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Encyclopedia of French Film Directors

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358 • DUVIVIER, JULIEN<br />

1931 David Golder (also screenwriter, adapter, dialogist)<br />

Les Cinq Gentlemen maudits / German version:<br />

Die fünf Verfl uchten Gentlemen / UK: The Five<br />

Accursed Gentlemen / USA: Moon over Morocco<br />

(also screenwriter, adapter, dialogist)<br />

1932 La Vénus du Collège (medium-length)<br />

Allo Berlin? Ici Paris! / Hallo Hallo! Hier spricht<br />

Berlin! (also screenwriter, adapter, dialogist;<br />

France / Germany)<br />

Poil de Carotte / USA: The Red Head (also<br />

screenwriter, adapter, dialogist)<br />

1933 La Tête d’un Homme / USA: A Man’s Neck<br />

(also co-screenwriter, co-adapter, co-dialogist,<br />

lyricist)<br />

Le Petit Roi (also screenwriter, adapter, dialogist)<br />

La Machine à refaire la Vie / USA: A Machine<br />

Recreating life (documentary; short; co-director<br />

with Henry Lepage; shot in 1924)<br />

1934 Le Paquebot “Tenacity” (also co-screenwriter,<br />

co-adapter, co-dialogist)<br />

1935 Maria Chapdelaine (also co-screenwriter)<br />

Golgotha / UK: Ecce homo / USA: Behold the<br />

Man (also adapter)<br />

La Bandera / USA: Escape from Yesterday (also<br />

co-screenwriter, co-adapter, co-dialogist)<br />

1936 Le Golem / UK: The Legend <strong>of</strong> Prague / USA:<br />

The Golem / The Golem: The Legend <strong>of</strong> Pague /<br />

The Man <strong>of</strong> Stone (also co-screenwriter, coadapter)<br />

La Belle Equipe / UK and USA: They Were Five<br />

(also co-screenwriter, lyricist, composer)<br />

1937 L’Homme du Jour / UK and USA: The Man <strong>of</strong><br />

the Hour (also co-screenwriter)<br />

Pépé le Moko (also co-screenwriter)<br />

Un Carnet de Bal / UK: Christine / USA: Dance<br />

Program / Dance <strong>of</strong> Life / Life Dances On (also<br />

co-screenwriter, co-adapter)<br />

1938 The Great Waltz (co-director with Victor Fleming,<br />

Josef Von Sternberg; USA)<br />

1939 La Fin du Jour / UK: The End <strong>of</strong> a Day / USA: The<br />

End <strong>of</strong> the Day (also co-screenwriter)<br />

La Charrette Fantôme / USA: The Phantom<br />

Wagon (also screenwriter, adapter)<br />

1941 Lydia / UK: Illusions (also co-screenwriter;<br />

USA)<br />

1942 Tales <strong>of</strong> Manhattan (also co-screenwriter; USA)<br />

1943 Flesh and Fantasy / UK: Six Destinies (also producer;<br />

USA)<br />

1944 The Impostor / Strange Confession / Bayonet<br />

Charge (also producer; USA)<br />

Destiny (uncredited co-director with Reginald<br />

Le Borg; also producer; USA)<br />

1945 Untel Père et Fils / UK: The Heart <strong>of</strong> a Nation<br />

/ USA: Immortal France (also co-screenwriter;<br />

shot in 1940)<br />

1946 Panique / USA: Panic (also co-screenwriter,<br />

co-adapter)<br />

1948 Anna Karenina / Tolstoy’s Anna Karenina (also<br />

co-screenwriter, co-adapter; UK)<br />

1949 Au Royaume des Cieux / UK: The Sinners / USA:<br />

Woman Hunt (also screenwriter, adapter, producer)<br />

1950 Captain Blackjack / Black Jack / Jack el Negro<br />

(co-director with José Antonio Nieves Conde;<br />

also co-screenwriter, producer; USA / UK /<br />

France / Spain)<br />

1951 Sous le Ciel de Paris / USA: Under the Paris Sky<br />

(also screenwriter, co-adapter)<br />

1952 Le Petit Monde de Don Camillo / Il piccolo mondo<br />

di Don Camillo / UK: Don Camillo / USA: The Little<br />

World <strong>of</strong> Don Camillo (also co-screenwriter,<br />

co-adapter, co-dialogist; France / Italy)<br />

La Fête à Henriette / UK: Henriette / USA:<br />

Holiday for Henrietta (also screenwriter, codialogist)<br />

1953 Le Retour de Don Camillo / Il ritorno di Don<br />

Camillo / USA: The Return <strong>of</strong> Don Camillo (also<br />

co-screenwriter, co-adapter; France / Italy)<br />

1954 L’Affaire Maurizius / Il caso Maurizius / USA:<br />

On Trial (also screenwriter, adapter, dialogist;<br />

France / Italy)<br />

1955 Marianne de ma Jeunesse / German version:<br />

Marianne, meine Jugendliebe / UK: Marianne /<br />

USA: Marianne <strong>of</strong> My Youth (also screenwriter,<br />

adapter, dialogist; France / West Germany)<br />

1956 Voici le Temps des Assassins / UK: Twelve Hours<br />

to Live / USA: Deadlier Than the Male (also coscreenwriter,<br />

co-adapter, co-dialogist, lyricist)<br />

1957 L’Homme à l’Imperméable / L’uomo dall’impermeabile<br />

/ USA: The Man in the Raincoat (also coscreenwriter,<br />

co-adapter, composer; France /<br />

Italy)<br />

Pot-Bouille / Le donne degli altri / UK: The House<br />

<strong>of</strong> Lovers / USA: Lovers <strong>of</strong> Paris (also co-screenwriter,<br />

co-adapter; France / Italy)<br />

1959 La Femme et le Pantin / Femmina / UK: A<br />

Woman Like Satan / USA: The Female (also co-<br />

screenwriter, co-adapter; France / Italy)

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