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Encyclopedia of French Film Directors

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512 • HUNEBELLE, ANDRÉ<br />

Le Héros de la Marne / USA: Heroes <strong>of</strong><br />

the Marne (also original novel, screenwriter,<br />

adapter, dialogist, producer)<br />

L’Héritage d’Onésime (short)<br />

1939 Moulin Rouge (also co-screenwriter, producer)<br />

Un de la Lune (short; also producer)<br />

1941 Trois Argentins à Montmartre (also producer)<br />

1942 Chambre 13 (also co-screenwriter, shot in<br />

1940)<br />

1943 La Sévillane / Danza del fuego (also screenwriter;<br />

France / Spain; shot in 1941)<br />

Le Chant de l’Exilé (also screenwriter, adapter)<br />

1946 L’Affaire du Grand Hôtel (also co-screenwriter,<br />

co-adapter, co-dialogist, producer)<br />

1948 Les Bienfaits de Monsieur Ganure (mediumlength;<br />

also screenwriter, producer)<br />

1952 Les Quatre Sergents du Fort-Carré (also coadapter,<br />

co-dialogist, producer)<br />

Les Souvenirs de Maurin des Maures “Coup<br />

double” (short, also producer)<br />

HUNEBELLE, ANDRÉ (September 1, 1896,<br />

Meudon, Hauts-de-Seine, France–November 26, 1985,<br />

Nice, Alpes-Maritimes, France)<br />

After studying law in Paris, he became a glass artist<br />

(1922–1939). At age forty-fi ve, he switched to cinema<br />

and created his production company, la P.A.C.,<br />

which fi nanced dozens <strong>of</strong> commercial fi lms until<br />

the mid-1970s (1942 Feu sacré, Maurice Cloche;<br />

1943 L’Inévitable Monsieur Dubois, also art director,<br />

Pierre Billon; 1944 Florence est folle, as co-producer,<br />

Georges Lacombe; 1946 Leçon de Conduite, also art<br />

director, Gilles Grangier; 1947 Rendez-vous à Paris,<br />

Gilles Grangier; 1948 Carrefour du Crime, Jean Sacha;<br />

1955 Série Noire / USA: The Infi ltrator, Pierre Foucaud;<br />

1956 Mémoires d’un Flic, Pierre Foucaud; 1959<br />

Suivez-moi, jeune Homme, Guy Lefranc; 1967 Le Vieil<br />

Homme et l’Enfant / UK: The Old Man and the Boy /<br />

USA: The Two <strong>of</strong> Us, as co-producer, Claude Berri;<br />

Estouffade à la Caraïbe / Avventurieri per una rivolta /<br />

Pagati per morire / UK: The Looters / USA: Gold Robbers,<br />

as co-producer, Jacques Besnard, France / Italy;<br />

Atout Coeur à Tokyo pour OSS 117 / OSS 117 a Tokio<br />

si muore / UK: Mission to Tokyo / USA: OSS 117—<br />

Terror in Tokyo, as co-producer, Michel Boisrond,<br />

France / Italy; 1968 Le Rapace / Il Rapace / El Rapaz,<br />

as co-producer, José Giovanni, France / Italy / Mexico;<br />

1969 Les Etrangers / Quelli che sanno uccidere / Que<br />

esperen los cuervos / Frühstück mit dem Killer / Geier<br />

können warten, as co-producer, Jean-Pierre Desagnat,<br />

France / Italy / Spain / West Germany; 1970 La Horse<br />

/ Il clan degli uomini violenti / Der Erbarmungslose, as<br />

co-producer, Pierre Granier-Deferre, France / Italy<br />

/ West Germany). He directed his fi rst fi lm at age<br />

fi fty-two. In 1971, he was a technical adviser to Jean<br />

Brismée (Au Service du Diable / Le Château du Vice /<br />

La plus longue Nuit du Diable / La Nuit des Pétrifi és /<br />

La notte più lunga del Diavolo / La terrifi cante notte del<br />

demonio / UK video: Castle <strong>of</strong> Death / Nightmare <strong>of</strong><br />

Terror / USA: The Devil’s Nightmare / Vampire Playgirls<br />

(Belgium / Italy).<br />

<strong>Film</strong>ography<br />

1948 Métier de Fous (also producer)<br />

1949 Mission à Tanger (also producer)<br />

Millionnaires d’un Jour / USA: A Simple Case <strong>of</strong><br />

Money (also producer)<br />

1950 Méfi ez-vous des Blondes (also producer)<br />

1951 Ma Femme est formidable (also producer)<br />

1952 Massacre en Dentelles (also producer)<br />

Monsieur Taxi (also producer)<br />

1953 Mon Mari est merveilleux (also producer)<br />

Les Trois Mousquetaires / Fate largo ai moschettieri!<br />

/ USA: The Three Musketeers (also co-producer;<br />

France / Italy)<br />

1954 Cadet-Rousselle (also producer)<br />

1955 L’Impossible Monsieur Pipelet (also producer,<br />

uncredited actor)<br />

1956 Treize à Table<br />

Mannequins de Paris (also co-adapter, coproducer)<br />

1957 Les Collégiennes / UK and USA: The Twilight Girls<br />

Casino de Paris / Casino de Paris / USA: Casino de<br />

Paris (also co-adapter, co-dialogist, co-producer;<br />

France / Italy / West Germany)<br />

1958 Les Femmes sont marrantes / USA: Women Are<br />

Talkative (also co-producer)<br />

Taxi, Roulotte et Corrida (also co-adapter, coproducer)<br />

1959 Arrêtez le Massacre! (also co-adapter, coproducer)<br />

1960 Le Bossu / La spada degli Orléans / USA: The<br />

Hunchback <strong>of</strong> Paris / The King’s Avenger (also<br />

co-screenwriter, co-adapter, co-producer;<br />

France / Italy)<br />

Le Capitan / Il capitano del re / USA: Captain<br />

Blood / US TV: The Invincible Swordsman (also

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