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Encyclopedia of French Film Directors

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922 • SÉCHAN, EDMOND<br />

Georges Régnier; 1950 Savage Africa / Congolaise,<br />

documentary, Jacques Dupont; 1952 Crin-Blanc / UK:<br />

Wild Stallion / USA: White Mane, Albert Lamorisse;<br />

1955 Nagana, Hervé Bromberger; 1956 Le Monde<br />

du Silence / Il mondo del silenzio / UK and USA: The<br />

Silent World, documentary, Jacques-Yves Cousteau,<br />

Louis Malle, France / Italy; Les Possédées / L’isola delle<br />

donne sole / L’isola delle capre / USA: Passionate Summer,<br />

Charles Brabant, France / Italy; Le Ballon rouge<br />

/ UK and USA: The Red Balloon, short, Albert Lamorisse;<br />

La Bête noire, short, Georges Rouquier; 1957<br />

Les Aventures d’Arsène Lupin / Le avventure di Arsenio<br />

Lupin / USA: The Adventures <strong>of</strong> Arsene Lupin, Jacques<br />

Becker, France / Italy; Mort en Fraude / USA: Fugitive<br />

in Saigon, Marcel Camus; 1958 Tamango / La rivolta<br />

dell’esperenza, John Berry, France / Italy; Le Piège / La<br />

trappola si chiude / USA: No Escape / Any Man’s Woman,<br />

Charles Brabant, France / Italy; 1959 Le Soleil de Pierre,<br />

documentary, short, Daniel Lecomte; Les Dragueurs /<br />

UK: Young Have No Morals / The Dredgers / USA: The<br />

Chaser, Jean-Pierre Mocky; 1961 Le Triomphe de Michel<br />

Strog<strong>of</strong>f / Il trionfo di Michele Strog<strong>of</strong>f / UK and USA:<br />

The Triumph <strong>of</strong> Michael Strog<strong>of</strong>f, Victor Tourjansky,<br />

France / Italy; 1962 Ton Ombre est la mienne / USA:<br />

Your Shadow Is Mine, André Michel; 1963 Love Is a Ball<br />

/ UK: All This and Money Too, David Swift, USA; 1964<br />

L’Homme de Rio / L’uomo di Rio / UK: That Man from<br />

Rio, Philippe de Broca, France / Italy; Echappement<br />

libre / Scappamento aperto / A escape libre / Der Boss<br />

hat sich was ausgedacht / USA: Backfi re, Jacques Deray,<br />

France / Italy / Spain / West Germany; La Grande<br />

Frousse / La Cité de l’indicible Peur / USA: The Big Scare,<br />

Jean-Pierre Mocky; 1965 Le Ciel sur la Tête / Allarme<br />

dal cielo / Il cielo sulla testa / UK: Heaven on One’s<br />

Head / USA: Skies Above / US TV: Sky Above Heaven,<br />

Yves Ciampi, France / Italy; Le Gendarme à New York<br />

/ Tre gendarme a New York, Jean Girault, France / Italy;<br />

Les Tribulations d’un Chinois en Chine / L’uomo di Hong<br />

Kong / UK: Up to His Ears / USA: Chinese Adventures in<br />

China, Philippe de Broca, France / Italy; 1966 Monsieur<br />

le Président-Directeur-Général, Jean Girault; Monnaie<br />

de Singe / I sette falsari / La viuda soltera / UK: Money<br />

Money, Yves Robert, France / Italy / Spain; Tendre<br />

Voyou / Un avventuriere a Tahiti / USA: Tender Scoundrel,<br />

Jean Becker, France / Italy; 1967 Toutes Folles de lui,<br />

Norbert Carbonnaux; A Cœur Joie / UK and USA: Two<br />

Weeks in September, Serge Bourguignon, France / UK;<br />

1969 Le Lis de Mer, Jacqueline Audry; La Pince à Ongles<br />

/ UK: The Nail Clippers, short, Jean-Claude Carrière;<br />

1970 La Peau de Torpédo / Dossier 212—Destinazione<br />

morte / Der Mann mit der Torpedohaut / UK: Pill <strong>of</strong><br />

Death / USA: Only the Cool, Jean Delannoy, France<br />

/ Italy / West Germany; 1971 Sur un Arbre perché,<br />

Serge Korber, France / Italy; La Grande Maffi a / Un<br />

matto, due matti, tutti matti, Philippe Clair, France /<br />

Italy; 1973 Le Mataf / Tre per una granda rapina, Serge<br />

Leroy, France / Italy; The Day <strong>of</strong> the Jackal / Chacal, as<br />

second unit cinematographer, Fred Zinnemann, UK<br />

/ France; 1974 Piaf / USA: Piaf: The Early Years, Guy<br />

Casaril; 1976 Le Pays bleu / UK and USA: Blue Country,<br />

Jean-Charles Tacchella; D’Amour et d’Eau fraîche, Jean-<br />

Pierre Blanc; 1977 Monsieur Papa, Philippe Monnier;<br />

1978 Les Petits Câlins, Jean-Marie Poiré; La Carapate /<br />

USA: Out <strong>of</strong> It, Gérard Oury; 1979 L’Esprit de Famille,<br />

Jean-Pierre Blanc; 1980 La Boum / USA: The Party,<br />

Claude Pinoteau; 1982 Juste avant le Mariage, Daniel<br />

Ceccaldi; La Boum 2, Claude Pinoteau; 1983 Femmes /<br />

Mujeres, Tana Kaleya, France / Spain; 1984 Les Morfalous,<br />

Henri Verneuil; Joyeuses Pâques, Georges Lautner;<br />

La Septième Cible, Claude Pinoteau; 1987 L’Âge de<br />

Monsieur est avancé, Pierre Etaix). He also worked<br />

for TV (1974 A Dossiers ouverts, 25x13’, Claude Boissol;<br />

1981 Nana, 4 90', Maurice Cazeneuve, France<br />

/ Belgium / Switzerland) and was once a second unit<br />

director (1970 Le Gendarme en Balade / 6 gendarmi in<br />

fuga, Jean Girault, France / Italy).<br />

<strong>Film</strong>ography<br />

1953 Mano I (short; also cinematographer)<br />

1957 Niok l’Elephant / USA: Niok l’Elephant (short;<br />

also screenwriter)<br />

1959 Histoire d’un Poisson rouge / USA: The Golden<br />

Fish (short)<br />

1960 L’Ours / Daniele nella gabbia d’orso / USA: The<br />

Bear (also co-screenwriter, co-adapter; France<br />

/ Italy)<br />

1962 Le Haricot (short; author <strong>of</strong> commemtary)<br />

1968 Pour un Amour lointain (also co-screenwriter)<br />

1974 . . . Les Borgnes sont Rois / UK: The One-Eyed Are<br />

Kings / USA: One-Eyed Men Are Kings (short;<br />

co-director with Michel Leroy; also screenwriter,<br />

producer)<br />

1980 Toine (short)<br />

1981 La Plume magique (short)<br />

Television <strong>Film</strong>ography<br />

1978 Photo-Souvenir (also co-screenwriter)<br />

1980 Lundi<br />

1987 Les Travailleurs de la Mer (2 90'; France /<br />

USSR)

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