13.07.2013 Views

Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

<strong>Film</strong>ography<br />

1920 Les Etrennes à travers les Âges (short)<br />

1921 Noël d’Alsace (short)<br />

Le Pendentif (short)<br />

1922 Le Noël du Père Lathuile (short)<br />

1923 Monsieur Lebidois Propriétaire (also screenwriter;<br />

shot in 1921)<br />

Petit Hôtel à louer / USA: Little Hotel for Rent<br />

Le Taxi 313 X 7<br />

Par-dessus le Mur (also screenwriter)<br />

Soirée mondaine<br />

1925 Le Mariage de Rosine<br />

Amour et Carburateur (also screenwriter)<br />

1926 Paris en Cinq Jours (co-director with Nicolas<br />

Rimsky)<br />

Mots croisés (co-director with Michel Linsky)<br />

Au Revoir . . . et merci (co-director with E. B.<br />

Donatien)<br />

1928 Les Transatlantiques<br />

Petite Fille (short)<br />

1929 Dolly (also screenwriter)<br />

1930 Chiqué<br />

Le Roi des Resquilleurs / USA: The King <strong>of</strong> the<br />

Gate Crashers (also co-screenwriter)<br />

1931 Je t’adore, mais pourquoi? (also co-screenwriter)<br />

Le Roi du Cirage (also co-screenwriter)<br />

1932 Sa Meilleure Cliente<br />

1933 Théodore et Cie<br />

Charlemagne<br />

1934 Ces Messieurs de la Santé<br />

Une Femme chipée<br />

1935 L’Ecole des Cocottes<br />

La Marraine de Charley<br />

1936 Une Gueule en Or<br />

Le Roi / USA: The King<br />

1937 Ignace<br />

Les Rois du Sport<br />

Le Club des Aristocrates<br />

Balthazar<br />

1938 Tricoche et Cacolet<br />

Le Dompteur<br />

1939 Quartier latin (co-director with Alexandre Esway,<br />

Christian Chamborant)<br />

COLOMER, HENRY (1950, Perpignan, Pyrénées-<br />

Orientales, France–)<br />

He studied philosophy and then cinema at the ID-<br />

HEC and the Dramastiska Institutet, Stockholm,<br />

Sweden. After graduating with a diploma in directing,<br />

COLPI, HENRI • 243<br />

he fi lmed shorts for the INA (from 1980 to 1985). He<br />

co-wrote with their director screenplays <strong>of</strong> two Lâm<br />

Lê movies (1981 Rencontre des Nuages et du Dragon,<br />

short; 1983 Poussière d’Empire, France / Vietnam).<br />

Other credit (as screenwriter): 2004 Corto Maltese:<br />

La Maison dorée de Samarkand (animation, Richard<br />

Danton, Liam Saury).<br />

<strong>Film</strong>ography<br />

1984 La Boutique infernale de Diderot (documentary)<br />

1989 Salvador Espriu (documentary; short)<br />

Primo Levi (documentary; short)<br />

1992 Les Routes de la Lumière (documentary;<br />

medium-length)<br />

1993 Jean-Michel Déprats traduit Shakespeare (documentary;<br />

short)<br />

Le Japonisme (documentary; short)<br />

1994 Claire Cayron traduit Michel Torga (documentary;<br />

short)<br />

1995 La Maison de l’Eveil (documentary; mediumlength)<br />

1996 Anatomie de la Couleur (documentary; short)<br />

1997 Monte Verità (documentary; medium-length)<br />

2000 Optimum (documentary; medium-length)<br />

Marseille au long Cours (documentary; short)<br />

2002 L’Exilé (documentary; medium-length)<br />

2006 Nocturnes (also screenwriter, dialogist)<br />

2008 Iddu, l’Atelier de Jean-Michel Fauquet (documentary;<br />

medium-length)<br />

Television <strong>Film</strong>ography<br />

2002 Tempo (10 13'; also screenwriter)<br />

COLPI, HENRI (Enrico Colpi / July 15, 1921, Brig,<br />

Valais, Switzerland–January 14, 2006, Menton, Alpes-<br />

Maritimes, France)<br />

Born to Italian parents, he settled in Sète, France, with<br />

his family in 1932. Having graduated with a bachelor’s<br />

degree in literature from the Faculty <strong>of</strong> Montpellier,<br />

he enrolled in the IDHEC and obtained his diploma<br />

in 1946. He was a fi lm critic for the review Cinéscript<br />

before entering fi lms as a trainee assistant director<br />

(1947 Les Jeux sont faits / UK and USA: The Chips Are<br />

Down, Jean Delannoy). He briefl y worked as an assistant<br />

director on shorts (1947–1948) and as a sound<br />

recordist (1955 Nuit et Brouillard / UK and USA: Night<br />

and Fog, documentary, short, Alain Resnais) before<br />

becoming one <strong>of</strong> the best <strong>French</strong> fi lm editors (1956<br />

Les Hommes de la Baleine, documentary, short, Mario

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!