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Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

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Passe-Muraille / UK and USA: Mr. Peek-a-Boo, Jean<br />

Boyer; Boîte de Nuit / USA: Hotbed <strong>of</strong> Sin, Alfred Rode;<br />

Nous irons à Monte Carlo, Jean Boyer; 1952 Le Trou<br />

normand / USA: Crazy for Love, Jean Boyer; 1953 Cent<br />

Francs par Seconde, Jean Boyer; Femmes de Paris, Jean<br />

Boyer; 1954 C’est la Vie parisienne, Alfred Rode; J’avais<br />

sept Filles / I sette peccati di papà / UK: I Had Seven<br />

Daughters / USA: My Seven Little Sins, Jean Boyer,<br />

France / Italy; 1956 Le Couturier de ces Dames / USA:<br />

Fernandel the Dressmaker, Jean Boyer; Sous le Ciel de<br />

Provence / Quatre Pas dans les Nuages / Era di venerdi<br />

17 / USA: The Virtuous Bigamist, Mario Soldati, France<br />

/ Italy), he made his directing debut shooting shorts.<br />

He also was technical adviser (1961 A Rebrousse-Poil,<br />

Pierre Armand, shot in 1959; 1966 Les Mordus de<br />

Paris, Pierre Armand, shot in 1964) and production<br />

manager (1977 Moi, Fleur bleue / Stop Calling Me Baby!,<br />

Eric Le Hung; 1978 Ca va pas la Tête, Raphaël Delpard;<br />

1979 Tapage nocturne, Catherine Breillat; 1982<br />

Salut . . . j’arrive! / Sensucht nach dem rosaroten Chaos,<br />

Gérard Poteau, France / West Germany; Le Crime<br />

d’Amour, Guy Gilles; 1984 Clash, Raphaël Delpard,<br />

France / Yugoslavia).<br />

<strong>Film</strong>ography<br />

1946 Nuits de Paris (short)<br />

1949 Barrages au Maroc (documentary; short)<br />

1953 Kandahar (documentary; short)<br />

1957 Nous autres à Champignol (also co-dialogist)<br />

1958 Les Aventuriers du Mékong / USA: Adventures in<br />

Indochina (also co-adapter)<br />

1959 Le Gendarme de Champignol (also co-adapter)<br />

1960 Certains l’aiment froide (also adapter)<br />

Les Tortillards (also co-screenwriter, coadapter)<br />

1961 Dynamite Jack / Dinamite Jack (also co-adapter;<br />

France / Italy)<br />

1966 Le Caïd de Champignol (also co-screenwriter,<br />

co-adapter)<br />

1967 Réseau secret (also co-adapter; X-rated version:<br />

Les Espionnes du Diable)<br />

1974 Et mourir de Désir<br />

1975 Les Heures brûlantes du Plaisir<br />

BASTID, JEAN-PIERRE (February 4, 1937,<br />

Montreuil, Seine-Saint-Denis, France–)<br />

Having graduated with a bachelor’s degree in literature,<br />

he studied cinema at IDHEC and then worked<br />

as assistant director (1960 Le Testament d’Orphée ou<br />

Ne me demandez pas pourquoi / USA: The Testament<br />

BASTID, JEAN-PIERRE • 65<br />

<strong>of</strong> Orpheus, Jean Cocteau) and co-screenwriter (1969<br />

La Main noire / La mano nera, also co-adapter, codialogist,<br />

Max Pécas, France / Italy; 1972 L’Attentat /<br />

L’attentato / Das Attentat / German video: Die Tödliche<br />

Falle (Die Affäre Sadiel) / UK: Plot / USA: The <strong>French</strong><br />

Conspiracy / The Assassination, Yves Boisset, France /<br />

Italy / West Germany; 1973 Lo Païs, Gérard Guérin,<br />

shot in 1971; 1974 Sous le Signe du Vaudou, Pascal<br />

Abikanlou, Dahomey; 1975 Dupont-Lajoie / UK: Rape<br />

<strong>of</strong> Innocence / USA: The Common Man, Yves Boisset;<br />

1983 La Bête noire, Patrick Chaput; 1984 L’Addition<br />

/ USA: The Bill / The Caged Heart / The Patsy, Denis<br />

Amar; 2001 Bandits d’Amour, as co-screenwriter,<br />

Pierre Le Bret, shot in 1999). Also a novelist, several<br />

<strong>of</strong> his books were brought to the screen (1986 Série<br />

noire, episode Adieu la vie, Maurice Dugowson; 1996<br />

Les Faux Médicaments, also co-dialogist, Alain-Michel<br />

Blanc). In 1961, he published an essay on Nicholas<br />

Ray (Un Etranger ici-bas, Nicholas Ray, Editions Lettres<br />

Modernes / Etudes cinématographiques).<br />

<strong>Film</strong>ography<br />

1966 Massacre pour une Orgie / Massacre de Plaisir /<br />

UK: Massacre <strong>of</strong> Pleasure / USA: Massacre for<br />

an Orgy (as Jean-Loup Grosdard; also adapter;<br />

Luxembourg)<br />

1967 Salut les Copines (as Jean-Loup Grosdard; also<br />

co-screenwriter)<br />

Pas de Chrysanthèmes pour la Gluglu (short;<br />

also screenwriter)<br />

Teenagers (documentary; co-director with<br />

Pierre Roustang)<br />

1968 La Belle au Bois mourant<br />

1969 Hallucinations sadiques / UK: Sadistic Hallucinations<br />

(as Roy Kormon)<br />

Bartleby (short; also screenwriter)<br />

1970 Les Petits Enfants d’Attila (also screenwriter,<br />

dialogist)<br />

1991 Le Pénitent (also co-screenwriter)<br />

1998 Irak, une autre Façon de faire la Guerre (documentary;<br />

short)<br />

Television <strong>Film</strong>ography<br />

1968 Dim Dam Dom (documentary; short; episode<br />

“Le Marais aujourd’hui”)<br />

1977 Bruits en Fête et Sons de Plaisir (documentary;<br />

episode “Faire du Sentiment, faire du Bois”)<br />

1981 Etouffe Grand-Mère (also co-screenwriter, codialogist)<br />

Caen, la Ville qui chante (documentary)<br />

1982 Les Folies bourgeoises / Paris sur Mer

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