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Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

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1980 Le Manège (animated short; co-director with<br />

Jean-Pierre Jeunet; also character desiger)<br />

1981 Le Bunker de la dernière Rafale / USA: The<br />

Bunker <strong>of</strong> the Last Gunshots (short; co-director<br />

with Jean-Pierre Jeunet; also co-screenwriter,<br />

set decorator, costume designer, cinematographer,<br />

actor, editor)<br />

1985 Le Cirque Conférence (short)<br />

Maître Cube (short)<br />

Rude Raid (short)<br />

Le Topologue (short)<br />

1986 Le Défi lé (documentary; short)<br />

1987 Le Concierge est dans l’Escalier (short)<br />

1991 Delicatessen (co-director with Jean-Pierre Jeunet;<br />

also co-screenwriter, artistic director,<br />

storyboard artist, production designer, actor,<br />

sound effects)<br />

1994 KO Kid (animated short; also screenwriter)<br />

1995 La Cité des Enfants perdus / Die Stadt der verlorenen<br />

Kinder / La ciudad de los ninos perdidos<br />

/ La ciutat dels nens perduts / USA: The City<br />

<strong>of</strong> Lost Children (co-director with Jean-Pierre<br />

Jeunet; also co-screenwriter, artistic director,<br />

production designer, actor, sound effects;<br />

France / West Germany / Spain)<br />

1996 L.S. Dead (short)<br />

1998 Exercice <strong>of</strong> Steel (shot on video; also screenwriter,<br />

editor)<br />

2008 Dante 08 (also co-screenwriter)<br />

CARON, DIDIER<br />

A fi lm actor (1990 Un Sale Quart d’Heure pour l’Art,<br />

short, Eric Bitoun; 1996 Fallait pas! . . . / Caiga quien<br />

caiga, mañana me caso / Caigui qui caigui, em caso, Gérard<br />

Jugnot, France / Spain; 2000 Meilleur Espoir féminin,<br />

Gérard Jugnot; 2001 Tanguy, Etienne Chatiliez) and TV<br />

actor (1998 Blague à Part, 57 24', François Greze,<br />

Frédéric Berthe, Pascal Chaumeil) and a playwright,<br />

he brought to the screen one <strong>of</strong> his plays.<br />

<strong>Film</strong>ography<br />

2005 Un Vrai Bonheur, le <strong>Film</strong> (also original play, coscreenwriter)<br />

CARON, PIERRE (August 15, 1901, Paris, France–<br />

February 14, 1971, Caracas, Venezuela)<br />

He was only twenty years old when he directed his<br />

fi rst fi lm starring the great stage director and actor<br />

Charles Dullin. Parallel to shooting his own movies,<br />

he served as a collaborator with the director<br />

CARPITA, PAUL • 181<br />

(1923 La Roue / La Rose du Rail, six parts; shortened<br />

version: four parts, Marcel L’Herbier) and assistant<br />

director (1931 Après l’Amour, Léonce Perret). During<br />

the occupation <strong>of</strong> France, he bought and sold on the<br />

black market, acting in complicity with collaborators<br />

and Nazis. In 1946, he was sentenced by default to<br />

fi ve years in jail, was fi ned 120,000 francs, and was<br />

banned from France for fi ve years. He died in Venezuela<br />

at age seventy-nine.<br />

<strong>Film</strong>ography<br />

1921 L’Homme qui vendit son Âme au Diable (also<br />

producer)<br />

1923 La Mare au Diable (also producer)<br />

1931 Grains de Beauté<br />

1934 Votre Sourire (co-director with Monty Banks)<br />

1935 Juanita<br />

1936 Les Demi-Vierges (also co-screenwriter)<br />

Marinella<br />

La Tentation<br />

Notre Dame d’Amour<br />

1937 Blanchette<br />

Cinderella / Séduction<br />

La Fessée (also co-screenwriter)<br />

1938 Les Femmes collantes<br />

L’Accroche-Cœur / Riviera Express<br />

Le Monsieur de 5 Heures<br />

La Route enchantée<br />

1939 Mon Oncle et mon Curé (also producer)<br />

1940 Bécassine (also producer)<br />

Chantons quand même (also co-screenwriter,<br />

co-dialogist, lyricist)<br />

1941 Ne bougez plus! (also co-screenwriter, codialogist)<br />

1942 Pension Jonas<br />

1945 Ils étaient Cinq Permissionnaires (also co-screenwriter,<br />

co-dialogist; shot in 1940)<br />

1946 Por el gran premio (Spain)<br />

1956 Eva no Brasil (also screenwriter, producer,<br />

dialogist; Brazil)<br />

CARPITA, PAUL (November 12, 1922, Marseille,<br />

Bouches-du-Rhône, France–)<br />

The son <strong>of</strong> a docker father and a fi shmonger mother,<br />

he was a schoolteacher from 1946 to 1968. A former<br />

resistant during World War II, he co-founded with a<br />

few friends CINEPAX, a politically involved group <strong>of</strong><br />

fi lmmakers who shot 16-mm reports (Equipe de Choc;<br />

Pour que nos Joues soient toujours roses; Nous voulons<br />

vivre!). From 1953 to 1955, he directed his fi rst feature

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