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Encyclopedia of French Film Directors

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ZABAT, OLIVIER (1965, Grenoble, Isère, France–)<br />

Having trained at the Beaux-Arts school <strong>of</strong> Grenoble,<br />

he graduated from the Beaux-Arts school <strong>of</strong> Paris.<br />

A plastic artist using photography as a medium, he<br />

received a scholarship from the Villa Medici “hors les<br />

Murs” that allowed him to shoot his fi rst documentary<br />

in Brazil. He exhibited his work in several Parisian<br />

museums (Centre Georges Pompidou, Galerie<br />

Nationale du Jeu de Paume, Musée d’Art Moderne)<br />

and foreign museums (Walker Art Center, Miami Art<br />

Central, Conton Museum, Museu d’Art Contemporani<br />

Barcelona, Imperial War Museum <strong>of</strong> London).<br />

<strong>Film</strong>ography<br />

2000 Zona Oeste (documentary; short; also screenwriter,<br />

cinematographer, producer)<br />

2001 La Femme est sentimentale (documentary;<br />

short; also screenwriter, cinematographer,<br />

producer)<br />

2002 Miguel et les Mines (documentary; short; also<br />

screenwriter, cinematographer, producer)<br />

2004 1 / 3 des Yeux (documentary; also screenwriter,<br />

cinematographer, producer)<br />

ZAPHIRATOS, HENRY (Henri Thano Zaphiratos<br />

/ March 3, Hanoi, Vietnam–)<br />

He started as a stage director in Paris in 1951 (Les<br />

Sönderlings). The same year, he wrote his fi rst play<br />

(L’Anti-Oedipe). His second play (Plantation, 1954) was<br />

about the Indochina War. In 1955, he created a fi lm<br />

distribution company in Saigon, Vietnam, and he notably<br />

released movies produced by RKO and Allied Artists<br />

(and many <strong>French</strong> and Italian productions). A fi lm<br />

director since 1960, he also produced and supervised<br />

Les Idoles (Marc’O, 1968) and fi nanced a horror pic-<br />

Z<br />

1025<br />

ture directed by his son, Fabrice A. Zaphiratos (1985<br />

Blood Beat). He resumed his career as a fi lm distributor<br />

in France (1971 Les Mâles, Gilles Carle, Canada;<br />

1975 O Thiaso / UK and USA: The Travelling Players,<br />

Théo Angelopoulos, Greece). He also published several<br />

collections <strong>of</strong> poems (1947 Les Sept Coupes, Editions<br />

du Temps present; 1998 Voyages & Confessions<br />

d’un Rêveur, Athéna), a literary and historical essay<br />

(1999 Flâneries dans Saïgon, Athéna), and a few novels<br />

(2002 Le Bal du Printemps, Athéna; 2007 La Conjuration<br />

des Anges, Chiron Editions).<br />

<strong>Film</strong>ography<br />

1961 Les Nymphettes / USA: First Taste <strong>of</strong> Love (also<br />

screenwriter; adapter)<br />

1964 Le Fils de Tarass Boulba / Tarass Bulba, il Cosacco<br />

(supervised by Ferdinando Baldi; also screenwriter,<br />

dialogist; France / Italy)<br />

1965 Des Enfants sages (medium-length)<br />

El Pampero (short)<br />

Rythmes et Chants d’Argentine (short)<br />

1971 Les Lionnes / Le leonesse (as Oscar Roy, also<br />

screenwriter, dialogist, co-producer; France<br />

/ Italy)<br />

1975 La Vie sexuelle des Français (as Henri Thano;<br />

also screenwriter, producer)<br />

1977 La Grande Frime / A nous, les Minettes (also coscreenwriter)<br />

1978 Paradise Girls / Champagne Graffi ti (also screenwriter,<br />

producer)<br />

ZARIFIAN, CHRISTIAN (September 24, 1942,<br />

Grenoble, Isère, France–)<br />

Born <strong>of</strong> an Armenian father and a <strong>French</strong> mother, he<br />

was seventeen years old when his parents settled in<br />

Brazil, the country where he shot his fi rst Super-8

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