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Encyclopedia of French Film Directors

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852 • RAPPENEAU, JEAN-PAUL<br />

selvaggio / UK: Call Me Savage / USA: Lovers Like Us,<br />

Jean-Paul Rappeneau, France / Italy; 1982 Tout Feu, tout<br />

Flamme / UK and USA: All Fired Up, Jean-Paul Rappeneau;<br />

1984 Le Jumeau, Yves Robert; 1985 Une Femme<br />

ou Deux / USA: One Woman or Two, Daniel Vigne) and<br />

two TV movies directed by Joyce Buñuel (1984 Aéroport:<br />

Issue de Secours; 1985 Terrain glissant). She gave<br />

up her script girl career in 1981.<br />

<strong>Film</strong>ography<br />

1988 Fréquence Meurtre<br />

Television <strong>Film</strong>ography<br />

1989 Mieux vaut courir (also co-screenwriter)<br />

1992 L’Amour assassin<br />

Turbulences<br />

1994 Julie Lescaut (episodes “Rapt,” “La Mort en<br />

rose”)<br />

1995 Julie Lescaut (episodes “La Fiancée assassinée,”<br />

“Double Rousse”)<br />

1996 Le Secret d’Iris<br />

Notre Homme<br />

1997 La Famille Sapajou<br />

L’Amour dans le Désordre<br />

1998 Telle Mère, telle Fille<br />

La Famille Sapajou—Le Retour<br />

1999 Sapajou contre Sapajou<br />

2000 Chacun chez soi<br />

Un Homme en Colère (episode “Un Amour<br />

sans Limite”)<br />

2001 L’Impasse du Cachalot<br />

Un Citronnier pour deux<br />

2003 Changer tout<br />

Les Femmes ont toujours raison<br />

2004 L’Insaisissable<br />

2005 Une Vie<br />

Ma Meilleure Amie<br />

2005 Les Inséparables (episodes “Drôle de Zèbres,”<br />

“Tout nouveau, tout beau”)<br />

2006 Les Inséparables (episode “Nouveaux<br />

2007<br />

Départs”)<br />

Paul et ses Femmes<br />

2008 La Maison Tellier<br />

RAPPENEAU, JEAN-PAUL (April 8, 1932, Auxerre,<br />

Yonne, France–)<br />

A movie buff since his childhood, he led a cine-club<br />

and fi lmed 16-mm shorts. In 1950, he settled in Paris,<br />

where he studied law before switching to cinema<br />

and becoming an assistant director (1955 Les Fruits<br />

de l’Eté / Ihre Liebesnacht / USA: Fruits <strong>of</strong> Summer,<br />

Raymond Bernard, France / West Germany; 1957<br />

Les Suspects, Jean Dréville; Six Mois plus tard, short,<br />

also production manager, René Lucot; Les Alchimistes,<br />

short, also production manager, Edouard Molinaro;<br />

Appelez le 17, short, also production manager, Edouard<br />

Molinaro; 1958 Chemins de Lumière, short, also<br />

production manager, René Lucot) and then screenwriter<br />

and dialogist (1959 Signé Arsène Lupin / Il<br />

ritorno di Arsenio Lupin / US TV: Signed Arsene Lupin, as<br />

screenwriter, co-dialogist, Yves Robert, France / Italy;<br />

1960 La Française et l’Amour / La Francese e l’amore /<br />

USA: Love and the <strong>French</strong>woman, as co-screenwriter,<br />

co-dialogist, segment “Le Mariage,” René Clair, France<br />

/ Italy; Zazie dans le Métro / Zazie nel metró / UK: Zazie<br />

in the Subway / Zazie in the Underground / USA: Zazie<br />

dans le Metro, as co-screenwriter, co-adapter, co-dialogist,<br />

Louis Malle, France / Italy; Entre le Ciel et la<br />

Terre, short, Carlos Vilardebó; 1961 Saint-Tropez Blues,<br />

Marcel Moussy, France / Italy; 1962 Vie privée / Vita privata<br />

/ UK and USA: A Very Private Affair, as co-screenwriter,<br />

dialogist, Louis Malle, France / Italy; Le Combat<br />

dans l’Île / USA: Fire and Ice, as dialogist, Alain Cavalier;<br />

1964 L’Homme de Rio / L’uomo di Rio / UK: That Man in<br />

Rio, as co-screenwriter, co-adapter, Philippe de Broca,<br />

France / Italy; 1965 La Fabuleuse Aventure de Marco<br />

Polo / Lo scacchiere di Dio / Le meravigliose avventure<br />

di Marco Polo / Marko Polo / UK and USA: Marco the<br />

Magnifi cent, as co-screenwriter, co-dialogist, Denys de<br />

La Patellière, Noel Howard, France / Italy / Yugoslavia<br />

/ Afghanistan, shot in 1963; 1973 Le Magnifi que /<br />

Come si distrugge la reputazione del più grande agente<br />

segreto del mondo / UK: How to Destroy the Reputation<br />

<strong>of</strong> the Greatest Secret Agent / USA: The Magnifi cent<br />

One, Philippe de Broca, France / Italy; 1978 Tendre<br />

Poulet / UK: Dear Detective / USA: Dear Inspector, as<br />

uncredited co-screenwriter, Philippe de Broca; 1979<br />

Le Cavaleur / USA: Practice Makes Perfect / The Skirt<br />

Chaser, as uncredited co-screenwriter, Philippe de Broca;<br />

1980 On a volé la Cuisse de Jupiter / UK and USA:<br />

Jupiter’s Thigh, as uncredited screenwriter, Philippe de<br />

Broca). He also worked in TV (1965 Les Survivants, 13<br />

13', as dialogist, Dominique Genee) and appeared<br />

in a documentary (2003 Claude Sautet ou La Magie de<br />

l’Invisible / Claude Sautet oder Die unsichtbare Magie, as<br />

himself, N. T. Binh, France / Germany).<br />

<strong>Film</strong>ography<br />

1958 Chronique provinciale (short; also co-screenwriter)

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