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Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

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Laetitia Colombani). The only fi lm he directed was<br />

adapted from a Jack Vance novel.<br />

<strong>Film</strong>ography<br />

1992 Méchant Garçon (also co-screenwriter, co-dialogist,<br />

producer)<br />

GAST, MICHEL (Michel Gaston / July 21, 1930,<br />

Saint-Satur, Cher, France–)<br />

He spent a lot <strong>of</strong> his time watching classics at the<br />

Cinémathèque française before being successively an<br />

assistant editor, assistant makeup designer, producer,<br />

and director <strong>of</strong> shorts. He also released in France,<br />

with a friend <strong>of</strong> his, Michelangelo Antonioni’s Cronaca<br />

di un amore / UK: Chronicle <strong>of</strong> a Love / USA: Story <strong>of</strong> a<br />

Love Affair (1950). A fi lm director since 1953, he cowrote<br />

several movies (1972 Les Tueurs fous / De dole<br />

doders, Boris Szulzinger, Belgium; Die Klosterschülerinen<br />

/ Le Château / USA: Sex Life in a Convent, Eberhard<br />

Schroeder, West Germany / France; Und der Regen<br />

verwischt jede Spur / La Pluie noire / UK and USA: Tears<br />

<strong>of</strong> Blood, Alfred Vohrer, West Germany / France; 1981<br />

Casta e pura / Casta y pura / Chaste et pure, also story,<br />

Salvatore Samperi, Italy / Spain / France). After 1970,<br />

he gave up fi lm directing to dedicate himself to production<br />

(1973 Prenez la Queue comme tout le Monde /<br />

Club del piacere / UK and USA: Line Up and Lay Down,<br />

also actor, Jean-François Davy, France / Italy; 1974 Q<br />

(Le Gros Lot) / Au Plaisir des Dames / Come divenni primo<br />

ministro / De Dolle vrouwtjes / / Il n’y a plus qu’à / UK:<br />

Prickly Problems, as executive producer, Jean-François<br />

Davy, France / Italy / Belgium; Et si tu n’en veux pas /<br />

<strong>French</strong> Undressing, Jacques Treyens = Jacques Besnard,<br />

France / Belgium; 1975 Tarzoon, la Honte de la Jungle /<br />

UK: Jungle Burger / USA: Shame <strong>of</strong> the Jungle / Tarzoon,<br />

the Shame <strong>of</strong> the Jungle, animation, as executive producer,<br />

Picha, Belgium / France; 1976 Le Diable au Cœur<br />

/ USA: The Devil in the Heart, as delegate producer;<br />

Bernard Queysanne; 1979 Die Hamburger Krankheit<br />

/ La Maladie de Hambourg, Peter Fleischmann, West<br />

Germany / France; 1980 Comme une Femme, Christian<br />

Dura; Le Chaînon manquant / De ontbrekende Schakel<br />

/ USA: B.C. Rock, animation, Picha, Belgium / France).<br />

From the 1990s to the 2000s, he worked as a dubbing<br />

artistic director. Other credit (as actor): 1986 Paulette,<br />

la pauvre petite Milliardaire (Claude Confortès).<br />

<strong>Film</strong>ography<br />

1953 Autant en emporte le Gang (co-director with<br />

Jack Moisy; also co-screenwriter, co-adapter,<br />

GASTYNE, MARCO DE • 429<br />

co-dialogist, production manager; shot in<br />

1951)<br />

Jacques et Jacqueline (short; co-director with<br />

R. J. Le Roy)<br />

1959 J’irai cracher sur vos Tombes / USA: I Spit on<br />

Your Grave (supervised by Ralph Habib; also<br />

co-dialogist)<br />

1961 Le Sahara brûle / USA: Sahara on Fire / US TV:<br />

The Flame in the Desert (also co-screenwriter,<br />

co-adapter, co-dialogist)<br />

1970 Céleste / Un s<strong>of</strong>fi o di piacere (France / Italy)<br />

GASTYNE, MARCO DE (Marc Henri Benoist /<br />

July 15, 1888, Paris, France–November 8, 1982, Paris,<br />

France)<br />

The son <strong>of</strong> a popular novelist <strong>of</strong> the early twentieth<br />

century, Jules de Gastyne, he opted for painting and<br />

studied at the Beaux-Arts. Having won the First<br />

Rome Prize in 1911, he became a production designer<br />

in 1919 (La Sultane de l’Amour, two parts, René<br />

Le Somptier, Charles Burguet; 1920 La Croisade, René<br />

Le Somptier; 1926 La Chaussée des Géants, Robert<br />

Boudrioz, Jean Durand). He signed his fi lms as Marc<br />

de Gastyne since L’Ecole de Barbizon (1943).<br />

<strong>Film</strong>ography<br />

1922 Inch’Allah (co-director with Frantz Toussaint)<br />

1924 A l’Horizon du Sud / L’Aventure (also screenwriter)<br />

1925 La Blessure / Les Ailes brûlées<br />

1926 La Châtelaine du Liban / USA: Milady <strong>of</strong> Liban<br />

(also screenwriter, adapter, dialogist)<br />

1928 Mon Coeur au ralenti (also production designer)<br />

La Madone des Sleepings / USA: Madonna <strong>of</strong><br />

the Sleeping Cars (co-director with Maurice<br />

Gleize)<br />

1929 La Merveilleuse Vie de Jeanne d’Arc, Fille de Lorraine<br />

1931 Une Belle Garce<br />

1932 Le Chimpanzé (medium-length; also production<br />

designer)<br />

Claudie Dompteuse / Mademoiselle Orphée<br />

(medium-length; also production designer)<br />

Coup de Bourse (short)<br />

Et avec ça Papa (short)<br />

L’Ours et le Pacha (short)<br />

Les Ruines de Gallefontaine (short)<br />

Un Coup manqué (short)<br />

Une Fine Partie (medium-length)

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