13.07.2013 Views

Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

164 • CALDERON, GÉRALD<br />

CALDERON, GÉRALD (December 29, 1926,<br />

Paris, France–)<br />

A former senior banking executive, he remains<br />

known mainly for his animal documentaries. He<br />

also occasionally played in fi lms (1976 Un Eléphant<br />

ça trompe énormément / UK: An Elephant Can Be<br />

Extremely Deceptive / USA: Pardon Mon Affaire, Yves<br />

Robert; 1983 Garçon!, Claude Sautet; 1984 Le Jumeau,<br />

Yves Robert; 1990 Lacenaire / USA: L’Elegant Criminel<br />

/ US video: The Elegant Criminal, Francis Girod; 1997<br />

Tortilla y Cinéma, Martin Provost). His son Philippe<br />

Calderon is also a fi lmmaker.<br />

<strong>Film</strong>ography<br />

1957 Terre d’Insectes (documentary; short)<br />

Terre d’Oiseaux (documentary; short)<br />

1958 Terre sous-marine (documentary; short)<br />

Vivarium (documentary; short)<br />

1960 Le Grand Secret (documentary)<br />

1966 Le Bestiaire d’Amour (documentary; shot in<br />

1963)<br />

1974 La Grande Paulette (shot in 1971)<br />

1978 Le Risque de vivre (documentary; also coscreenwriter)<br />

1987 Les Fourmis tisserandes (documentary; short)<br />

1989 The Deepest Garden (documentary; short;<br />

Canada)<br />

1990 Le Benthos (IMAX 70-mm short)<br />

1991 Les Contes sauvages (documentary)<br />

1998 Attaville, la véritable Histoire des Fourmis (documentary;<br />

also co-screenwriter)<br />

2001 Origine Océan—4 Milliards d’Années sous les<br />

Mers (documentary; short)<br />

CALDERON, PHILIPPE<br />

The son <strong>of</strong> fi lm director Gérald Calderon, he wrote<br />

for his father the screenplay <strong>of</strong> an IMAX 70-mm<br />

short (1989 Le Benthos). He created his own production<br />

company, Les <strong>Film</strong>s du Rêve. Other credit<br />

(as screenwriter): 1990 La Matière (4 52', Pierre-<br />

Dominique Gaisseau, Hélène Coldefy).<br />

<strong>Film</strong>ography<br />

1980 FW (short)<br />

1989 Tree Top (short)<br />

2006 La Citadelle assiégée / La Cité interdite / USA:<br />

The Besieged Fortress (also co-screenwriter;<br />

France / Canada)<br />

2008 Mèche blanche, les Aventures du petit Castor<br />

(France / Canada)<br />

Television <strong>Film</strong>ography<br />

1988 L’Homme et la Nature (6 52' documentary)<br />

1993 Le Partage des Eaux (documentary)<br />

1994 Chaban (documentary)<br />

Washoe, le Singe qui parle avec les Mains<br />

(documentary)<br />

Le Cousin indésirable (documentary; short)<br />

1995 Le Premier Sourire (documentary; short)<br />

1997 La Rivière Fantôme (documentary)<br />

1998 La Cité des Fourmis (documentary)<br />

1999– Lorsque le Monde parlait Arabe (12 26'<br />

2000 documentary)<br />

2002 Retrouver Byzance (documentary)<br />

2003 Michel Foucault par lui-même (documentary;<br />

also screenwriter, narrator)<br />

2004 La Grande Histoire du Cerveau (documentary)<br />

2005 De Gaulle et Colombey (documentary)<br />

CALEF, HENRI (July 20, 1910, Filippopoli [now Plovdiv],<br />

Bulgaria–August 17, 1994, Paris, France)<br />

After studying philosophy in Paris, he made his pr<strong>of</strong>essional<br />

debut as a journalist writing articles for<br />

Paris-Soir and Paris-Midi (1932–1934) before working<br />

as second director (1933 Quelqu’un a tué, Jack<br />

Forrester) and then fi rst assistant director (1935<br />

La Famille de Madame Angot, also co-screenwriter,<br />

Jean-Bernard Derosne; Paris-Camargue, Jack Forrester;<br />

Les Gaietés de la Finance, Jack Forrester; 1936 Les<br />

Gaietés du Palace, also co-screenwriter, Walter Kapps;<br />

Pantins d’Amour, also co-screenwriter, Walter Kapps;<br />

1937 L’Escadrille de la Chance, Max de Vaucorbeil;<br />

1938 L’Affaire Lafarge / USA: The Lafarge Case, also<br />

co-adapter, Pierre Chenal; Les Nouveaux Riches, André<br />

Berthomieu; L’Inconnue de Monte-Carlo, also<br />

co-screenwriter, André Berthomieu; La Maison du<br />

Maltais / USA: Sirocco, Pierre Chenal; 1939 Eusèbe<br />

Député, André Berthomieu; Le Dernier Tournant, Pierre<br />

Chenal; Tourbillon de Paris / USA: Whirl <strong>of</strong> Paris / Whirlwind<br />

<strong>of</strong> Paris, Henri Diamant-Berger; 1942 Soyez les<br />

Bienvenus, Jacques de Baroncelli, shot in 1940). During<br />

the occupation <strong>of</strong> France, he was a member <strong>of</strong> a<br />

group <strong>of</strong> screenwriters gathered by Jacques Cohen<br />

in the Free Zone (1942–1943). He collaborated on<br />

many unfi lmed projects, including Le Cocu magnifi que<br />

(Serge de Poligny, 1939). At the liberation <strong>of</strong> France,<br />

producer Sacha Gordine gave him the opportunity to<br />

direct his fi rst movie. He was vice president (1965)<br />

and then president (1967–1972) <strong>of</strong> the Association<br />

des Auteurs de <strong>Film</strong>s. Other credit (uncredited coscreenwriter):<br />

1945 La Fiancée des Ténèbres (Serge

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!