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Encyclopedia of French Film Directors

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<strong>Film</strong>ography<br />

1934 Maman les petits Bateaux (short)<br />

1935 L’Amour gagné (short)<br />

Les Héros modestes (short)<br />

1937 Le Chemin de Lumière (short)<br />

Le Compositeur du Dessus (short)<br />

1938 La Belle Revanche (also production manager)<br />

1941 Le Valet Maître (also co-screenwriter, coadapter)<br />

1942 Patricia (also co-adapter)<br />

1943 Fou d’Amour (also co-screenwriter, dialogist)<br />

Le Ring en Folie (short)<br />

1947 La Kermesse rouge (also screenwriter)<br />

1952 Poil de Carotte (also co-adapter)<br />

1956 Bébés à Gogo (also co-adapter, producer)<br />

1957 Une Nuit aux Baléares (also co-screenwriter,<br />

co-adapter, producer)<br />

1960 Le Septième Jour de Saint-Malo (also screenwriter,<br />

dialogist)<br />

1962 Cargo pour la Réunion (short)<br />

MÉTAYER, ALEX (March 19, 1930, Marseille,<br />

Bouches-du-Rhône, France–February 21, 2004, Paris,<br />

France)<br />

The son <strong>of</strong> an air force <strong>of</strong>fi cer, he spent his childhood<br />

in Algeria. Having trained as a musician, he played<br />

saxophone with a jazz orchestra and obtained a fi rst<br />

prize in clarinet. In the 1960s, he became a cabaret<br />

performer and progressively won huge popularity as a<br />

comedian thanks to his one-man shows <strong>of</strong> the 1970s–<br />

1990s. His talent was ignored by fi lmmakers, and besides<br />

the two feature fi lms he wrote and directed, he<br />

played in only one episode <strong>of</strong> a TV series (1976 Faux<br />

et Usage de Faux, episode “Seznec, faux Coupable,”<br />

Bernard Claeys) and a motion picture (1980 5 % de<br />

Risques, Jean Pourtalé, France / West Germany). His<br />

son, Eric Métayer (b. 1958), is also an actor.<br />

<strong>Film</strong>ography<br />

1988 Le Bonheur se porte large (also co-screenwriter,<br />

co-dialogist, actor)<br />

1991 Mohamed Bertrand Duval (also screenwriter,<br />

dialogist, actor)<br />

MEUNIER, JEAN-HENRI (November 2, 1949,<br />

Oultins, Rhône, France–)<br />

A former stage photographer (1965–1969), he directed<br />

feature fi lms and documentaries.<br />

MEYNARD, SERGE • 717<br />

<strong>Film</strong>ography<br />

1977 L’Adieu nu (also screenwriter, dialogist)<br />

Aurais dû faire gaffe, le Choc est terrible (also<br />

screenwriter, co-dialogist)<br />

1980 La Bande du Rex (as 108-13; also co-screenwriter,<br />

co-adapter, co-dialogist)<br />

2006 Ici Najac, à vous la Terre (documentary; also<br />

screenwriter, cinematographer, sound engineer)<br />

Television <strong>Film</strong>ography<br />

2003 La Vie comme elle va (documentary)<br />

MEYER, JEAN (January 14, 1914, Paris, France–January<br />

8, 2003, Paris, France)<br />

The son <strong>of</strong> a baker, he had to earn his living as a bank<br />

clerk at age seventeen. In 1932, he joined the Paris<br />

Conservatory and made his theatrical debut as an actor<br />

the next year. A pupil <strong>of</strong> Louis Jouvet, he entered<br />

the Comédie-Française in 1938 and turned a stage<br />

director in 1941. He played supporting roles in eighteen<br />

movies (from 1941 Ne bougez plus, Pierre Caron,<br />

to 1964 Le Corniaud / Colpo grosso ma non troppo<br />

/ UK and USA: The Sucker, Gérard Oury, France /<br />

Italy). After performing 300 plays at the Comédie<br />

Française, he left the prestigious “Molière’s House”<br />

to run several Parisian theaters (Théâtre du Palais-<br />

Royal in 1960, Théâtre Michel in 1964) and then the<br />

Théâtre des Célestins in Lyon. He taught acting at<br />

the Paris Conservatory and was artistic director <strong>of</strong><br />

the ENSATT (the Rue Blanche school). Also a playwright<br />

(1962 Micmac; 1963 L’Âge idiot; 1965 Le Vice<br />

dans la Peau), he directed the two fi rst movies <strong>of</strong> the<br />

Comédie Française.<br />

<strong>Film</strong>ography<br />

1958 Le Bourgeois Gentilhomme (also actor)<br />

1959 Le Mariage de Figaro / La Folle Journée (also<br />

actor)<br />

MEYNARD, SERGE (November 22, 1955, Paris,<br />

France–)<br />

After completing his secondary studies, he carried on<br />

several jobs and from those salaries fi nanced his fi rst<br />

shorts. He was a member <strong>of</strong> a club <strong>of</strong> amateur fi lmmakers,<br />

including future pr<strong>of</strong>essional directors Sylvain<br />

Madigan and Gérard Krawczyk. Then he served as<br />

an assistant director (1980 Touch’ pas à mon Biniou,<br />

Bernard Launois; Tusk, Alejandro Jodorowsky; 1981

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