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Encyclopedia of French Film Directors

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After shooting several reports all over the world<br />

for <strong>French</strong> TV, in 1993 he created his production<br />

company, Key Light, which notably fi nanced his own<br />

fi lms and those <strong>of</strong> Dominique Choisy (2000 Confort<br />

moderne), Sylvaine Rathier (2002 Les Habits vieux<br />

de l’Empereur, documentary), Luc Gétreau (2003<br />

Le Piroguier blanc), and Charlotte Silvera (2006 Nos<br />

chères Têtes blondes). Seen as an actor in L’Homme sur<br />

les Quais / UK and USA: The Man by the Shore / The<br />

Man on the Shore (Raoul Peck, France / Canada), he<br />

also authored several plays (Lomoza; Monologue à trois;<br />

Les Guichets du Diable).<br />

<strong>Film</strong>ography<br />

1994 Une Vie en Couleurs (documentary; also delegate<br />

producer)<br />

1998 On ne va nulle part et c’est très bien (also<br />

screenwriter, dialogist, delegate producer;<br />

shot in 1996)<br />

2000 Le Mystère Gilot (documentary; short; also<br />

delegate producer)<br />

2003 Juliettes et Roméos (documentary; also delegate<br />

producer)<br />

2004 Le Ministère des Neiges (documentary; also coscreenwriter,<br />

delegate producer)<br />

Vendues (also co-screenwriter, dialogist, producer)<br />

2006 L’Eldorado de Tarzenat (documentary; also delegate<br />

producer)<br />

JEANJEAN, BERNARD (June 18, 1967, Cherbourg,<br />

Manche, France–)<br />

Known mostly as a TV screenwriter (P.J. TV series,<br />

2000–2004), he also co-wrote a short (1996 Avenue<br />

Lénine, Félix Olivier) and a feature-length fi lm (2007<br />

Tel Père telle Fille, Olivier de Plas).<br />

<strong>Film</strong>ography<br />

1991 Fin de Soirée (short; also screenwriter, dialogist)<br />

1992 Chasseur d’Hôtel (short; co-director with Yvan<br />

Gauthier; also co-screenwriter)<br />

1993 On n’a pas tous les Jours 20 Ans (short; codirector<br />

with Christophe Restiau; also coscreenwriter,<br />

co-producer)<br />

1995 Pique-Nique Douille (short; co-director with<br />

Yvan Gauthier)<br />

2004 Je me sens pas belle (also screenwriter, dialogist)<br />

2007 J’veux pas que tu t’en ailles (also screenwriter,<br />

dialogist)<br />

JESSUA, ALAIN • 535<br />

JEANSON, HENRI (March 6, 1900, Paris, France–<br />

November 7, 1970, Equerdreville-Hainneville, Manche,<br />

France)<br />

After dropping out <strong>of</strong> school at age sixteen, he became<br />

a journalist in 1917 (La Bataille syndicale) and<br />

joined the satirical weekly newspaper Le Canard<br />

enchaîné in 1919. By 1925, he won huge fame with<br />

the fi rst play he wrote, Toi que j’ai tant aimé. From<br />

1932 (La Dame de chez Maxim’s, Alexander Korda) to<br />

1966 (L’Homme à la Buick, Gilles Grangier, released in<br />

1968), he wrote eighty fi lms, including several masterpieces<br />

(1937 Pépé le Moko, Julien Duvivier; Un Carnet<br />

de Bal / UK: Christine / USA: Dance Program / Dance <strong>of</strong><br />

Life / Life Dances On, Julien Duvivier; 1938 Entrée des<br />

Artistes / USA: The Curtain Rises, Marc Allégret; Hôtel<br />

du Nord, Marcel Carné; 1945 Boule de Suif / USA: Angel<br />

and Sinner, Christian-Jaque; 1952 Fanfan la Tulipe / UK:<br />

Soldier <strong>of</strong> Love / USA: Fan-Fan the Tulip, Christian-Jaque,<br />

La Fête à Henriette / UK / Henriette / USA: Holiday for<br />

Henrietta, Julien Duvivier). He authored some <strong>of</strong> the<br />

wittiest and most memorable dialogues <strong>of</strong> <strong>French</strong><br />

cinema. He just had time to complete his autobiography<br />

(1972 70 Ans d’Adolescence, Editions Stock)<br />

before dying <strong>of</strong> pulmonary edema at age seventy.<br />

<strong>Film</strong>ography<br />

1950 Lady Paname (with the collaboration <strong>of</strong> Hervé<br />

Bromberger; also screenwriter, dialogist)<br />

JESSUA, ALAIN (January 16, 1932, Paris, France–)<br />

An assistant director for almost ten years (1952<br />

Casque d’Or / UK: Golden Helmet / USA: Golden Marie,<br />

Jacques Becker, France / Italy; Métier de Danseur,<br />

short, Jacques Baratier; 1953 Madame de . . . / I gioielli<br />

di Madame de . . . / UK: Diamond Earrings / USA: The<br />

Earrings <strong>of</strong> Madame de . . . , Max Ophüls, France / Italy;<br />

Chevalier de Ménilmontant, short, Jacques Baratier;<br />

1954 Mam’zelle Nitouche / Santarellina / UK: Oh No,<br />

Mam’zelle, Yves Allégret, France / Italy; 1955 Oasis /<br />

Oase, Yves Allégret, France / Italy; Lola Montès / Lola<br />

Montez / UK: The Fall <strong>of</strong> Lola Montes / USA: The Sins<br />

<strong>of</strong> Lola Montes, Max Ophüls, France / West Germany;<br />

1957 Escapade, Ralph Habib; 1960 Le Huitième<br />

Jour, Marcel Hanoun; Terrain vague / Gioventù nuda,<br />

Marcel Carné, France / Italy), he directed his fi rst<br />

feature-length fi lm in 1964. He is also a novelist: 1998<br />

Crèvecoeur (Editions Jean-Claude Lattès); 2003 Ce<br />

Sourire-là (Editions Jean-Claude Lattès); 2006 Bref Séjour<br />

parmi les Hommes (Editions du Rocher); 2007 La<br />

Vie à l’Envers (Editions du Rocher); 2008 Un Jardin au

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