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Encyclopedia of French Film Directors

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212 • CHÉRASSE, JEAN A.<br />

on TV, and in fi lms (about twenty movies from 1993<br />

Un, Deux, Trois, Soleil / USA: 1, 2,3, Sun, Bertrand Blier,<br />

to 2007 Le Fils de l’Epicier / USA: The Grocer’s Son, Eric<br />

Guirado).<br />

<strong>Film</strong>ography<br />

1992 Poison rouge (short; also screenwriter, dialogist,<br />

actor)<br />

1994 Batata (short; also screenwriter, dialogist)<br />

Jour de Chance (short; also screenwriter, dialogist)<br />

1996 L’Attache (short; also screenwriter, dialogist,<br />

actor)<br />

1997 Rue bleue (short; also screenwriter, dialogist,<br />

composer)<br />

2001 17, Rue bleue (also screenwriter, dialogist,<br />

composer)<br />

2004 Si j’ose dire (short; also screenwriter, dialogist,<br />

composer)<br />

CHÉRASSE, JEAN A. (Jean-André Chérasse / November<br />

26, 1932, Issoire, Puy-de-Dôme, France–)<br />

A former student <strong>of</strong> the St-Cloud Ecole Normale<br />

supérieure, he received his degree in history. After<br />

graduating from the IDHEC (directing and editing<br />

section), he completed his apprenticeship as assistant<br />

director (1954 Le Chant des Fleuves / Das Lied<br />

der Strome, documentary, France / West Germany; Le<br />

Rouge et le Noir / UK and USA: Le Rouge et le Noir /<br />

L’uomo e il Diavolo / UK: Scarlet and Black / The Red<br />

and the Black / USA: Rouge et Noir, Claude Autant-<br />

Lara, France / Italy). In 1958, he entered <strong>French</strong> TV<br />

and directed several collections <strong>of</strong> documentaries,<br />

including the historical series Présence du Passé (codirected<br />

by Jean Mauduit and Bernard Revon). From<br />

1965 to 1967, he was in charge <strong>of</strong> production in TV.<br />

He directed both fi ction movies and documentaries<br />

and authored historical books (1975 Dreyfus ou<br />

l’Intolérable Vérité, co-author with Patrice Boussel,<br />

Editions Pygmalion; 1976 Sade, j’écris ton Nom Liberté,<br />

co-author with Geneviève Guicheney, Editions Pygmalion;<br />

2006 Femmes dans la Guerre 1939–1945, coauthor<br />

with Guylaine Guidez, Charles Lavauzelle).<br />

Other credits (as co-screenwriter): 1961 Le Pendule<br />

à Salomon (also co-dialogist, Vicky Ivernel); 1967 Loin<br />

du Vietnam (segment “Les Tigres de Papier,” Ruy<br />

Guerra); (as co-dialogist): 1960 La Vérité / La verità<br />

/ UK and USA: The Truth (Henri-Georges Clouzot,<br />

France / Italy).<br />

<strong>Film</strong>ography<br />

1958 Un Charlatan crépusculaire (short; also screenwriter)<br />

1962 La Vendetta / Bandito si . . . ma d’onore (also coscreenwriter;<br />

France / Italy)<br />

Un Clair de Lune à Maubeuge (also coadapter)<br />

1975 Dreyfus ou l’intolérable Vérité (documentary;<br />

also screenwriter; shot in 1973)<br />

1980 La Prise du pouvoir par Philippe Pétain (documentary;<br />

also screenwriter)<br />

Television <strong>Film</strong>ography<br />

1967 Valmy et la Naissance de la République (codirector<br />

with Abel Gance; three parts: “La<br />

Chute de la Royauté,” “Chronique de l’Eté<br />

1792,” “Bataille et Naissance de la République”)<br />

1984 Paris, j’écris ton nom Liberté (documentary; also<br />

screenwriter)<br />

1985 Les Captifs de l’An Quarante (documentary;<br />

also screenwriter)<br />

1986 Le Miroir des Passions françaises (documentary;<br />

co-director with Theodore Zeldin; also<br />

screenwriter)<br />

1988 Le Miroir colonial (three-part documentary)<br />

1992 La Marseillaise n’est pas encore enrouée (documentary)<br />

1994 Les Dossiers de l’Histoire (documentary; segment<br />

“France, Année Zéro”)<br />

1995 Les Dossiers de l’Histoire (documentary; segment<br />

“Le Grand Retour”; two parts)<br />

1996 Les Dossiers de l’Histoire (documentary; segment<br />

“Marthe Richard et la Tolérance”)<br />

2004 Henri Frenay, l’Inventeur de la Résistance (documentary)<br />

CHÉREAU, PATRICE (November 2, 1944, Lezigne,<br />

Maine-et-Loire, France–)<br />

The son <strong>of</strong> painters, he is mostly a stage director<br />

(from 1963) and opera director (from 1969) and<br />

notably ran the Sartrouville Theatre (1966–1969) and<br />

the Nanterre Théâtre des Amandiers (1982–1990).<br />

He played in a few movies (1983 Danton, Andrzej<br />

Wajda, France / Poland / West Germany; 1985 Adieu<br />

Bonaparte / Weda’an Bonapart, Youssef Chahine, France<br />

/ Egypt; 1992 The Last <strong>of</strong> the Mohicans, Michael Mann,<br />

USA; 1994 La Bête de Scène, short, Bernard Nissile;<br />

1997 Lucie Aubrac, Claude Berri; 1999 Le Temps retrouvé

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