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Encyclopedia of French Film Directors

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1982 Regards entendus: Hogarth et Lichtenberg (documentary;<br />

short)<br />

1983 Regards entendus: Les Quatre Moments du Jour<br />

(documentary)<br />

1987 Geneviève de Brabant (documentary; short)<br />

1990 Richard Krautheimer (documentary)<br />

Refl exions faites: Ernest Gombritch (documentary)<br />

Refl exions faites: Carlo Ginzburg (documentary)<br />

Refl exions faites: Jacques Derrida (documentary)<br />

Refl exions faites: Claude Lévi-Strauss (documentary)<br />

Refl exions faites: Pierre Bourdieu (documentary)<br />

La Forme et le Lieu, Dani Karavan (documentary)<br />

1997 Roger Stéphane, un Portrait Souvenir (documentary)<br />

1998 Les Variations Gershwin (documentary)<br />

2001 Marcel Duchamp en Vingt-Six Minutes (documentary;<br />

short)<br />

2006 Pr<strong>of</strong>ession Crooner (documentary)<br />

COLLINE, PAUL (Paul Duard / September 22,<br />

1895, Paris, France–November 8, 1991, Paris, France)<br />

A chansonnier and playwright, he also played in<br />

shorts (1931 La Brigade du Bruit, also screenwriter,<br />

Louis Mercanton; La Disparue, Louis Mercanton;<br />

Si . . . , Arcy-Hennery; 1932 En lisant le Journal, Alberto<br />

Cavalcanti; Montmartre qui tourne / Nous ne ferons<br />

jamais de Cinéma / Revue montmartroise, Alberto Cavalcanti;<br />

1933 Chansonniers de Montmartre, Anonymous;<br />

Désiré Lanquetin deuxième Classe, Willy Rozier; Deux<br />

Picon-Grenadine, Pierre-Jean Ducis; Fantômas Hôtel,<br />

also screenwriter, Jean de Marguenat; On demande un<br />

Employé, Pierre-Jean Ducis; 1934 Quatre à Troyes, also<br />

screenwriter, Pierre-Jean Ducis), medium-length fi lms<br />

(1935 Une Tête qui rapporte, also screenwriter, Jacques<br />

Becker), and feature fi lms (1933 Les Trois Mousquetaires<br />

/ USA: The Three Musketeers, two parts: “Les Ferrets<br />

de la Reine,” “Milady,” Henri Diamant-Berger; 1954 Si<br />

Versailles m’était conté / UK: Fabulous Versailles / USA:<br />

Royal affairs in Versailles / Affairs in Versailles, Sacha Guitry;<br />

1956 Si Paris nous était conté, Sacha Guitry). Other<br />

credits (as dialogist): 1932 Rivaux de la Piste (Serge<br />

de Poligny); 1950 Jeannot l’Intrépide / USA: Johnny the<br />

Giant Killer / US TV: Johnny Little and the Giant (animation,<br />

as co-dialogist, Jean Image, Charles Frank); (as<br />

screenwriter): 1932 Adémaï et la Nation Armée (short,<br />

Jean de Marguenat); Sens interdit (short, Jean de Mar-<br />

COLOMBANI, FLORENCE • 241<br />

guenat); 1933 Adémaï Joseph à l’O.N.M. (short, Jean de<br />

Marguenat); 1934 Adémaï Aviateur / UK: Skylark (also<br />

dialogist, Jean Tarride); Les Géants de la Route / La Belle<br />

Vie (also dialogist, Pierre-Jean Ducis); 1935 Adémaï au<br />

Moyen-Âge (also dialogist, Jean de Marguenat); Sesenta<br />

horas en el cielo (Raymond Chevalier, Spain); 1943 Adémaï<br />

Bandit d’Honneur (also dialogist, Gilles Grangier);<br />

1950 L’Atomique Monsieur Placido (also adapter, dialogist,<br />

Robert Hennion); (as lyricist): 1933 L’Etoile de Valencia<br />

(Serge de Poligny); 1963 Muriel ou Le Temps d’un<br />

Retour / Muriel, il tempo di uno ritorno / UK: Muriel, or the<br />

Time <strong>of</strong> Return / USA: The Time <strong>of</strong> Return (Alain Resnais,<br />

France / Italy); (as author <strong>of</strong> original story): Adémaï<br />

Bandit d’Honneur (Gilles Grangier); 1947 ¡A volar joven!<br />

/ Puerta joven (Miguel M. Delgado, Spain). He signed<br />

two children’s books adapted from his screenplays<br />

and illustrated by Moallic and Aragon (1946 Adémaï<br />

Aviateur, Les Grandes Editions Françaises; 1947 Adémaï<br />

au Moyen-Âge, Les Grandes Editions Françaises).<br />

<strong>Film</strong>ography<br />

1948 Le Socle (short; co-director with Alain Pol; also<br />

screenwriter)<br />

Le Vieux Maire (short; co-director with Alain<br />

Pol; also screenwriter)<br />

1950 Adémaï au Poteau Frontière (also screenwriter,<br />

dialogist)<br />

COLLOT, NADIA (June 15, 1957, Montréal, Québec,<br />

Canada–)<br />

She had scientifi c training before earning a diploma in<br />

audiovisual. Then she traveled around the world for<br />

a year and became a puppeteer in a Parisian group<br />

and an Afro-Cuban music percussionist before studying<br />

fi lm editing. From 1989 to 2003, she edited many<br />

documentaries for <strong>French</strong> TV.<br />

<strong>Film</strong>ography<br />

2001 Marie et ses Bébés (documentary; short)<br />

2003 Le Temps d’une Génération (short)<br />

2006 Tabac, la Conspiration (documentary; France /<br />

Canada / Switzerland)<br />

Television <strong>Film</strong>ography<br />

1995 Hong Kong, le Singe sacré (documentary; short;<br />

also cinematographer)<br />

2005 Tabac, retenez votre Souffl e (documentary;<br />

medium-length)<br />

COLOMBANI, FLORENCE (July 9, 1979, Clamart,<br />

Hauts-de-Seine, France–)

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