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Encyclopedia of French Film Directors

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408 • FORRESTER, JACK<br />

tue, short, documentary, also actor, Alain Resnais;<br />

1954 L’Oeil en Coulisses, André Berthomieu; 1956<br />

Toute la Mémoire du Monde, short, documentary,<br />

commentary, Alain Resnais; 1958 La Première Nuit,<br />

short, documentary, Georges Franju; Sans Famille<br />

/ Senza famiglia / Die Abenteuer des kleinen Rémi /<br />

USA: The Adventures <strong>of</strong> Rémi, also co-dialogist; André<br />

Michel; France / Italy / West Germany;1959 La<br />

Verte Moisson, also co-adapter, co-dialogist, François<br />

Villiers; 1960 Bouquet de Femmes, TV short; 1961 Le<br />

Puits aux Trois Vérités / Il pozzo delle tre verità / UK<br />

and USA: Three Faces <strong>of</strong> Sin, François Villiers, France<br />

/ Italy; 1964 L’Autre Femme / Quella orribile notte /<br />

La otra mujer, François Villiers, France / Italy / Spain;<br />

1967 Un Choix d’Assassins, also co-adapter, co-dialogist,<br />

Philippe Fourastié, France / Italy;1968 LaBande à<br />

Bonnot / La banda Bonnot, Philippe Fourastié, France<br />

/ Italy; 1971 L’Amour, c’est gai, l’Amour, c’est triste, also<br />

dialogist, actor, Jean-Daniel Pollet, shot in 1968),<br />

co-adapter, co-dialogist (1961 Tintin et le Mystère<br />

de la Toison d’Or, Jean-Jacques Vierne; 1962 Comme<br />

un Poisson dans l’Eau, André Michel; 1963 Jusqu’au<br />

Bout du Monde / Un fi lo di speranza, François Villiers,<br />

France / Italy), adapter (1963 Le Roi du Village, Henri<br />

Gruel; 1964 Tintin et les Oranges bleues / El misterio<br />

de las naranjas azules, Philippe Condroyer, France /<br />

Spain), dialogist (1965 Le Voleur de Tibidabo / La vida<br />

es magnífi ca, Maurice Ronet, France / Spain; 1989<br />

Papa est parti, Maman aussi, also novel, Christine<br />

Lipinska), and screenwriter (1967 Tu imagines Robinson,<br />

Jean-Daniel Pollet; 1973 Les Volets clos / USA:<br />

Closed Shutters, also dialogist, Jean-Claude Brialy).<br />

His novel Au Bonheur des Chiens was brought to the<br />

screen (1990 C’era un castello con 40 cani / Au Bonheur<br />

des Chiens, Duccio Tessari, Italy / France / Spain,<br />

shot in 1988). Other credits(as actor): 1946 Ouvert<br />

pour Cause d’Inventaire (short, Alain Resnais); 1964<br />

Les Diamants de Palinos (13 13' TV series, André<br />

Pergament); Les Chemins de la Fortune (documentary,<br />

as narrator, Peter Kassovitz); 1966 Made in U.S.A.<br />

(Jean-Luc Godard); 2001 Eloge de l’Amour / UK and<br />

USA: In Praise <strong>of</strong> Love (Jean-Luc Godard, France /<br />

Switzerland, shot in 1999–2000); 2006 Avida (Benoît<br />

Delépine, Gustave de Kervern).<br />

<strong>Film</strong>ography<br />

1947 Transfo transforme l’Energie du Pyrium (short;<br />

documentary)<br />

1974 Juliette et Juliette / Juliette e Juliette (also<br />

co-screenwriter, co-dialogist, actor; France /<br />

Italy)<br />

FORRESTER, JACK<br />

A fi lm producer and director, he also supervised the<br />

shooting <strong>of</strong> Le Billet de Mille (Marc Didier, 1934).<br />

<strong>Film</strong>ography<br />

1932 Oscar, Champion de Tennis (short)<br />

Criminel (also producer)<br />

Mon Ami Tim (also producer)<br />

1933 Quelqu’un a tué (also producer)<br />

1935 Et moi, j’te dis qu’elle t’a fait de L’Oeil (also<br />

producer)<br />

Paris-Camargue (also producer)<br />

1936 Les Gaietés de la Finance<br />

FOUCAUD, PIERRE (Lucien Marie Joseph Pierre<br />

Foucaud / March 19, 1908, Bordeaux, Gironde,<br />

France–August 5, 1976, Saint-Nazaire-sur-Charente,<br />

France)<br />

From 1931 to 1944, he was a journalist for various<br />

newspapers (L’Intransigeant, La Flèche, Le Libertaire).<br />

Hired as an assistant by producer and director<br />

André Hunebelle in 1948, he soon began a career<br />

as a co-screenwriter (1952 Pour vous, Mesdames,<br />

short, Jacques Garcia; 1954 Quai des Blondes, also<br />

co-adapter, Paul Cadéac; 1960 Le Bossu / La spada<br />

degli Orléans / USA: The Hunchback <strong>of</strong> Paris / The<br />

King’s Avenger, also co-adapter, André Hunebelle,<br />

France / Italy; Le Capitan / Il capitano del re / USA:<br />

Captain Blood / US TV: The Invincible Swordsman,<br />

also co-adapter, André Hunebelle, France / Italy;<br />

1961 Le Miracle des Loups / La congiura dei potenti /<br />

USA: Blood on His Sword / The Miracle <strong>of</strong> the Wolves,<br />

also co-adapter, André Hunebelle, France / Italy;<br />

1962 Les Mystères de Paris / I misteri di Parigi / US<br />

TV: Devil <strong>of</strong> Paris, also co-adapter, André Hunebelle,<br />

France / Italy; 1963 OSS 117 se déchaîne / OSS 117<br />

agente segretissimo / UK and USA: OSS 117, also<br />

co-adapter, co-dialogist, André Hunebelle, France<br />

/ Italy; Méfi ez-vous, Mesdames! / Chi vuol dormire<br />

nel mio letto, André Hunebelle, France / Italy; 1964<br />

Banco à Bangkok pour OSS 117 / OSS 117 minaccia<br />

Bangkok / USA: Shadow <strong>of</strong> Evil / Panic in Bangkok, also<br />

co-adapter, co-dialogist, André Hunebelle, France<br />

/ Italy; Fantômas / Fantomas 70, also co-adapter,<br />

André Hunebelle, France / Italy; 1965 Furia à Bahia<br />

pour OSS 117 / OSS 117 furia a Bahia / UK:<br />

Mission for a Killer / USA:OSS 117: Mission for a<br />

Killer, also co-adapter, André Hunebelle, France /<br />

Italy; Fantômas se déchaîne / Fantomas minaccia il

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