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Encyclopedia of French Film Directors

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1996 Cyprien Katsaris<br />

2001 Les Redoutables (episode “Coup de Vice”)<br />

2007 Chez Maupassant (episode “La Parure”)<br />

2008 Chez Maupassant (episode “Le Petit Fût”)<br />

2009 Au Siècle de Maupassant: Contes et Nouvelles<br />

de XIXe Siècle (episode “Le Petit Vieux des<br />

Batignolles”)<br />

CHAGNARD, PATRICE (May 8, 1946, Grenoble,<br />

Isère, France–)<br />

He studied philosophy at the Sorbonne before making<br />

his fi lm debut in 1967.<br />

<strong>Film</strong>ography<br />

1967 Mayo (short; also screenwriter)<br />

1999 Le Convoi (documentary; also screenwriter)<br />

2006 Dans un Camion rouge (documentary; also<br />

screenwriter, cinematographer)<br />

Television <strong>Film</strong>ography<br />

1981 Quelque chose de l’Arbre, du Fleuve et du Cri du<br />

Peuple (documentary)<br />

1983 Swamiji, un Voyage intérieur (documentary)<br />

1984 Zen, le Souffl e nu (documentary)<br />

CHAIZE, PATRICK (July 2, 1962, Villefranche-sur-<br />

Saône, Rhône, France–)<br />

After growing up in Burgundy, he studied literature<br />

and art history in Lyon and then cinema in Paris<br />

(IDHEC, directing section). He co-wrote a short<br />

(1991 Cendrillon, Christine Dory) and collaborated as<br />

screenwriter on the TV series Seconde B (1993).<br />

<strong>Film</strong>ography<br />

1978 La Poupée (Super-8 short; also screenwriter)<br />

1979 New York, Carnet de Notes (Super-8 short; also<br />

screenwriter)<br />

1982 Bonne Nuit, à demain (short; also screenwriter)<br />

1983 Champs-Elysées (short; also screenwriter)<br />

1985 Actes d’Amour (short; also screenwriter)<br />

Le Jeune Homme et l’Ange (short; also screenwriter)<br />

2001 L’Hiver sera rude (also screenwriter; shot in<br />

1999)<br />

CHALONGE, CHRISTIAN DE (January 21, 1937,<br />

Douai, Nord, France–)<br />

Having graduated with a certifi cate in literature at<br />

the Sorbonne, he studied at the IDHEC (1957–1958)<br />

before starting as a trainee assistant (1961 Tout l’Or<br />

CHALONGE, CHRISTIAN DE • 201<br />

du Monde / Tutto l’oro del mondo / UK and USA / All the<br />

Gold in the World, René Clair, France / Italy). Then he<br />

served as second assistant director (1962 Le Gentleman<br />

d’Epsom / Les Grands Seigneurs / Il re delle corse /<br />

UK and USA: Duke <strong>of</strong> the Derby / The Gentleman from<br />

Epsom, Gilles Grangier, France / Italy; 1963 Mélodie en<br />

Sous-Sol / Colpo grosso al casino / UK: The Big Snatch<br />

/ Anyone Can Win / USA: Any Number Can Win, Henri<br />

Verneuil, France / Italy) and fi rst assistant director<br />

(1962 Les Dimanches de Ville d’Avray / Cybèle ou les<br />

Dimanches de Ville d’Avray / UK: Cybele / USA: Sundays<br />

and Cybele, Serge Bourguignon; 1964 La Vie à l’Envers<br />

/ USA: Life Upside Down, Alain Jessua; Mata-Hari, Agent<br />

H 21 / Mata-Hari, agente segreto H 21, Jean-Louis<br />

Richard, France / Italy; 1965 La Fabuleuse Aventure de<br />

Marco Polo / Lo scacchiere di Dio / Le meravigliose avventure<br />

di Marco Polo / Marko Polo / UK and USA: Marco<br />

the Magnifi cent, Denys de La Patellière, Noel Howard,<br />

France / Italy / Yugoslavia / Afghanistan / Egypt, shot<br />

in 1963; Un Mari à Prix fi xe, Claude de Givray, shot in<br />

1963; Thomas l’Imposteur / UK and USA: Thomas the<br />

Impostor, Georges Franju; 1966 Mademoiselle, Tony Richardson,<br />

France / UK; 1967 The Sailor from Gibraltar,<br />

Tony Richardson, UK; 1971 Espanoles en Paris / Des<br />

Espagnoles à Paris, Roberto Bodegas, Spain / France).<br />

Parallel with his directing work, he also was a second<br />

unit director (1968 The Charge <strong>of</strong> the Light Brigade,<br />

Tony Richardson, UK; 1973 Etat de Siège / L’Americano<br />

/ Der unsichtbare Aufstand / UK and USA: State <strong>of</strong> Siege,<br />

Costa-Gavras, France / Italy / West Germany; 1976 Il<br />

deserto dei Tartari / Le Désert des Tartares / Die Tartarenwüste<br />

/ UK and USA: The Desert <strong>of</strong> the Tartars, Valerio<br />

Zurlini, Italy / France / West Germany / Iran).<br />

<strong>Film</strong>ography<br />

1967 O salto / Le Saut / USA: Voyage <strong>of</strong> Silence (also<br />

co-screenwriter, co-adapter, co-dialogist)<br />

1971 L’Alliance (also co-screenwriter, co-adapter,<br />

co-dialogist)<br />

1978 L’Argent des Autres (also co-screenwriter, coadapter)<br />

1981 Malevil / Malevil, Countdown der Neutronenbombe<br />

(also co-screenwriter, co-adapter;<br />

France / West Germany)<br />

1982 Les Quarantièmes Rugissants / The Roaring Forties<br />

(also original idea; France / UK)<br />

1990 Docteur Petiot (also co-screenwriter, coadapter,<br />

co-dialogist)<br />

1991 Le Voleur d’Enfants / Il ladro di bambini / El ladron<br />

de ninos (also co-screenwriter, co-adapter;<br />

France / Italy / Spain)

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