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Encyclopedia of French Film Directors

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760 • MUSIDORA<br />

1986 Lettre d’Amour (short; also screenwriter, dialogist)<br />

1991 Rien que des Mensonges (also co-screenwriter;<br />

co-dialogist, France / Switzerland)<br />

MUSIDORA (Jeanne Roques / February 23, 1889,<br />

Paris, France–December 7, 1957, Paris, France)<br />

She borrowed her pseudonym from Théophile Gautier’s<br />

novel Fortunio. A former dancer, she notably<br />

played in a revue, Ca grise, with future writer Colette.<br />

She entered fi lms in 1909 performing in Le Troisième<br />

Larron. Her portrayals <strong>of</strong> such mysterious characters<br />

as Irma Vep and the adventuress Diana Monti in<br />

Louis Feuillade’s serials Les Vampires (1915–1916) and<br />

Judex (1916), respectively, earned her international<br />

fame and the admiration <strong>of</strong> poets and writers (Louis<br />

Aragon called her the “tenth muse” in an article published<br />

in 1918 and co-authored with André Breton<br />

a play for her, Le Trésor des Jésuites). After starring in<br />

about fi fty movies, including those she directed, she<br />

retired in 1926 and made a last fi lm appearance in<br />

a documentary she fi lmed (1951 La Magique Image).<br />

Dedicating the last years <strong>of</strong> her life to the Cinémathèque<br />

Française, she authored many articles on fi lms<br />

in the magazines Comoedia, L’Eclaireur, Masques et<br />

Visages, and Fantasio; an autobiography (La Vie d’une<br />

Vamp); two novels (1934 Paroxysmes: De l’Amour à la<br />

mort; En Amour tout est possible); a collection <strong>of</strong> poems<br />

(1939 Auréoles: Poésies scandées); and a play (1946 La<br />

Vie sentimentale de George Sand).<br />

<strong>Film</strong>ography<br />

1917 Le Maillot noir (also co-screenwriter, actor as<br />

herself)<br />

1918 La Flamme cachée (co-director with Roger<br />

Lion; also adapter, actor)<br />

La vagabonda (co-director with Eugenio Perego;<br />

also screenwriter, adapter, actor; Italy)<br />

1919 Vincenta (also screenwriter, producer, actor)<br />

1920 Pour Don Carlos (co-director with Jacques<br />

Lasseyne; also screenwriter, adapter, producer,<br />

actor)<br />

1922 Sol y sombre / Soleil et Ombre (co-director with<br />

Jacques Lasseyne; also screenwriter, adapter,<br />

producer, actor; Spain / France)<br />

1924 Tierra de los toros / Terre des Taureaux (also<br />

screenwriter, producer; Spain / France)<br />

1951 La magique Image (16-mm compilation documentary;<br />

also actor as herself)<br />

MUSSO, JEFF (Joseph César Musso / October 21,<br />

1907, La Ciotat, Bouches-du-Rhône, France–March<br />

13, 2007, Sarcelles, Val d’Oise, France)<br />

A former concert violonist, he was violin fi rst prize<br />

<strong>of</strong> the Toulon Conservatory and had to abandon his<br />

musical career for health reasons. He switched to<br />

cinema as a specialist <strong>of</strong> sound recording and as a<br />

composer for several shorts. His fi rst feature feature<br />

was an adaptation <strong>of</strong> Liam O’Flaherty’s novel<br />

The Puritan. During World War II, he was blacklisted<br />

by the Gestapo. He resumed his career in 1944,<br />

fi lming the fi rst movie on the <strong>French</strong> Resistance<br />

(Vive la Liberté!).<br />

<strong>Film</strong>ography<br />

1935 Âme antillaise (documentary; short)<br />

La Guitare à Versailles (documentary; short)<br />

1936 Le Golf enchanté (documentary; short)<br />

Miranda à Paris (documentary; short)<br />

1937 Le Puritain / UK and USA: The Puritan (also coscreenwriter,<br />

co-adapter, composer)<br />

1939 Dernière Jeunesse / Ultima giovinezza / USA:<br />

Second Childhood (also co-screenwriter, coadapter,<br />

co-dialogist; France / Italy)<br />

1946 Vive la Liberté! (also adapter, co-dialogist; shot<br />

in 1944–1945)<br />

1948 La Dynastie des N’Guyen (documentary; also<br />

screenwriter; unfi nished)<br />

1951 Robinson Crusoë / Il naufrago del Pacifi co (also<br />

co-screenwriter, co-dialogist; France / Italy)<br />

1970 Le Soleil d’Ayucho (documentary; short)<br />

Le Pérou (documentary; short)<br />

1971 La Science et la santé (documentary; short)<br />

1972 Les Incas (documentary; short)<br />

1974 Le Musée de l’Or (documentary; short; also<br />

screenwriter)<br />

1975 El caballo de Paso (documentary; short)<br />

1980 La Brigade blanche (documentary; also screenwriter,<br />

adapter)<br />

1986 Le Soleil des Morts (documentary; also screenwriter,<br />

adapter, producer, composer)<br />

MUXEL, PAULE (December 8, 1960, France–) and<br />

SOLLIERS, BERTRAND DE (July 9, 1964, Vichy,<br />

Allier, France–)<br />

Bertrand de Solliers was trained at the ESEC (a fi lm<br />

school). Paule Muxel has written essays since 1976.<br />

Besides their own movies, they produced 2004 14,

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