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Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

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Manuella (co-director with René Hervil; also<br />

co-screenwriter)<br />

Oh! Ce Baiser / USA: Oh, That Kiss! (co-director<br />

with René Hervil)<br />

Midinettes (co-director with René Hervil)<br />

La P’tite du Sixième (co-director with René<br />

Hervil)<br />

Le Tablier blanc (co-director with René Hervil;<br />

also co-screenwriter)<br />

Le Torrent (co-director with René Hervil)<br />

1918 Bouclette / L’Ange de Minuit (co-director with<br />

René Hervil)<br />

Un Roman d’Amour et d’Aventures (co-director<br />

with René Hervil)<br />

1920 L’Appel du Sang / USA: The Call <strong>of</strong> the Blood<br />

(also screenwriter, adapter, producer)<br />

Miarka, la Fille à l’Ourse / USA: Gypsy Passion<br />

/ Miarka, the Girl with the She-Bear (also producer)<br />

1922 Phroso / UK: Possession (also producer)<br />

1923 Sarati le Terrible<br />

Aux Jardins de Murcie (co-director with René<br />

Hervil; also producer)<br />

1924 La Voyante<br />

Les Deux Gosses (eight episodes: “Premier<br />

Mensonge,” “Zéphyrine, la Limace et Cie,”<br />

“Infernale Vengeance,” “Fanfan et Claudinet,”<br />

“Le Retour de Kerlor,” “La Fuite de Fanfan,”<br />

“Maman chérie,” “La Mort d’un Gosse”; also<br />

screenwriter, adapter)<br />

1925 Monte-Carlo / USA: Prodigals <strong>of</strong> Monte Carlo<br />

1926 La Petite Bonne du Palace / Cinders (also coscreenwriter,<br />

co-adapter, producer)<br />

1928 Croquette ou Une Histoire de Cirque / La Môme<br />

du Cirque / UK: Monkeynuts (also co-screenwriter,<br />

co-adapter, producer)<br />

1929 Vénus (also producer)<br />

1930 Le Mystère de la Villa Rose (<strong>French</strong> version <strong>of</strong><br />

Leslie Hiscott’s At the Villa Rose / USA: Mystery<br />

at the Villa Rose; co-director with René<br />

Hervil)<br />

La Lettre<br />

Chérie<br />

Bon Appétit, Messieurs (short)<br />

Quelques Chansons (short)<br />

The Nipper / USA: The Brat (UK)<br />

1931 Marions-nous (<strong>French</strong> version <strong>of</strong> Frank Tuttle’s<br />

Wedding Night; also Spanish version: Su noche<br />

de bodas; USA)<br />

A Man <strong>of</strong> Mayfair (UK)<br />

These Charming People (UK)<br />

Le Bouif au Salon (short)<br />

La Brigade du Bruit (short)<br />

Le Collier de Perles (short)<br />

Conférence sur la beauté (short)<br />

La Danse nouvelle (short)<br />

La Disparue (short)<br />

En Zinc sec (short)<br />

Le Garçon de Café (short)<br />

La Girouette sur le Toit (short)<br />

La Malle (short)<br />

Le Meeting (short)<br />

Octave (short)<br />

Ohé! Ohé! (short)<br />

Par T.S.F. / T.S.F. (short)<br />

Pas d’Histoires (short)<br />

Popaul veut dormir (short)<br />

Les Rois Mages (short)<br />

Sa Nuit de Noces (short)<br />

Sur le Tas de Sable (short)<br />

Une Idée de Génie (short)<br />

Un Joli Succès (short)<br />

Voici le Printemps (short)<br />

1932 Il est charmant / USA: He Is Charming (also<br />

Swedish version: Stutender i Paris; France /<br />

Sweden)<br />

Cognasse (also co-screenwriter, co-adapter)<br />

La Femme Poisson (short)<br />

Passionnément (René Guissart completed the<br />

fi lm after Louis Mercanton’s death)<br />

MERCIER, MARIO (1935, France–)<br />

MÉRÉ, PIERRE • 713<br />

Passionately interested in occultism and shamanism,<br />

he authored many books on these matters and directed<br />

a couple <strong>of</strong> movies on witchcraft (he created<br />

the word “Witchcinema” to describe his cinematographic<br />

work). He is also a painter and a novelist.<br />

<strong>Film</strong>ography<br />

1965 Les Dieux en Colère (16-mm short; unreleased)<br />

1972 La Goulve / USA: Erotic Witchcraft (co-director<br />

with Bépi Fontana; also screenwriter)<br />

1975 La Papesse / USA: A Woman Possessed (also<br />

screenwriter, dialogist)<br />

MÉRÉ, PIERRE (1912, Paris, France–1992, France)<br />

Before beginning a directing career, he was successively<br />

a second assistant camera operator (1937

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