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Encyclopedia of French Film Directors

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1976 Mauriac ou l’Enracinement (documentary; also<br />

screenwriter)<br />

1977 La Terrasse de Malagar<br />

Le Seigneur de Bel Air (also screenwriter)<br />

1979 Robert Escarpit (documentary; also screenwriter)<br />

PÉCAS, MAX (April 25, 1925, Lyon, Rhône, Paris–<br />

February 10, 2003, Paris, France)<br />

His parents owned a business selling general supplies<br />

for cinema in Marseille. One <strong>of</strong> their clients, a<br />

fi lm journalist, <strong>of</strong>fered him a job as administrator <strong>of</strong><br />

theater tours, a job he gave up after meeting actress<br />

Ginette Leclerc. She recommended him to a director,<br />

and he entered fi lms as an assistant director (1947<br />

Nuit sans Fin, Jacques Séverac; 1948 Sergil et le Dictateur,<br />

Jacques Daroy; 1949 Le Droit de l’Enfant, Jacques<br />

Daroy; La Passagère, Jacques Daroy; 1950 La Maison du<br />

Printemps, Jacques Daroy; 1951 Porte d’Orient, Jacques<br />

Daroy; 1952 Sergil chez les Filles, Jacques Daroy; 1953<br />

Tourbillon, Alfred Rode; 1956 Trois de la Canebière, Maurice<br />

de Canonge; 1957 Trois de la Marine, Maurice de<br />

Canonge; 1958 Arènes joyeuses, Maurice de Canonge,<br />

La Fille de Feu, Alfred Rode; 1959 Visa pour l’Enfer /<br />

Passeport pour l’Enfer, Alfred Rode). A fi lmmaker from<br />

1959, he directed mainly erotic movies and lowbrow<br />

comedies. Other credit (as production manager):<br />

1969 Le Grand Cérémonial (Pierre-Alain Jolivet).<br />

<strong>Film</strong>ography<br />

1960 Le Cercle Vicieux<br />

1961 De quoi tu t’mêles, Daniela! / Zarte Haut in<br />

schwarzer Seide / UK: Daniela, Criminal Strip-<br />

Tease / USA: Daniela by Night (also co-screenwriter,<br />

co-adapter; France / West Germany)<br />

1962 Douce Violence / UK: Sweet Violence / Violent<br />

Ecstasy / USA: Sweet Ecstasy (also co-adapter,<br />

co-dialogist)<br />

La Belle et le Champion (short)<br />

1964 Cinq Filles en Furie / Les Chiennes de Soledor /<br />

USA: Five Wild Kids / Five Wild Girls (also coscreenwriter,<br />

co-adapter, producer)<br />

La Baie du Désir / USA: The Erotic Touch <strong>of</strong> Hot<br />

Skin / The Erotic Touch / The Touch <strong>of</strong> Skin (also<br />

co-screenwriter, producer)<br />

1966 Espions à l’Affût / La Chaleur de Minuit / UK:<br />

Where the Action Is / USA: Heat <strong>of</strong> Midnight<br />

(also co-screenwriter, co-adapter, co-dialogist,<br />

producer)<br />

PÉCAS, MAX • 801<br />

1967 Une Femme aux Abois / La Prisonnière du Désir<br />

/ USA: The Slave (also screenwriter, adapter,<br />

dialogist, producer)<br />

La Peur et l’Amour / La Peur et le Désir / USA:<br />

Fear and Love / Torment (also screenwriter, coadapter,<br />

co-dialogist, producer)<br />

1968 La Nuit la plus chaude / UK: The Night <strong>of</strong> the<br />

Outrages / USA: The Night <strong>of</strong> the Three Lovers<br />

(also screenwriter, co-adapter, co-dialogist,<br />

producer)<br />

1969 La Main noire / La mano nera (also co-screenwriter,<br />

co-adapter, co-dialogist, co-producer;<br />

France / Italy)<br />

1970 Claude et Greta / UK: Any Time Anywhere / USA:<br />

Her and She and Him (also co-adapter, codialogist,<br />

producer)<br />

1971 Je suis une Nymphomane / UK: Forbidden Passions<br />

/ The Sensuous Teenager / UK DVD: I Am<br />

a Nymphomanic / USA: Libido: The Urge to Love<br />

(also screenwriter, producer)<br />

1973 Comment le Désir vient aux Filles / Je suis frigide<br />

. . . pourquoi? / UK: I Am Frigid . . . Why? / USA:<br />

She Should Have Stayed in Bed (also screenwriter,<br />

producer)<br />

1974 Club privé (pour Couples avertis) / UK: Private<br />

Club (also screenwriter, producer)<br />

Sexuellement vôtre / USA: Young Casanova (also<br />

screenwriter, producer)<br />

1975 Les Mille et une Perversions de Felicia / Canada:<br />

1001 Perversions <strong>of</strong> Felicia / USA: Felicia (also<br />

screenwriter, co-adapter, producer)<br />

1976 Luxure / Laure, perverse et Nymphomane / UK:<br />

Everybodys / USA: Sweet Taste <strong>of</strong> Honey (also<br />

adapter)<br />

1977 Marche pas sur mes Lacets (also producer)<br />

1978 Embraye Bidasse . . . ça fume! (also co-screenwriter,<br />

co-dialogist, delegate producer)<br />

1979 On est venu là pour s’éclater / Hot Dogs auf<br />

Ibiza (also delegate producer; France / West<br />

Germany)<br />

1980 Mieux vaut être riche et bien portant que fauché<br />

et mal foutu / Wer spritzt denn da am Mittelmeer<br />

/ Mas vale pajaro en mano (also coscreenwriter,<br />

co-adapter, co-dialogist; delegate<br />

producer; France / West Germany / Spain)<br />

1981 Belles, blondes et bronzés / Zwölf Schwedinnen in<br />

Afrika / Bellas, rubias y bronceadas (also screenwriter,<br />

dialogist, delegate producer; France /<br />

West Germany / Spain)

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