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Encyclopedia of French Film Directors

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938 • SPAAK, CHARLES<br />

<strong>Film</strong>ography<br />

1948 Les Pierres du Diable (short; also screenwriter,<br />

cinematographer, editor)<br />

1950 Cinq Petites Choses (short; also screenwriter,<br />

cinematographer, editor)<br />

1952 Provinciales (short; also screenwriter, cinematographer,<br />

editor)<br />

1954 Un Matin d’Eté (short; also screenwriter, cinematographer,<br />

editor)<br />

1956 La Lettre et le Printemps (short; also screenwriter,<br />

cinematographer, editor)<br />

1961 Les Filles sèment le Vent / Le donne semiano il<br />

vento / USA: The Fruit Is Ripe (also screenwriter,<br />

adapter, screenwriter; France / Italy)<br />

1966 Gern hab’ich die Frauen gekillt / Spie contro il<br />

mondo / Sfi da a Glory City / Gern hab’ich die<br />

Frauen gekillt / UK: Spy Against the World / Carnival<br />

<strong>of</strong> Killers / USA: Killer’s Carnival (co-director<br />

with Alberto Cardone, Robert Lynn, and Sheldon<br />

Reynolds; Austria / Italy / France)<br />

1970 Les Cousines / UK: Love Demons / USA: The<br />

<strong>French</strong> Cousins / From Ear to Ear (also screenwriter,<br />

adapter, dialogist)<br />

Jungle Erotic / Frissons érotiques / USA: Africa<br />

Erotica / Happening in Africa / Karen, the<br />

Lovemaker (co-director with Zygmunt Sulistrowski;<br />

France / Belgium / USA)<br />

SPAAK, CHARLES (May 25, 1903, Brussels, Belgium–March<br />

4, 1972, Nice, Alpes-Maritimes, France)<br />

Born into one <strong>of</strong> the most infl uential Belgian families,<br />

he was the son <strong>of</strong> poet and playwright Paul Spaak,<br />

who ran the Théâtre de la Monnaie (his mother was<br />

a member <strong>of</strong> the Belgian senate for a while), and<br />

brother <strong>of</strong> politician and several times minister Paul-<br />

Henri Spaak and playwright Claude Spaak. In 1928,<br />

he moved to Paris, where his compatriot Jacques<br />

Feyder hired him as a secretary and gave him the<br />

opportunity to write adaptation and intertitles <strong>of</strong><br />

Les Nouveaux Messieurs. He soon became one the<br />

most famous screenwriters and dialogists <strong>of</strong> <strong>French</strong><br />

cinema and collaborated on more than 100 movies,<br />

including unforgettable classics directed by Jean Grémillon<br />

(1930 La Petite Lise; 1937 Gueule d’Amour; 1938<br />

L’Etrange Monsieur Victor / Der merkwürdige Monsieur<br />

Victor; 1941 Remorques / USA: Stormy Waters, shot in<br />

1939–1941), Jacques Feyder (1934 Le Grand Jeu, 1935<br />

Pension Mimosas; La Kermesse héroïque / USA: Carnival<br />

in Flanders), Julien Duvivier (1935 La Bandera / UK and<br />

USA: Escape from Yesterday; 1936 La Belle Equipe / UK<br />

and USA: They Were Five; 1939 La Fin du Jour / UK: The<br />

End <strong>of</strong> a Day / USA: The End <strong>of</strong> the Day; 1947 Panique /<br />

USA: Panic), and Jean Renoir (1936 Les Bas-Fonds / UK:<br />

Underworld / USA: The Lower Depth; 1937 La Grande<br />

Illusion / USA: The Grand Illusion). He directed only one<br />

movie. His two daughters, Catherine (b. 1944) and<br />

Agnès (b. 1945), were actresses.<br />

<strong>Film</strong>ography<br />

1949 Le Mystère Barton (also screenwriter, adapter,<br />

dialogist)<br />

SPINOSA, MICHEL (1963, Marseille, Bouches-du-<br />

Rhône, France–)<br />

His fi rst short was an adaptation <strong>of</strong> a Chester Himes<br />

short story co-directed by Gilles Bourdos, with<br />

whom he founded a production company, Persona<br />

<strong>Film</strong>s. He co-wrote several <strong>of</strong> Bourdos’s movies<br />

(1989 L’Eternelle Idole, short; 1999 Disparues, shot in<br />

1997–1998; 2003 Inquiètudes / USA: A Sight for Sore<br />

Eyes; 2008 Afterwards, France / Canada / Germany)<br />

and played in Grand Bonheur (Hervé Le Roux, 1993).<br />

<strong>Film</strong>ography<br />

1986 Un Cadeau de Noël (short; co-director with<br />

Gilles Bourdos; also co-screenwriter)<br />

1987 La Rue ouverte (short; also co-screenwriter)<br />

1990 La Jeune Fille et la Mort (short; also co-screenwriter)<br />

1995 Emmène-moi (also co-screenwriter, co-dialogist)<br />

2000 La Parenthèse enchantée (also screenwriter,<br />

dialogist, actor)<br />

2007 Anna M. (also screenwriter, dialogist; shot in<br />

2005)<br />

STANOJEVIC, STANISLAV (December 27, 1938,<br />

Belgrade, Serbia–)<br />

Having trained as an architect, he settled in Paris in<br />

the early 1960s. Also known as a plastic artist and<br />

writer, he is above all a singular director. He authored<br />

several books: 1985 Illustres Inconnus; 1987 Les Paroles<br />

de l’Oeil; 1988 Twin / Jumeau; 1989 Déambulations;<br />

1990 Eblouissements; 1991 La Dernière Visite; 1993<br />

Lectures lunaires; 1994 Le Château d’Azay (photographs<br />

only; text by Philippe de la Génardière); Le Secret<br />

d’Azay No. 2. 671.994; 1995 ItalieS; 1996 RefugeS; 1999<br />

Regards intérieurs; 2002 GaudiS et SaarinenS.; 2004 Sur<br />

le Fil du Rasoir.

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