Encyclopedia of French Film Directors

1992 Le Souper (also co-screenwriter, co-adapter)
1996 Beaumarchais, l’Insolent / USA: Beaumarchais the
Scoundrel (also co-screenwriter, co-adapter)
2008 Scénarios contre les Discriminations (shorts; segment
“Dirty Slapping”)
Television Filmography
1974 Histoires insolites (episode “Un Jour comme les
autres avec des Cacahuètes”; also co-screenwriter,
co-adapter)
1978 Claudine à l’Ecole
Madame le Juge (episode “Le Dossier Françoise
Muller”)
Claudine à Paris
Claudine en ménage
Claudine s’en va
Il était un Musicien (episode “Monsieur Strauss”;
also screenwriter, dialogist)
1981 Au Bon Beurre
1983 La Veuve rouge
1986 Un Métier du Seigneur / Der Verräter (France /
West Germany)
Le Tiroir secret (6 52'; co-director with Michel
Boisrond, Roger Gillioz, Nadine Trintignant;
France / Belgium / Italy / Switzerland /
West Germany)
1988 Coup de Foudre (27 20'; co-director with
Claude Boissol, Michel Legrand; France / Italy
/ UK / Spain / Portugal / Switzerland)
La Ruelle au Clair de Lune (also co-screenwriter,
co-adapter)
1989 Manon Roland (also co-screenwriter, codialogist;
France / Belgium / Canada)
L’Ivresse de la Métamorphose / Rausch der Verwandlung
(also co-screenwriter, co-adapter,
co-dialogist; France / West Germany)
Les Grandes Familles (TV miniseries; also coscreenwriter,
co-adapter; France / Belgium /
Switzerland)
1990 Le Gorille / Il Gorilla (episode “La Peau du Gorille”;
France / Italy / Germany)
1992 La Femme abandonnée (also co-screenwriter,
co-adapter)
Coup de Foudre (episodes “Résurgence,”
“Grand, beau et brun”; France / Italy / UK /
Spain / Portugal / Switzerland)
1995 Ce que savait Maisie (also screenwriter, adapter,
dialogist)
1998 H (episodes “No Clowning,” “L’Anniversaire,”
“Trop moche pour être belle,” “Un Manuscrit,”
“Une Vie de Chien,” “Un Mensonge,”
MOLL, DOMINIK • 735
“Un Meilleur Copain,” “Un Flacon rouge,”
“Une Thérapie de Couple,” “Une Histoire de
Professeurs,” “Une Histoire de Héros,” “Un
Coup de Froid,” “Une Promesse”)
1999 Nora (also co-screenwriter, co-adapter)
Tombé du Nid
H (episode “Une Histoire de Mari”)
2001 Nana (also co-screenwriter, co-adapter)
2003 Un Homme par Hasard (France / Belgium)
2005 Une Famille pas comme les Autres
Navarro (episodes “Double Meurtre,” “Manipulation”)
Les Hommes de Cœur (episodes “Double
Meurtre,” “Le Mal du Pays”)
Le Tuteur (episode “Mariage blanc”)
2006 Les Hommes de Cœur (episode “Nawin”)
Le Tuteur (episodes “Mère à 14 Ans,” “Mission
accomplie”)
2008 Le Tuteur (episodes “Le Clandestin,” “Le Poids
du Secret”)
MOLL, DOMINIK (May 7, 1962, Bühl, Germany–)
The son of a German father and a French mother,
he has French-German citizenship. From 1982 to
1984, he lived in New York City, where he studied
cinema. Having returned to France, he completed
his training at the Fémis (directing department,
1984–1987). Parallel with his directing work, he was
an editor (1985 Nuit blanche, short, also actor, Gilles
Marchand; 1987 L’Etendu, short, Gilles Marchand;
1991 Caroline et ses Amies, short, Thomas Bardinet;
1993 Joyeux Noël, short; Gilles Marchand; 1994 The
Neo Fascist Trilogy: I. In the Valley of the Wupper / Dans
la Vallée de la Wupper / Im Tal der Wupper, documentary,
Amos Gitai, Israel / France / Germany / Italy;
The Neo-Fascist Trilogy: II. In the Name of the Duce,
documentary, Amos Gitai, Israel / France / Germany
/ Italy; The Neo-Fascist Trilogy: III. Queen Mary, documentary,
Amos Gitai, Israel / France / Germany / Italy;
1996 Le Cri de Tarzan, Thomas Bardinet; 1999 C’est
plus fort que moi, short, Gilles Marchand), assistant
director (1994 Veillée d’Armes / Veillée d’Armes: Histoire
du Journalisme en Temps de Guerre / The Troubles
We’ve Seen—Die Geschichte der Kriegsberichterstattung
/ The Troubles We’ve Seen: A History of Journalism
in Wartime, Marcel Ophüls, France / Germany / UK;
1997 Les Sanguinaires, Laurent Cantet; 1999 C’est
plus fort que moi, short, Gilles Marchand; Ressources
humaines / USA: Human Resources, Laurent Cantet),
and technical consultant (2003 Qui a tué Bambi?,