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Encyclopedia of French Film Directors

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820 • PINOTEAU, CLAUDE<br />

Born into a modest family, he had a passion for drawing<br />

and animated cinema in his childhood. Having<br />

graduated with a diploma as a plastic arts technician,<br />

he began frequenting the <strong>French</strong> Cinematheque,<br />

where he notably saw Paul Grimault, Jirí Trnka, and<br />

Myasaki’s cartoons. During his time with the <strong>French</strong><br />

army’s Cinematographic Service, he met directors<br />

Jacques Rouxel, José Xavier, and René Laloux. He<br />

started his pr<strong>of</strong>essional career at the Gaumont as an<br />

artist (1985 Astérix et la Surprise de César / USA: Asterix<br />

Versus Caesar, Gaëtan and Paul Brizzi) and assistant<br />

animator (1986 Astérix chez les Bretons / UK and USA:<br />

Asterix in Britain, Pino van Lamsweerde).<br />

<strong>Film</strong>ography<br />

1991 Chocs (animated short)<br />

1992 Chant funèbre (animated short; also screenwriter;<br />

France / Canada)<br />

2003 Kaena: The Prophecy (animation; co-director<br />

with Chris Delaporte; France / Canada)<br />

Television <strong>Film</strong>ography<br />

1998 Redwall (animation; 13x26'; co-director only;<br />

France / Canada)<br />

1999 Animal Crackers / Bêtes à craquer (animation;<br />

13 13'; co-director only; France / Canada)<br />

PINOTEAU, CLAUDE (May 25, 1925, Boulogne-<br />

Billancourt, Hauts-de-Seine, France–)<br />

The son <strong>of</strong> location manager Lucien Pinoteau<br />

(1887–1963), he made his fi lm debut as an actor at<br />

age fourteen (1939 La Fin du Jour / UK: The End <strong>of</strong> a<br />

Day / USA: The End <strong>of</strong> the Day, Julien Duvivier). Then<br />

he was successively an assistant location manager<br />

(1945 Untel Père et Fils / UK: The Heart <strong>of</strong> a Nation /<br />

USA: Immortal France, Julien Duvivier, shot in 1940),<br />

trainee location manager (1941 Histoire de rire /<br />

USA: Foolish Husbands, Marcel L’Herbier; Premier Bal,<br />

Christian-Jaque; 1943 L’Honorable Catherine / USA:<br />

The Honorable Catherine, Marcel L’Herbier, Jacques de<br />

Baroncelli), props assistant (1943 Le Baron Fantôme<br />

/ UK: The Phantom Baron, Serge de Poligny; Adémaï<br />

Bandit d’Honneur, Gilles Grangier; L’Escalier sans Fin,<br />

Georges Lacombe; 1944 L’Aventure est au Coin de la<br />

Rue, Jacques Daniel-Norman; Graine au Vent, Maurice<br />

Gleize; 1945 La Fiancée des Ténèbres, Serge de Poligny;<br />

Le Cavalier noir, Gilles Grangier; Farandole, André<br />

Zwoboda), set designer (1946 L’Homme au Chapeau<br />

rond / USA: The Eternal Husband, Pierre Billon; Martin<br />

Roumagnac / USA: The Room Upstairs, Georges La-<br />

combe; 1947 Miroir, Raymond Lamy; 1948 Le Voleur<br />

se porte bien, Jean Loubignac, shot in 1946; L’Aigle à<br />

deux Têtes / UK: The Eagle Has Two Heads / USA: The<br />

Eagle with Two Heads, Jean Cocteau; Bagarres / USA:<br />

Wench, Henri Calef), production manager (1947 Panique<br />

/ USA: Panic, Julien Duvivier), assistant director<br />

(1948 Les Parents terribles / UK and USA: The Storm<br />

Within, Jean Cocteau; 1949 Ainsi fi nit la Nuit / UK and<br />

USA: Thus Finishes the Night, Emile Edwin Reinert; Bal<br />

Cupidon, Marc-Gilbert Sauvajon, with the collaboration<br />

<strong>of</strong> Hervé Bromberger; Le Roi / USA: A Royal<br />

Affair, Marc-Gilbert Sauvajon, with the collaboration<br />

<strong>of</strong> Hervé Bromberger, 1950 Les Enfants terribles / UK<br />

and USA: The Strange Ones, Jean-Pierre Melville; 1950<br />

Ma Pomme / USA: Just Me, Marc-Gilbert Sauvajon;<br />

L’Homme de Joie, Gilles Grangier; 1951 L’Amant de<br />

Paille, Gilles Grangier; Olivia / USA: The Pit <strong>of</strong> Loneliness,<br />

Jacqueline Audry; Ils étaient Cinq, Jack Pinoteau;<br />

1952 Jocelyn, Jacques de Casembroot; Plume au Vent /<br />

Pluma al viento, Louis Cuny, France / Spain; 1953 Les<br />

Compagnes de la Nuit / USA: Companions <strong>of</strong> the Night,<br />

Ralph Habib; 1954 Secrets d’Alcôve / Il letto / USA: The<br />

Bed, segment “Riviera-Express,” Ralph Habib, France<br />

/ Italy; Le Grand Pavois, Jack Pinoteau; Les Ecoles de<br />

l’Air, short, Jack Pinoteau; Montmartre nocturne, documentary,<br />

short, Jean-Claude Bernard; Anatole chéri,<br />

Claude Heymann, shot in 1951; 1955 Les Amants du<br />

Tage / UK: The Lovers <strong>of</strong> Lisbon / USA: Lover’s Net,<br />

Henri Verneuil; Lola Montès / Lola Montez / UK: The<br />

Fall <strong>of</strong> Lola Montes / USA: The Sins <strong>of</strong> Lola Montes, Max<br />

Ophüls, also uncredited actor, France / West Germany;<br />

Les Hommes en blanc / UK: Men in White / USA:<br />

Doctors, Ralph Habib; 1956 La Loi des Rues / USA: Law<br />

<strong>of</strong> the Streets, Ralph Habib; La Châtelaine Du Liban /<br />

La castellana del Libano / USA: The Lebanese Mission<br />

/ US TV: Desert Detour, Richard Pottier, France /<br />

Italy; Club de Femmes / Club di ragazze, France / Italy,<br />

Ralph Habib; L’Homme et l’Enfant / Creature del male<br />

/ USA: Man and Child, Raoul André, France / Italy;<br />

1957 Jusqu’au dernier / Fino all’ultimo, Pierre Billon,<br />

France / Italy; L’Ami de la Famille, Jack Pinoteau; Escapade,<br />

Ralph Habib; Le Triporteur, Jack Pinoteau; 1958<br />

Le Passager clandestin / The Stowaway, Ralph Habib,<br />

Lee Robinson, France / Australia; 1959 L’Ambitieuse /<br />

UK: The Dispossessed / USA: The Ambitious One / The<br />

Restless and the Damned / US TV: The Climbers, Yves<br />

Allégret, France / Italy / Australia; 1959 Houla-Houla,<br />

Robert Darène; 1960 Robinson et le Triporteur / Hola<br />

Robinson! / USA: Monsieur Robinson Crusoe, Jack Pinoteau,<br />

France / Spain; 1962 Un Singe en Hiver / UK: It’s

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