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Encyclopedia of French Film Directors

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64 • BASNIER, ALAIN<br />

Emotional Arithmetic (also executive producer;<br />

Canada)<br />

Grand Star / La Compagnie des Glaces (twentysix<br />

episodes; also screenwriter <strong>of</strong> the sixth<br />

episode; Canada / France)<br />

2008 Dr. Jekyll and Mr. Hyde (Canada)<br />

15 / Love (episodes “The Princess and the<br />

Clown,” “Midnight Snack Club,” “The <strong>French</strong><br />

Deception,” “Reckoning”; Canada / France)<br />

The Last Templar (TV miniseries)<br />

BASNIER, ALAIN (1949, France–)<br />

A former assistant cameraman (1972 Les Soleils de<br />

l’Île de Pâques / Os Sois da Ilha de Pascoa, Pierre Kast,<br />

France / Brazil; 1973 La Bonne Année / Una donna e<br />

una canaglia / USA: Happy New Year, Claude Lelouch,<br />

France / Italy) and occasional actor (1974 Mariage, uncredited,<br />

Claude Lelouch; 1976 Le Bon et les Méchants<br />

/ USA: The Good and the Bad, Claude Lelouch), he<br />

directed a comedy starring Les Charlots.<br />

<strong>Film</strong>ography<br />

1979 Les Charlots en Délire (also co-screenwriter)<br />

BASSI, RINALDO (December 12, 1940, Asnières,<br />

Hauts-de-Seine, France–)<br />

After studying general mathematics, he was trained<br />

as an electronic manufacturing engineer and graduated<br />

from ENRA in 1961. Then he served as assistant<br />

director (1959 Gli ultimi giorni di pompéi / Les Derniers<br />

Jours de Pompéi / Los ultimas dias de Pompeya / Die letzten<br />

Tagen von Pompeji / USA: The Last Days <strong>of</strong> Pompeii,<br />

Mario Bonnard, Sergio Leone, Italy / France / Spain /<br />

West Germany; 1961 Morgan il pirata / Morgan le Pirate<br />

/ USA: Morgan, the Pirate, André de Toth, Primo Zeglio,<br />

Italy / France; Barraba / Barrabas, Richard Fleischer,<br />

Italy / USA; 1962 The Longest Day, Ken Annakin, Andrew<br />

Marton, Gerd Oswald, Bernhard Wicki, Elmo<br />

Williams, Darryl F. Zanuck, USA; 1964 The Train / Le<br />

Train / Il treno, John Frankenheimer, USA / France /<br />

Italy; The Fall <strong>of</strong> Roman Empire, Anthony Mann, USA;<br />

1966 Paris brûle-t-il? / Is Paris Burning?, René Clément,<br />

France / USA; 1969 Les Chemins de Katmandou / Katmandu<br />

/ UK: The Road to Katmandu / USA: The Pleasure<br />

Pit / Dirty Dolls in Kathmandu, France / Italy) and second<br />

unit director on fi lms (1971 Kill / Kill: Matar / Kill! /<br />

USA: Kill! Kill! Kill!, Romain Gary, France / Spain / Italy /<br />

West Germany) and TV (1966 Les Corsaires / Corsaires<br />

et Flibustiers, 13 26', Claude Barma; Les Globe-Trotters,<br />

39 30', Claude Boissol, Jack Pinoteau; L’Île au Trésor /<br />

Die Schatzinsell, USA and Canada: Treasure Island, 13 <br />

26', Jacques Bourdon, Wolfgang Liebeneiner, France /<br />

West Germany; 1968 Les Secrets de la Mer Rouge, 13 <br />

26', Claude Guillemot, Pierre Lary; 1969 Les Aventures<br />

de Tom Sawyer / Tom Sawyers und Huckleberry Finns<br />

Abenteuer / Aventurile lui Tom Sawer, 4 90', France /<br />

West Germany / Romania). He also was artistic director<br />

and coordinator <strong>of</strong> the three crews <strong>of</strong> La Légende<br />

de Bas de Cuir / Der Lederstrumpferzählungen / Vinatorul<br />

de cerbi, 13 26', Jean Dréville, Pierre Gaspard-Huit,<br />

Sergiu Nicolaescu, France / West Germany / Romania<br />

(1970) and worked as an assistant to stage director<br />

Jean-Laurent Cochet for Harold Pinter’s The Caretaker<br />

(1968). He directed many commercials and several<br />

TV reports for ABC before running movie theaters<br />

in Paris (Kinoparama, Arlequin, Broadway Cinérama),<br />

Brussels (Variétés Cinérama), Lyon (Cinérama Congrès),<br />

Marseille (Cinérama), and London (Cinerama).<br />

He created a fi lm release company (Eagle Company<br />

International) in Paris and a production society in Los<br />

Angeles (B and G Productions). Having returned to<br />

France in 1991, he wrote articles in such reviews as La<br />

Revue du Son, L.E.D., Electronique parfait, Prestige Audio<br />

Vidéo, and Son Magazine. In 2000, he founded an audio,<br />

video, and hi-fi laboratory, the Laboratoire Bassi.<br />

<strong>Film</strong>ography<br />

1969 Un Merveilleux Parfum d’Oseille / USA: All My<br />

Murders . . . (also co-adapter)<br />

1974 Pourvu qu’on ait l’Ivresse / I piaceri della contessa<br />

Gamiani (as Reynald Bassi, also screenwriter,<br />

adapter, dialogist; France / Italy)<br />

Television <strong>Film</strong>ography<br />

1969 Minouche (13 26'; co-director with Maurice<br />

Fasquel)<br />

1976 Rock Around the Jazz (documentary; twelvehour<br />

TV series; USA)<br />

1992 Goal (39 26'; co-director with Nicolas<br />

Cahen, Roger Kahane, Christiane Léhérissey,<br />

Christiane Spiero)<br />

BASTIA, JEAN (Jean Simoni / February 15, 1919,<br />

Bastia, Corsica, France–)<br />

An assistant director (1946 On ne meurt pas comme<br />

ça, Jean Boyer; 1947 Quartier chinois, René Sti; 1948<br />

Mademoiselle s’amuse, Jean Boyer; 1949 Gigi, Jacqueline<br />

Audry; 1950 Nous irons à Paris / USA: We Will All<br />

Go to Paris, Jean Boyer; Le Rosier de Madame Husson<br />

/ USA: The Prize, Jean Boyer; 1951 Garou-Garou, le

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