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Encyclopedia of French Film Directors

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1979 Le Gagnant (also screenwriter, dialogist, delegate<br />

producer)<br />

1981 Pétrole! Pétrole! (also screenwriter, dialogist)<br />

1982 Les Diplômés du dernier Rang (also screenwriter,<br />

dialogist)<br />

1983 Le Bourreau des Cœurs (also screenwriter,<br />

dialogist)<br />

1984 J’ai rencontré le Père Noël / USA: Here Comes<br />

Santa Claus (also co-screenwriter, producer)<br />

1985 Pizzaiolo et Mozzarel (also co-adapter, delegate<br />

producer)<br />

1990 Le Provincial (also screenwriter, dialogist)<br />

1992 Sup de Fric (also screenwriter, dialogist, coproducer)<br />

2000 Les Insaisissables (also screenwriter, dialogist)<br />

Television <strong>Film</strong>ography<br />

1981 Salut Champion (episode “La Troisième mitemps”)<br />

GIONO, JEAN (March 30, 1895, Manosque,<br />

Alpes-de-Haute-Provence, France–October 8, 1970,<br />

Manosque, Alpes-de-Haute-Provence, France)<br />

A writer since 1929 (Colline), he was always interested<br />

in movies, and he wrote many texts on the<br />

subject. Several <strong>of</strong> his novels and short stories were<br />

brought to the screen (1933 J<strong>of</strong>roi / USA: Ways <strong>of</strong><br />

Love, from J<strong>of</strong>roi de la Maussan, medium-length, Marcel<br />

Pagnol; 1934 Angèle / Un de Baumugnes, Marcel<br />

Pagnol; 1937 Regain / USA: Harvest, Marcel Pagnol;<br />

1938 La Femme du Boulanger / USA: The Baker’s Wife,<br />

from the novella Jean le Bleu, Marcel Pagnol; 1949 Le<br />

Bout de la Route, Emile Couzinet; 1957 Kara talih, from<br />

Un de Baumugnes, Lutfu Akat, Turkey; 1958 Le Foulard<br />

de Smyrne, short, also author <strong>of</strong> commentary, actor,<br />

François Villiers; 1963 Les Grands Chemins / Il baro /<br />

UK and USA: Of Flesh and Blood, Christian Marquand,<br />

France / Italy; Un Roi sans Divertissement, also original<br />

novel, screenwriter, adapter, dialogist, producer, François<br />

Leterrier; 1965 Le Chant du Monde / Ossessione<br />

nuda / La saga dei Forrest, Marcel Camus, France /<br />

Italy; 1973 Le Déserteur, TV, Alain Boudet; 1979 Jean<br />

le Bleu, TV, Hélène Martin; 1980 Colline, TV, Lazare<br />

Iglésis, 1981 Faust au Village, TV, Jean-Pierre Prévost;<br />

1984 Les Cavaliers de l’Orage, from Deux Cavaliers de<br />

l’Orage, Gérard Vergez; 1987 L’Homme qui plantait des<br />

Arbres / USA: The Man Who Planted Trees, animated<br />

short, Frédéric Back, Canada; 1989 Der Mann mit den<br />

Bäumen, Werner Kubny, West Germany; 1990 L’Ami<br />

Giono, fi ve episodes: “J<strong>of</strong>roi de la Maussan,” Marcel<br />

GIOVANNI, JOSÉ • 441<br />

Bluwal; “Ennemonde,” Claude Santelli; “L’Onorato,”<br />

Marcel Bluwal; “Ivan Ivanovitch Kossiak<strong>of</strong>f,” Fabrice<br />

Cazeneuve; “Le Déserteur,” Gérard Mordillat; 1995<br />

Le Poids du Ciel, short, Laurent Herbiet; Le Hussard sur<br />

le Toit / USA: The Horseman on the Ro<strong>of</strong>, Jean-Paul Rappeneau;<br />

1999 La Femme du Boulanger, TV, from Jean<br />

le Bleu, Nicolas Ribowski; 2001 Les Âmes fortes / UK<br />

and USA: Savage Souls, Raoul Ruiz, France / Belgium /<br />

Switzerland). He wrote the screenplay, dialogue, and<br />

commentary <strong>of</strong> L’Eau vive / US TV: Girl and the River<br />

(also narrator, François Villiers) and co-authored the<br />

screenplay and adaptation <strong>of</strong> L’Etoile du Sud / The<br />

Southern Star (Sidney Hayers, France / UK). He also<br />

appeared in fi lms (1959 La Duchesse, short, François<br />

Villiers; 1960 Les Gens de Lettres, short, as himself,<br />

Henri Champetier, Léonce Peillard).<br />

<strong>Film</strong>ography<br />

1960 Crésus (with Claude Pinoteau as technical adviser;<br />

also screenwriter, dialogist, co-producer)<br />

GIOVANNI, JOSÉ (June 22, 1923, Paris, France–<br />

April 24, 2004, Lausanne, Switzerland)<br />

His secondary studies were interrupted by World<br />

War II. He earned a living working in a coal mine and<br />

as a lumberjack. From 1942 to 1944, he was a mountain<br />

guide with the movement Jeunesse et Montagne.<br />

After the liberation <strong>of</strong> France, he was involved with<br />

his brother and an uncle in a racketeering affair that<br />

went wrong (three people were killed by his accomplices).<br />

Sentenced to death in 1948, he was pardoned<br />

by President Vincent Auriol and released from jail in<br />

1956. He wrote his fi rst novel in 1957 (Le Trou, Série<br />

noire) and soon began working as co-screenwriter<br />

and co-adapter (1959 Du Rifi fi chez les Femmes /<br />

Rifi fi tra le donne / USA: The Riff Raff Girls, Alex J<strong>of</strong>fé,<br />

France / Italy). He collaborated on many movies as<br />

author <strong>of</strong> original novel, co-screenwriter, co-adapter,<br />

and co-dialogist (1960 Le Trou / Il buco / UK: The Hole<br />

/ USA: The Night Watch, Jacques Becker, France / Italy;<br />

1963 Symphonie pour un Massacre / Sinfonia per un<br />

massacro / UK: The Corrupt / USA: Symphony for a<br />

Massacre / The Mystifi ers, also actor, Jacques Deray,<br />

France / Italy); author <strong>of</strong> original novel, co-screenwriter,<br />

co-adapter, and dialogist (1960 Classe tous<br />

Risques / Asfalto che scotta / USA: The Big Risk, Claude<br />

Sautet, France / Italy; 1961 Un Nommé La Rocca /<br />

Quello che spara per primo / USA: A Man Named<br />

Rocca / A Man Called Rocca, Jean Becker, France /

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