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Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

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“Les Fiançailles tragiques,” “Un Cœur de Héros,” “La<br />

Chasse à l’Homme,” “La Lettre à Bonaparte,” “La<br />

Morsure du Serpent,” “La Réponse de Bonaparte,”<br />

Luitz Morat; Les Misérables, four parts: “Prologue et<br />

Fantine,” “Cosette,” “Marius,” “L’Epopée Rue Saint-<br />

Denis,” Henri Fescourt). A fi lm director since 1927,<br />

he also was production designer (1936 Les Petites<br />

Alliées, Jean Dréville) and adapter (1930 Un hombre de<br />

suerte, Spanish-language version <strong>of</strong> René Barberis’s Un<br />

Trou dans le Mur, Benito Perojo).<br />

<strong>Film</strong>ography<br />

1927 Les Larmes de Colette<br />

1928 La Veine<br />

1929 La Merveilleuse Journée (also adapter)<br />

Le Danseur inconnu<br />

La Tentation (co-director with René Leprince)<br />

1930 Un Trou dans le Mur (also screenwriter, adapter,<br />

dialogist)<br />

1931 Une Fameuse Idée (medium-length; also screenwriter,<br />

dialogist)<br />

Romance à l’Inconnue<br />

1932 Le Casque de Fer (short; also adapter)<br />

Le Mystère du Château d’If (short)<br />

1934 Casanova / Les Amours de Casanova<br />

1938 Ramuntcho (also co-screenwriter, co-adapter)<br />

1939 Coups de Feu<br />

1943 La Chèvre d’Or (also co-screenwriter, coadapter)<br />

BARBERO, GUY (1952, France–)<br />

Trained as an assistant director (1972 What a Flash!,<br />

Jean-Michel Barjol), he directed a movie on the living<br />

conditions <strong>of</strong> Maghrebian workers in France. He is<br />

also a fi lm editor (1993 Les Joints des Mines sont plus<br />

étanches que les Chambres à Air de nos Vélos, documentary,<br />

Isabelle Quignaux).<br />

<strong>Film</strong>ography<br />

1976 France, Mère Patrie<br />

BARBIER, BENOÎT<br />

A photographer for the fi lm magazine Première<br />

(1978–1984), he became a still photographer (1988<br />

Camille Claudel, Bruno Nuytten; 1990 Le Mari de la<br />

Coiffeuse / UK and USA: The Hairdresser’s Husband,<br />

Patrice Leconte; Cyrano de Bergerac, Jean-Paul Rappeneau;<br />

1991 Tous les Matins du Monde / UK and USA: All<br />

the Mornings <strong>of</strong> the World / Every Morning <strong>of</strong> the World,<br />

Alain Corneau; 1992 L’Amant / The Lover, Jean-Jacques<br />

Annaud, France / UK / Vietnam; 1993 Germinal, Claude<br />

Berri, France / Belgium / Italy; 1994 Le Colonel Chabert<br />

/ USA: Colonel Chabert, Yves Angelo).<br />

<strong>Film</strong>ography<br />

1995 L’Amour conjugal<br />

BARBIER, ERIC (June 29, 1960, Aix-en-Provence,<br />

Bouches-du-Rhône, France–)<br />

He studied cinema at IDHEC (1979–1982), where he<br />

fi lmed three shorts (Shangaï; Who Is in the Rain Coat?; La<br />

Malédiction de Saint-Merri). He directed video clips, industrial<br />

fi lms, and shorts. His fi rst feature fi lm, Le Brasier,<br />

received the Jean Vigo Prize. Other credit (as actor):<br />

1995 Le Péril jeune (Cédric Klapisch, shot in 1993).<br />

<strong>Film</strong>ography<br />

1984 La Face perdue (short)<br />

1991 Le Brasier (also co-screenwriter, co-adapter,<br />

co-dialogist; shot in 1989–1990)<br />

2000 Toreros / La hora del torero (also co-screenwriter,<br />

co-adapter, co-dialogist; France / Spain;<br />

shot in 1997)<br />

2006 Le Serpent / UK: The Serpent (also co-screenwriter,<br />

co-dialogist)<br />

Television <strong>Film</strong>ography<br />

1992 Les Années Lycée: Un Air de Liberté<br />

BARCO, OLIAS • 51<br />

BARCO, OLIAS (February 3, 1969, Neuilly-sur-<br />

Seine, Hauts-de-Seine, France–)<br />

A stage director at Nice; then at Washington, DC,<br />

USA (<strong>French</strong> embassy); and fi nally at Paris, where he<br />

met cinematographer Thierry Arbogast, who photographed<br />

his fi rst short, he directed several video<br />

clips, including the last Ray Charles musical video (Say<br />

No More) and created his own production company,<br />

OXB Productions.<br />

<strong>Film</strong>ography<br />

1992 Clin d’œil (short; also screenwriter, dialogist,<br />

editor)<br />

1994 Toilettes (short; also screenwriter, dialogist,<br />

producer)<br />

Poubelles (short; also screenwriter, dialogist,<br />

producer)<br />

1998 Chapacan (short; also screenwriter, dialogist,<br />

producer)<br />

3 Petits Points la Lune (short; also screenwriter,<br />

dialogist, producer)

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