rst contact<br />

with cinema as an actor (1987 Adieu les Enfants / Auf<br />

wiedersehen Kinder / UK and USA: Goodbye Children,<br />

Louis Malle, France / West Germany).<br />

<strong>Film</strong>ography<br />

1996 56 fois par Semaine (short; also screenwriter,<br />

dialogist, producer, actor)<br />

2004 Osmose (also screenwriter, adapter, dialogist)<br />

2007 L’Âge d’Homme (also screenwriter, adapter,<br />

dialogist)<br />

FÉLIX, LOUIS (Donatien Gilles Louis Félix / August<br />

8, 1920, Toulouse, Haute-Garonne, France–)<br />

He began shooting his fi rst amateur fi lms with a<br />

Pathé-Baby camera at age thirteen and made his<br />

pr<strong>of</strong>essional debut as a cameraman <strong>of</strong> shorts in 1938.<br />

In the early 1940s, he was studying to become an<br />

engineer when he met cinematographer Nicolas<br />

Hayer. He resumed his fi lm career taking part in the<br />

shooting <strong>of</strong> a movie on the liberation <strong>of</strong> Paris. Hired<br />

as a cameraman and reporter for “France Libre Actualités,”<br />

he fi lmed the advances <strong>of</strong> the allied armies<br />

into Germany. Then he worked as cinematographer<br />

(1947 L’Ecole des Facteurs / UK and USA: School for<br />

Postmen, Jacques Tati). In 1951, he gave up reports to<br />

direct shorts and feature fi lms.

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