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Encyclopedia of French Film Directors

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1020 • WYN, MICHEL<br />

fi rst talkies, performed mostly by coarse comedian<br />

Bach (1882–1953).<br />

<strong>Film</strong>ography<br />

1913 Les Déboires de Snob (short)<br />

Les Fiançailles de Snob (short)<br />

Le Rendez-vous de Snob (short)<br />

Snob Bureaucrate par Amour (short)<br />

Snob Dompteur d’Occasion (short)<br />

Snob en Vacances (short)<br />

Snob fait l’Ouverture de la Chasse (short)<br />

Snob Maître-Nageur (short)<br />

Snob mélomane (short)<br />

Snob Proprio (short)<br />

Snob Villégiature (short)<br />

1914 Le Rêve de Snob (short)<br />

Le Rival de Snob / Une Rivale de Snob (short)<br />

Snob Boxeur (short)<br />

Snob Chef de Bureau (short)<br />

Snob est distrait (short)<br />

Snob et le Mystère de la Perle noire (short)<br />

Snob et le Parapluie ensorcelé (short)<br />

Snob reçoit son Chef de Bureau (short)<br />

Snob renouvelle le Tango (short)<br />

Le Truc de Snob (short)<br />

1920 Une Nuit agitée (short; co-director with Alfred<br />

Machin)<br />

1921 Pervenche (co-director with Alfred Machin;<br />

also co-screenwriter)<br />

1923 Moi aussi, j’accuse (co-director with Alfred<br />

Machin)<br />

Les Héritiers de l’Oncle James / Les Millions de<br />

l’Oncle James (co-director with Alfred Machin;<br />

also co-screenwriter)<br />

1924 L’Enigme du Mont Agel (co-director with Alfred<br />

Machin; also co-screenwriter)<br />

1925 Le Nègre blanc (co-director with Nicolas<br />

Rimsky)<br />

Le Cœur des Gueux (co-director with Alfred<br />

Machin)<br />

1930 Elle veut faire du Cinéma (short)<br />

1931 La Prison en Folie<br />

En Bordée (co-director with Joe Francis)<br />

L’Affaire Blaireau<br />

1932 Le Champion du Régiment (also screenwriter,<br />

adapter)<br />

1933 L’Enfant de ma Sœur<br />

Bach Millionnaire<br />

Tire au Flanc<br />

1934 Le Train de 8h47<br />

Sidonie Panache (two medium-lengths: “Sidonie<br />

Panache,” “Chabichou”)<br />

1935 Debout, là-dedans!<br />

Bout de Chou<br />

1936 Tout va très bien, Madame la Marquise<br />

1937 Le Cantinier de la Coloniale<br />

1938 Gargousse<br />

1940 Bach en Correctionnelle<br />

WYN, MICHEL (August 21, 1931, Paris, France–)<br />

From 1951 to 1953, he studied fi lmmaking at the ID-<br />

HEC. He also graduated from the Institute <strong>of</strong> Political<br />

Studies. He entered fi lms as an assistant director (1955<br />

La Crise du Logement, documentary, Jean Dewever;<br />

1956 Foreign Intrigue, Sheldon Reynolds, UK; Porte des<br />

Lilas / Quartiere dei lillà / UK: Gate <strong>of</strong> Lilacs / USA: The<br />

Gates <strong>of</strong> Paris, René Clair, France / Italy, 1958 Me and<br />

the Colonel, Peter Glenville, UK; Maxime, Henri Verneuil;<br />

Le Voyage en Ballon / UK and USA: Stowaway in the Sky,<br />

Albert Lamorisse; 1960 L’Affaire d’une Nuit / UK: It<br />

Happened at Night / USA: It Happened All Night, Henri<br />

Verneuil; 1961 Le Président / Il Presidente / UK: The President,<br />

Henri Verneuil, France / Italy; Fanny, Joshua Logan,<br />

USA; 1963 In the <strong>French</strong> Style / A la Française, Robert<br />

Parrish, USA / France; 1964 La Tulipe noire / Il Tulipano<br />

nero / El Tulipan negro / UK: The Black Tulip, also second<br />

unit director, Christian-Jaque, France / Italy / Spain;<br />

1965 Up from the Beach / Le Jour d’après, Robert Parrish,<br />

USA / France; 1966 Paris brûle-t-il? / Is Paris Burning?,<br />

René Clément, France / USA; Atout Coeur à Tokyo pour<br />

OSS 117 / OSS 117 a Tokio si muore / UK: Mission to<br />

Tokyo / USA: OSS 117—Terror in Tokyo, also second unit<br />

director, Michel Boisrond, France / Italy; 1967 Fantômas<br />

contre Scotland Yard / Fantomas contra Scotland Yard, as<br />

second unit director, André Hunebelle, France / Italy;<br />

1968 Casse-Tête chinois pour le Judoka / Ore violente /<br />

Die Sieben Masken des Judoka, Maurice Labro, France /<br />

Italy / West Germany; Les Oiseaux vont mourir au Pérou<br />

/ USA: Birds in Peru, Romain Gary). He collaborated as<br />

a production manager on Herbie Goes to Monte Carlo<br />

(Vincent McEveety, USA). In 1994, he gave up directing<br />

to dedicate himself to his true passion: acting. Books:<br />

1956 Initiation aux Techniques du Cinéma (Editions Eyrolles;<br />

2nd ed., 1982, Editions Eyrolles); 1965 Le Cinéma<br />

et ses Techniques (Editions Techniques Européennes);<br />

1983 La Boîte aux Images (co-author with Pascal Wyn,<br />

Nouvelles Editions Techniques Européennes); 2005

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