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Encyclopedia of French Film Directors

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68 • BECKER, JACQUES<br />

1991 La Dernière Saison (also co-screenwriter, coadapter,<br />

co-dialogist)<br />

2001 Un Voyage entre Amis (also screenwriter,<br />

adapter, dialogist; France / Canada)<br />

Television <strong>Film</strong>ography<br />

1984 Cinéma italien 84 (documentary)<br />

1985 Carnets de l’Aventure (documentary; episode<br />

“Le troisième Oeil”)<br />

1986 L’Argenterie des Bauges (documentary; short)<br />

Causeries d’Italie (documentary; short)<br />

1987 Ushuaïa (documentary; short; episode “Andrea”)<br />

1989 Chasseurs de Vampires (documentary; short)<br />

1992 La Montagne au Tournant (documentary;<br />

short)<br />

1993 Ushuaïa (documentary; shorts; episodes “Les<br />

voladores,” “Les papillons du Michoacan”)<br />

Pr<strong>of</strong>ession: Restaurateur (documentary; short)<br />

Bernard des Vosges (documentary; short)<br />

Le Créal (documentary; short)<br />

Retour au Pays (documentary; short)<br />

L’Ami des Chamulas (documentary; short)<br />

Les Montagnes du Cinéma (2 26' documentary)<br />

1994 En Amont la Zizique (documentary; short)<br />

Portrait d’un Homme devenu ordinaire (documentary;<br />

short)<br />

Cent Coups à Bussang (documentary; short)<br />

Mayotte (documentary; short)<br />

1995 Alambics ou Le Dernier Défi de la Marrane<br />

(documentary)<br />

1996 La Vallée de l’Aluminium (documentary short)<br />

1997 Mon Lycée c’est le Pérou (documentary)<br />

2003 Mémoires des Alpes (1900–1970) (2 52'<br />

documentary)<br />

BECKER, JACQUES (September 15, 1906, Paris,<br />

France–February 21, 1960, Paris, France)<br />

The son <strong>of</strong> a <strong>French</strong> industrialist father and a Scottish<br />

clothes designer, Margaret Burns, he studied at the<br />

Lycée Condorcet, then at la Schola Cantorum. He<br />

started his pr<strong>of</strong>essional life working in a battery factory.<br />

In the mid-1920s, he was a luggage employee on<br />

a boat that connected Le Havre to New York and met<br />

fi lmmaker King Vidor during a crossing. Vidor <strong>of</strong>fered<br />

him the opportunity to work with him in Hollywood,<br />

but he turned down the proposal. He fi nally made his<br />

fi lm debut as actor in Jean Renoir’s Le Bled (1929) and<br />

became assistant director to Auguste Renoir’s son<br />

(1932 La Nuit du Carrefour / USA: Night at the Crossroads,<br />

also production manager; Boudu sauvé des Eaux<br />

/ USA: Boudu Saved from Drowning, also actor; 1933<br />

Chotard et Compagnie, also actor; Madame Bovary;<br />

1936 Les Bas-Fonds / UK: Underworld / USA: The Lower<br />

Depths / Underground, also actor; Partie de Campagne<br />

/ Une Partie de Campagne, medium-length, also actor;<br />

1937 La Grande Illusion / USA: The Grand Illusion, also<br />

actor; 1938 La Marseillaise / UK: The Marseillaise) and<br />

to Albert Valentin (1940 L’Héritier des Mondésir). He<br />

gave up the shooting <strong>of</strong> his fi rst fi lm, L’Or du Cristobal,<br />

after three weeks and disowned it. He was the father<br />

<strong>of</strong> director Jean Becker (b. 1933), cinematographer<br />

Etienne Becker (1936–1995), and former script girl<br />

Sophie Becker. From 1956 to his death, he was married<br />

to actress Françoise Fabian (b. 1933). Other<br />

credit (as bit player): 1938 La Bête humaine / UK: Judas<br />

Was a Woman / USA: The Human Beast (Jean Renoir).<br />

<strong>Film</strong>ography<br />

1935 Tête de Turc / Une Tête qui rapporte (mediumlength)<br />

Le Commissaire est bon Enfant, le Gendarme est<br />

sans Pitié (medium-length; co-director with<br />

Pierre Prévert; also screenwriter, adapter, actor)<br />

1936 La Vie est à nous / UK and USA: The People<br />

<strong>of</strong> France (co-director with Jean Renoir, Jean-<br />

Paul Dreyfus / Jean-Paul Le Chanois, André<br />

Zwobada, Pierre Unik, Henri Cartier-Bresson,<br />

Paul Vaillant-Couturier, Jacques-Bernard Brunius;<br />

also co-screenwriter, actor)<br />

1940 L’Or du Cristobal (completed by Jean Stelli)<br />

1942 Dernier Atout<br />

1943 Goupi Mains Rouges / USA: It Happened at the<br />

Inn<br />

1945 Falbalas / USA: Paris Frills (also co-adapter, codialogist)<br />

1947 Antoine et Antoinette / UK and USA: Antoine and<br />

Antoinette (also co-screenwriter, co-dialogist)<br />

1949 Rendez-vous de Juillet (also co-screenwriter,<br />

dialogist)<br />

1951 Edouard et Caroline / USA: Edward and Caroline<br />

(also co-screenwriter)<br />

1952 Casque d’Or / UK: Golden Helmet / USA: Golden<br />

Marie (also co-screenwriter, co-dialogist)<br />

1953 Rue de l’Estrapade / UK and USA: Françoise<br />

Steps Out (also co-dialogist)<br />

1954 Touchez pas au Grisbi / Grisbi / UK: Hands Off<br />

the Loot / USA: Grisbi (also co-screenwriter,<br />

co-dialogist; France / Italy)

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