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Encyclopedia of French Film Directors

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692 • MATTON, CHARLES<br />

contre Kommandantur, René Jayet, Robert Bibal), he<br />

played in more than seventy movies, notably portraying<br />

Edmond Dantès in a fi fteen-episode adaptation<br />

<strong>of</strong> Le Comte de Monte-Cristo / UK: The Count <strong>of</strong> Monte<br />

Cristo (Henri Pouctal, 1918).<br />

<strong>Film</strong>ography<br />

1928 Dans l’Ombre du Harem (co-director with André<br />

Liabel; also screenwriter)<br />

1929 L’appassionata (co-director with André Liabel)<br />

1930 L’Instinct (co-director with André Liabel)<br />

Le Refuge<br />

1931 Passeport 13.444<br />

1932 La Bande à Bouboule<br />

Embrassez-moi<br />

Hier et aujourd’hui (short)<br />

1933 Nu comme un Ver<br />

1934 Bouboule 1er, Roi nègre<br />

1935 Le Comte Obligado<br />

La Mascotte<br />

1936 Les Loups entre eux<br />

1937 L’Ange du Foyer<br />

L’Homme à abattre<br />

Aloha, le Chant des Îles<br />

1938 Chéri-Bibi<br />

Le Révolté<br />

1939 Rappel immédiat<br />

Le Bois sacré (co-director with Robert Bibal)<br />

1940 Le Collier de Chanvre<br />

1941 Fromont jeune et Risler aîné<br />

1942 Cartacalha, Reine des Gitans (also co-screenwriter,<br />

co-adapter)<br />

Forte Tête (also co-adapter)<br />

1943 L’Homme sans Nom<br />

1945 La Route du Bagne<br />

1946 Nuits d’Alerte<br />

1947 La Dernière Chevauchée (also co-screenwriter,<br />

co-adapter)<br />

1948 Le Dolmen tragique<br />

1949 L’Homme aux Mains d’Argile (also co-adapter)<br />

1950 La Danseuse de Marrakech<br />

1953 Mon Gosse de Père<br />

MATTON, CHARLES (September 13, 1931, Paris,<br />

France–November 19, 2008, France)<br />

A painter since 1953, he was interested in stainedglass<br />

windows, engraving, and tapestry. He taught at<br />

the Arts Décoratifs before directing his fi rst short.<br />

In 2002, he co-authored Être Artiste aujourd’hui with<br />

Alain Finkielkraut and Ernest Pignon-Ernest (Editions<br />

du Tricorne).<br />

<strong>Film</strong>ography<br />

1967 La Pomme (short)<br />

1968 Mai 68 ou les Violences policières (short)<br />

1973 L’Italien des Roses (also screenwriter; shot in<br />

1971)<br />

1976 Spermula (also screenwriter)<br />

1994 La Lumière des Etoiles mortes / Das Licht der erloschenen<br />

Sterne (also co-screenwriter; France<br />

/ Germany; shot in 1992–1993)<br />

1999 Rembrandt (also co-screenwriter; France /<br />

Germany / Netherlands)<br />

MAUDRU, CHARLES (1859, Asnières-sur-Seine,<br />

Hauts-de-Seine, France–February 1935, France)<br />

He entered fi lms as an actor (1910 Deux Vieux garçons,<br />

short, Michel Carré). His son was actor and director<br />

Pierre Maudru.<br />

<strong>Film</strong>ography<br />

1914 La Dame blonde<br />

1916 Le Puits qui pleure<br />

1917 Vengeance diabolique<br />

Que l’Espoir reste au Logis<br />

Renoncement / USA: Renunciation<br />

Le Roman d’une Phocéenne<br />

Aimer c’est souffrir<br />

1918 L’Impossible Aveu<br />

Plus loin que l’Amour<br />

La Mascotte des Poilus<br />

L’Accusé<br />

1920 La Bourrasque<br />

Le Gouffre<br />

Le Droit de tuer<br />

Le Lys rouge<br />

Prés des Cimes<br />

1921 La Double Epouvante<br />

Le Talion<br />

Le Méchant Homme<br />

Un Aventurier<br />

Cendrillon<br />

L’Assommoir (co-director with Maurice de<br />

Marsan)<br />

1922 La Fiancée du Disparu / rereleased in 1925 as<br />

L’Amour du Mort<br />

Serge de Panine / Sergius Panin (co-director<br />

with Maurice de Marsan; France / Austria)<br />

L’Inconnue

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