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Encyclopedia of French Film Directors

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tal novels). Several <strong>of</strong> his works were brought to the<br />

screen (1951 Caroline Chérie / USA: Dear Caroline,<br />

Richard Pottier; 1953 Un Caprice de Caroline chérie<br />

/ USA: Caroline Chérie, Jean Devaivre; 1955 Le Fils de<br />

Caroline Chérie / UK: Caroline and the Rebels / USA:<br />

The Son <strong>of</strong> Dear Caroline, Jean Devaivre; Les Mauvaises<br />

Rencontres, Alexandre Astruc; 1968 Caroline chérie /<br />

Caroline Chérie: Schön wie die Sünde, Denys de La Patellière,<br />

France / West Germany), and he collaborated<br />

as a screenwriter on a dozen productions, including<br />

a couple <strong>of</strong> modern adaptations <strong>of</strong> Stendhal’s novels<br />

(1964 De l’Amour / La calda pelle / UK: All About Loving,<br />

Jean Aurel, France / Italy; 1967 Lamiel, Jean Aurel,<br />

France / Italy) and <strong>of</strong> Max Ophüls’s Lola Montès / Lola<br />

Montez / UK: The Fall <strong>of</strong> Lola Montes / USA: The Sins <strong>of</strong><br />

Lola Montes (1955, France / West Germany).<br />

<strong>Film</strong>ography<br />

1969 Quarante-Huit Heures d’Amour / USA: 48 Hours<br />

<strong>of</strong> Love (also screenwriter, adapter, dialogist)<br />

SAINT-MAURICE, CHRISTIAN DE (1927,<br />

France–)<br />

<strong>Film</strong>ography<br />

1960 Suspense au Deuxième Bureau / USA: The Spy<br />

Catcher (also screenwriter, dialogist)<br />

SAINT-PHALLE, NIKI DE (Catherine Marie-<br />

Agnès Fal de Saint-Phalle / October 29, 1930, Neuillysur-Seine,<br />

Hauts-de-Seine, France–May 21, 2002, San<br />

Diego, California, USA)<br />

The daughter <strong>of</strong> a banker ruined by the stock market<br />

crash <strong>of</strong> 1929, she grew up in Greenwich, Connecticut,<br />

and New York City. After working as a fashion model<br />

(for Vogue, Harper’s Bazaar, Elle, Life) and studying acting<br />

in Paris, she switched to painting and won international<br />

fame thanks to her monumental sculptures.<br />

<strong>Film</strong>ography<br />

1973 Daddy (co-director with Peter Whitehead;<br />

also screenwriter, actor; France / UK)<br />

1976 Un Rêve plus long que la Nuit (also screenwriter,<br />

actor)<br />

SAIRE, JEAN-PIERRE (1944, Fougerolles, Haute-<br />

Saône, France–)<br />

He directed three shorts before becoming an assistant<br />

director (1973 Le Mataf / Tre per una granda<br />

SALFATI, PIERRE-HENRY • 903<br />

rapina, Serge Leroy, France / Italy; 1978 Sophie et le<br />

Capitaine, Liliane de Kermadec, unfi nished; Il était une<br />

Fois un Musicien, TV, episode “Monsieur Rachmanin<strong>of</strong>f,”<br />

Roger Hanin). He also was a technical adviser (1985<br />

Les Nanas / UK festival: Girls, Girls, Girls, Annick Lanoë)<br />

but worked mainly as a co-producer (1995 Guiltrip /<br />

Guiltrip, la colpa, Gerard Stembridge, Ireland / France<br />

/ Italy), producer (2000 Le Comte du Ventre plein, Melvin<br />

Van Peebles, France / Netherlands), or executive<br />

producer (1990 La Femme et le Pantin / La mujer y<br />

el pelele, Mario Camus, France / Spain; Les Disparus<br />

de Saint-Agil, Jean-Louis Benoît; 1997 A bacia de John<br />

Wayne / Le Bassin de J.W., João César Monteiro, Portugal<br />

/ France; 1999 Civilisées, Randa Chahal Sabagg,<br />

France / Lebanon; 2001 Tosca, Benoît Jacquot, Italy<br />

/ France / UK / Germany; 2006 La Planète blanche /<br />

USA: The White Planet, documentary, Jean Lemire, Thierry<br />

Piantanida, Thierry Ragobert). He created several<br />

production companies: Salud Productions (1979)<br />

and Etamp (with <strong>French</strong> and Czech partners, 1990).<br />

<strong>Film</strong>ography<br />

1971 Hier c’est demain (short; also screenwriter,<br />

dialogist)<br />

Le Voyage à travers la Ville (short)<br />

Poupées qu’on les apppelle (short)<br />

1983 Le Retour de Christophe Colon (also co-screenwriter,<br />

co-dialogist; shot in 1981)<br />

SAKREF, AKIM<br />

<strong>Film</strong>ography<br />

2004 Intox, Chroniques d’un Fils de P . . . (also screenwriter,<br />

dialogist)<br />

SALFATI, PIERRE-HENRY (August 20, 1953,<br />

France–)<br />

A former student in architecture, he graduated with a<br />

master’s degree in philosophy before directing shorts<br />

in the early 1980s. He co-wrote fi lms (1996 Ligne de<br />

Vie / Liniya zhizni, as co-screenwriter, Pavel Lounguine,<br />

France / Switzerland / Italy; 2001 Un Ange, as co-screenwriter,<br />

shot in 1999) and TV movies and series (1981<br />

Un Jour sombre dans la Vie de Marine, Josyane Serror;<br />

Les Héritiers, episode “Les Femmes du Lac,” Bruno<br />

Gantillon; 1982 Sans un Mot, Gérard Poitou-Weber;<br />

Paris Saint-Lazare, 6 52', Marco Pico; 1983 La Dame<br />

de Coeur, Jean Sagols; Croquignol, Jean Brard; 1984 La<br />

Femme jalouse, Peter Kassovitz; Le Dernier Civil, Laurent<br />

Heynemann; La Dictée, Jean-Pierre Marchand; Histoire

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