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Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

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ance, André Cayatte, France / Italy; Le Voyage à Biarritz,<br />

Gilles Grangier).<br />

<strong>Film</strong>ography<br />

1926 La Grande Amie<br />

1927 La Cousine Bette (also screenwriter, adapter)<br />

1928 Embrassez-moi (co-director with Robert Péguy)<br />

J’ai l’noir ou Le Suicide de Dranem (also coadapter)<br />

1931 Une Histoire entre mille<br />

1932 Gisèle and Partner (short)<br />

1934 Les Deux Mousquetaires de Nini (short)<br />

RIGAUD, FRANCIS (March 22, 1920, Asnièressur-Seine,<br />

Hauts-de-Seine, France–)<br />

He made his fi lm debut as a producer (1955 La<br />

Madelon, Jean Boyer) before specializing in comedies<br />

as a director and screenwriter (1960 Les Pique-<br />

Assiette, Jean Girault; 1961 Les Moutons de Panurge, Jean<br />

Girault; 1974 Les Murs ont des Oreilles, as co-adapter,<br />

Jean Girault; 1982 On n’est pas sorti de l’Auberge, also<br />

co-adapter, Max Pécas).<br />

<strong>Film</strong>ography<br />

1961 Les Nouveaux Aristocrates<br />

1962 Nous irons à Deauville (also co-screenwriter,<br />

co-adapter, co-dialogist)<br />

1964 Les Gros Bras<br />

1965 Les Baratineurs (also co-screenwriter, coadapter)<br />

1967 Jerk à Istanbul / Cento millioni per morire (also<br />

co-screenwriter, co-adapter, co-dialogist)<br />

1969 Faites donc Plaisir aux Amis (also co-screenwriter,<br />

co-adapter, co-dialogist)<br />

1970 Des Vacances en Or / ¡Viva la aventura! (also coscreenwriter,<br />

co-adapter, co-dialogist; France<br />

/ Italy)<br />

RIMSKY, NICOLAS (1886, Warsaw, Poland–January<br />

19, 1942, Paris, France)<br />

He made his stage debut as an actor at age twelve<br />

and entered fi lms in 1916 (Zhenshchina s kinzhalom,<br />

Yakov Protzanov). In 1920, he joined the Ermolïeff<br />

theatrical company in Crimea and followed the group<br />

when he settled in Paris. He resumed his fi lm acting<br />

career in France, working mostly with Russian immigrants<br />

(Viatcheslav / Victor Tourjansky, Alexandre<br />

Volk<strong>of</strong>f, Serge Nadejdine). He co-directed several<br />

fi lms in which he co-starred.<br />

RISSIENT, PIERRE • 869<br />

<strong>Film</strong>ography<br />

1925 Le Nègre blanc (co-director with Henry Wulschleger;<br />

also adapter, actor)<br />

1926 Paris en Cinq Jours (co-director with Pièrre<br />

Colombier; also adapter, actor)<br />

Jim la Houlette, Roi des Voleurs (co-director<br />

with Roger Lion; also actor)<br />

1927 Le Chasseur de chez Maxim’s (co-director with<br />

Roger Lion; also actor)<br />

1931 Pas sur la Bouche (also actor)<br />

RIOU, ALAIN (August 19, 1941, France–)<br />

A fi lm critic, he collaborated on several screenplays<br />

for fi lms (1984 Le Léopard, as screenwriter, co-adapter,<br />

Jean-Claude Sussfeld; 1993 Pétain, as co-screenwriter,<br />

Jean Marboeuf) and TV (1984 Le Dernier Banco,<br />

Claude de Givray; 1991 Les Dessous de la Passion, dialogist,<br />

Jean Marboeuf).<br />

<strong>Film</strong>ography<br />

2004 Elle critique tout (co-director with Renan<br />

Polles; also screenwriter, actor)<br />

2007 Cut! (short; also screenwriter, dialogist)<br />

Television <strong>Film</strong>ography<br />

2004 Tous les Hommes sont des Romans (co-director<br />

with Renan Pollès; also screenwriter, dialogist)<br />

2007 Rappelle-toi Barbara (documentary; co-director<br />

with Philippe Pouchain)<br />

RISSIENT, PIERRE (August 4, 1936, Paris, France–)<br />

A movie buff since his teenage years, he was an assistant<br />

director (1960 A Bout de Souffl e / UK: By a Tether<br />

/ USA: Breathless, Jean-Luc Godard; 1963 A Cause, à<br />

Cause d’une Femme / UK: Because <strong>of</strong> a Woman / USA:<br />

Because, Because <strong>of</strong> a Woman, Michel Deville) before<br />

working as a publicist and becoming an untiring<br />

defender <strong>of</strong> American and Asian cinema. He notably<br />

contributed to make famous in France such directors<br />

as Lino Brocka and King-Hu. He also worked as an associate<br />

producer (2000 Boesman and Lena, John Berry,<br />

South Africa / France; 2001 L’Anglaise et le Duc / USA:<br />

The Lady and the Duke, Eric Rohmer) and appeared<br />

as himself in several documentaries (2000 Fritz Lang,<br />

le Cercle du Destin—Les <strong>Film</strong>s allemands, documentary,<br />

Jorge Dana; 2007 F., documentary, Tze Chuan Chew,<br />

Singapore; Man <strong>of</strong> Cinema: Pierre Rissient, documentary,<br />

as himself, Todd McCarthy, USA).

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