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Encyclopedia of French Film Directors

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School), she worked as a second assistant director<br />

for TV (1998 Nightworld: 30 Years to Life / 30 Years to<br />

Life, Michael Tuchner, Canada / USA / Luxembourg;<br />

1999 La Fille de mes Rêves, Laurent Barjon) and<br />

screenwriter for TV (2002 Âge sensible, TV series;<br />

2005 Famille d’Accueil, episode “La Grande Fille,” Alain<br />

Wermus; 2006 Famille d’Accueil, episode “Un Long<br />

Silence,” Daniel Janneau).<br />

<strong>Film</strong>ography<br />

2003 Les Baisers des Autres (short; also screenwriter,<br />

dialogist)<br />

2004 L’Aîné de mes Soucis (short; also screenwriter,<br />

dialogist)<br />

2007 La Tête de Maman (also screenwriter, dialogist)<br />

Television <strong>Film</strong>ography<br />

2003 Bande originale (24 1' documentary)<br />

TARRIDE, JEAN (March 15, 1901, Paris, France–June<br />

5, 1980, Neuilly-sur-Seine, Hauts-de-Seine, France)<br />

The son <strong>of</strong> actor Abel Tarride (1865–1951) and actress<br />

Marthe Régnier (1880–1967), he played in a few<br />

fi lms (1920 La Belle Dame sans Merci, Germaine Dulac;<br />

1938 Hercule, Alexandre Esway; 1939 La Famille Duraton,<br />

Christian Stengel; 1943 Après l’Orage, Pierre-Jean<br />

Ducis, shot in 1941). After being an assistant director<br />

to Jean de Size (1928 Une Java) and chief editor <strong>of</strong> a<br />

magazine program (Les Lumières de la Ville), he directed<br />

his fi rst fi lm in 1930. His brothers, Jacques (1903–<br />

1994) and Sacha Tarride (b. 1918), were also actors.<br />

<strong>Film</strong>ography<br />

1930 L’Homme qui assassina<br />

1931 Radio-Folies (short)<br />

Seul (short)<br />

On opère sans Douleur (short)<br />

Prisonnier de mon Cœur<br />

1932 Le Chien jaune<br />

1933 Etienne<br />

1934 Le Voyage de Monsieur Perrichon<br />

Adémaï Aviateur / UK: Skylark<br />

1935 Tovaritch (co-director with Jacques Deval, Victor<br />

Trivas)<br />

1937 Records 37 (short)<br />

1944 Le Mort ne reçoit plus<br />

TATI, JACQUES (Jacques Tatischeff / October 9,<br />

1907, Le Pecq, Yvelines, France–November 4, 1982,<br />

Paris, France)<br />

TATISCHEFF, SOPHIE • 949<br />

His Russian grandfather settled in Paris as the czar’s<br />

ambassador, and his other grandfather was Vincent<br />

Van Gogh’s framer. After completing his secondary<br />

studies, he worked with his father (a framer as well)<br />

while preparing for the entrance into L’Ecole des Arts<br />

et Métiers. He spent some time in England, where he<br />

was introduced to boxing, soccer, rugby, and tennis.<br />

In 1931, he made his cabaret debut as a mime. Using<br />

his music hall repertory, he entered fi lms as an<br />

actor and screenwriter in comic shorts (1932 Oscar,<br />

Champion de Tennis, short, Jack Forrester; 1934 On<br />

demande une Brute, short, also co-screenwriter, codialogist,<br />

Charles Barrois; 1935 Gai Dimanche, short,<br />

also co-screenwriter, Jacques Berr; 1937 Soigne ton<br />

Gauche, short, also screenwriter, René Clément). Seen<br />

in a handful <strong>of</strong> movies (1946 Sylvie et le Fantôme / UK:<br />

Sylvia and the Ghost / USA: Sylvia and the Phantom,<br />

Claude Autant-Lara; 1947 Le Diable au Corps / USA:<br />

Devil in the Flesh, uncredited, Claude Autant-Lara;<br />

1967 Cours du Soir, short, Nicolas Ribowski; 1972<br />

Obraz uz obraz, episode directed by Zdravko Sotra,<br />

Yugoslavia), he wrote, directed, and performed only<br />

six feature fi lms.<br />

<strong>Film</strong>ography<br />

1938 Retour à la Terre (short; also screenwriter)<br />

1947 L’Ecole des Facteurs / UK and USA: School for<br />

Postmen (short; also screenwriter, dialogist)<br />

1949 Jour de Fête / UK and USA: Holiday / The Big<br />

Day (also co-screenwriter, co-dialogist; shot<br />

in 1947)<br />

1953 Les Vacances de Monsieur Hulot / UK: Monsieur<br />

Hulot’s Holiday / USA: Mr. Hulot’s Holiday (also<br />

co-screenwriter, co-dialogist, co-producer;<br />

shot in 1952–1953)<br />

1958 Mon Oncle / Mio zio / UK and USA: My Uncle<br />

(also screenwriter, adapter, dialogist, coproducer;<br />

France / Italy; shot in 1956–1957)<br />

1967 Playtime (also screenwriter, adapter, dialogist;<br />

France / Italy; shot in 1964–1965)<br />

1971 Trafi c / Monsieur Hulot nel caos del traffi co / UK<br />

and USA: Traffi c (also screenwriter; France /<br />

Italy)<br />

1974 Parade (originally shot for TV; France / Sweden)<br />

1978 Forza Bastia ou 78 L’Île en Fête (documentary;<br />

co-director with Sophie Tatischeff)<br />

TATISCHEFF, SOPHIE (October 23, 1946, Neuillysur-Seine,<br />

Hauts-de-Seine, France–October 27, 2001,<br />

Paris, France)

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