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Encyclopedia of French Film Directors

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890 • ROULAND, JACQUES<br />

<strong>Film</strong>ography<br />

1987 Police des Mœurs / US video: Captive Women 6:<br />

St. Tropez Spice (also co-screenwriter)<br />

1988 Dynamit Girls (video documentary; also cinematographer)<br />

ROULAND, JACQUES (November 13, 1929,<br />

Saint-Sauveur-le-Vicomte, Manche, France–June 14,<br />

2002, Bois-Guillaume, Seine-Maritime, France)<br />

After completing his musical studies, he performed<br />

the songs he wrote in Parisian cabarets. He created<br />

his fi rst radio program in 1961 (La Source des<br />

Chansons). His brother Jean-Paul and he earned huge<br />

popularity with <strong>French</strong> TV audiences thanks to La<br />

Caméra invisible, a show inspired by Candid Camera.<br />

He played small parts in a few fi lms, <strong>of</strong>ten directed<br />

by his friends (1971 Le Viager, Pierre Tchernia; 1974<br />

Vos Gueules les Mouettes!, Robert Dhéry; 1975 Trop<br />

c’est trop / USA: Too Much Is Too Much, Christian Gion;<br />

1981 Signé Furax, Marc Simenon; 1982 Les Sous-Doués<br />

en Vacances, as himself; 1983 Le Bourreau des cœurs,<br />

Christian Gion). He authored several books: 1989<br />

Les Employés du Gag “Gardez le Sourire” “La Caméra<br />

invisible” (Calmann-Lévy); 1998 Les Sacapoux; 1999<br />

Ma Caméra invisible (Pygmalion); 2001 Les amoureux<br />

du 7e Art (J’ai Lu).<br />

<strong>Film</strong>ography<br />

1966 Entends-tu la Mer? (short; also co-screenwriter)<br />

1974 La Gueule de l’Emploi (also screenwriter)<br />

Television <strong>Film</strong>ography<br />

1977 Appelez-moi Docteur ou Le Médecin invisible<br />

1978 Sacré Farceur (also co-screenwriter, actor)<br />

ROULEAU, RAYMOND (Edgard Marie Raymond<br />

Rouleau / June 4, 1904, Brussels, Belgium–December<br />

11, 1981, Paris, France)<br />

He enrolled in the Brussels Conservatoire at age<br />

fourteen and won three fi rst prizes. Having settled in<br />

France in 1927, he worked with the most remarkable<br />

stage directors <strong>of</strong> his time (Charles Dullin, Georges<br />

Pitoëff, Antonin Artaud) and founded a theater inspired<br />

by the surrealist avant-garde. He soon became<br />

one <strong>of</strong> the major fi gures <strong>of</strong> the <strong>French</strong> stage (mostly<br />

as a director) and managed Le theatre de l’Oeuvre<br />

from 1944 to 1951. He entered fi lms in 1927 in Marcel<br />

L’Herbier’s L’Argent (unfortunately, his role was<br />

cut). He played leading and then supporting roles in<br />

more than forty fi lms, including two excellent Jacques<br />

Becker movies (1942 Dernier Atout; 1945 Falbalas /<br />

USA: Paris Frills). He was married to actress Françoise<br />

Lugagne (1914–1991). His sons Philippe (b. 1940) and<br />

Fabrice (1947–2001) were also actors.<br />

<strong>Film</strong>ography<br />

1932 Suzanne (co-director with Léo Joannon; also<br />

actor)<br />

1933 Une Vie perdue (with the collaboration <strong>of</strong> Alexandre<br />

Esway; also actor)<br />

1936 Rose<br />

1937 Trois . . . Six . . . Neuf<br />

Le Messager / USA: The Messenger<br />

1957 Les Sorcières de Salem / Hexenjagd / UK: The<br />

Witches <strong>of</strong> Salem / USA: The Crucible (also actor;<br />

France / East Germany)<br />

1962 Les Amants de Teruel / USA: The Lovers <strong>of</strong> Teruel<br />

(also screenwriter, adapter)<br />

Television <strong>Film</strong>ography<br />

1971 Les Papiers d’Aspern<br />

1972 Ruy Blas<br />

1973 L’Ecole des Femmes<br />

1974 Nouvelles de Henry James (episode “Le Tour<br />

d’Ecrou”)<br />

1975 Ondine<br />

Bérénice<br />

La Fleur des pois<br />

1976 La Jalousie<br />

1977 L’Eau sale (also screenwriter)<br />

1979 Le Destin de Priscilla Davies (also screenwriter,<br />

adapter, dialogist)<br />

1980 L’Inconnu d’Arras (also adapter)<br />

1981 La Guerre de Troie n’aura pas lieu<br />

ROULET, DOMINIQUE (March 27, 1949, Paris,<br />

France–December 4, 1999, Paris, France)<br />

A detective novel writer, he started co-writing<br />

screenplays in 1983 (Canicule / USA: Dog Day, Yves<br />

Boisset). He created the character <strong>of</strong> Inspector<br />

Lavardin, played by Jean Poiret in two fi lms (1985<br />

Poulet au Vinaigre / UK and USA: Cop au Vin, 1986 Inspecteur<br />

Lavardin) and two TV movies (1989 Le Diable<br />

en Ville; Maux croisés), all directed by Claude Chabrol.<br />

<strong>Film</strong>ography<br />

1993 L’œil écarlate (also original novel, screenwriter,<br />

co-adapter, dialogist)<br />

1996 Un Homme est tombé dans la Rue (short)

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