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Encyclopedia of French Film Directors

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1993 Seconde B (26 26' TV series; co-director<br />

only)<br />

Les Intrépides / The Intrepids (52 6'; codirector<br />

only; France / Canada)<br />

Julien, bientôt 12 Ans et demi (also co-screenwriter)<br />

1996 Histoires d’Hommes (also co-screenwriter)<br />

1998 Chercheurs d’Héritiers (episode “Hélène ou<br />

Eugènie”)<br />

Mes Enfants étrangers<br />

1999 Petits Nuages d’Eté<br />

Chercheurs d’Héritiers (episode “Héritage in<br />

vitro”)<br />

2000 Chercheurs d’Héritiers (episodes “Un Frère à<br />

tout Prix,” “Bonjour Philippine”)<br />

2001 Campagnes (2 90')<br />

2002 L’Ami de Patagonie (also co-screenwriter)<br />

Le Passage du Bac<br />

2003 Virus au Paradis (2 90')<br />

2004 Le Camarguais (episodes “Direction assistée,”<br />

“Entre deux Feux,” “Trois Filles au Volant,”<br />

“Un Nouveau Départ,” “Un Noël pas comme<br />

les Autres”)<br />

2005 Docteur Dassin, Généraliste (episodes “Des Secrets<br />

bien gardés,” “L’Ombre et la Lumière”)<br />

2007 Commissaire Cordier (episode “Scoop mortel”)<br />

Monsieur Joseph<br />

2008 Une Femme à abattre<br />

LANOË, ANNICK<br />

She was successively a script supervisor, assistant,<br />

stage costume designer, and radio producer before<br />

joining Gaumont, where she became an assistant<br />

to Daniel Toscan du Plantier at the “Art et Essais”<br />

department. She ran a movie theater, La Pagode. Her<br />

two feature fi lms were comedies. Books: 2003 T’as<br />

pas quelqu’un à me presenter? (co-author with Rosine<br />

Bramly, Editions Ramsay); Mais pourquoi tu veux déjà<br />

quitter ta Mère? Ou Le Syndrome du Nid vide (coauthor<br />

with Rosine Bramly, Editions Ramsay); 2004<br />

Qui est sous ma Couette? Ou Comment réussir votre<br />

Casting amoureux—Les 60 Portraits d’Hommes que vous<br />

pourriez rencontrer (co-author with Rosine Bramly,<br />

Editions Jean-Claude Gawsewitch); 2005 Qui est sous<br />

ma Couette? Tome 2 (co-author with Rosine Bramly,<br />

Editions Jean-Claude Gawsewitch).<br />

<strong>Film</strong>ography<br />

1973 L’Homme idéal (short)<br />

1976 Pour le meilleur et pour le pire (short)<br />

LANOË, HENRI • 593<br />

1978 Rita la plus grosse Dame du Monde (short)<br />

1980 L’Ephémère (documentary; short)<br />

1985 Les Nanas / UK festival: Girls, Girls, Girls! (also<br />

co-screenwriter)<br />

1992 Les Mamies (also co-screenwriter)<br />

Television <strong>Film</strong>ography<br />

1994 Envoyé spécial (documentary; short; episode<br />

“La Double Vie de Virginie”)<br />

LANOË, HENRI (September 16, 1929, Oran, Algeria–)<br />

From 1949 to 1951, he studied at the IDHEC. Known<br />

mostly as a fi lm editor (about fi fty movies from 1961<br />

Le Rendez-vous de Minuit / UK: Rendezvous at Midnight<br />

/ USA: Midnight Meeting, Roger Leenhardt, to 2000<br />

Amazone, Philippe de Broca), he had his fi rst contact<br />

with cinema in 1939 as a child actor (Le Feu de Paille<br />

/ L’Enfant prodigue, Jean Benoît-Lévy). He also wrote<br />

commentaries (1961 Thaumetopoea, la Vie des Chenilles<br />

processionnaires du Pin et leur Extermination contrôlée,<br />

documentary, short, Robert Enrico) and music for<br />

fi lms (1962 La Rivière du Hibou / UK: Incident at Owl<br />

Creek / USA: An Occurrence at Owl Creek Bridge, short,<br />

also editor, Robert Enrico; 1963 La Belle Vie / UK: The<br />

Good Life, Robert Enrico; Au Cœur de la Vie, short, also<br />

editor, segments “L’Oiseau moqueur,” “Chickamauga,”<br />

“La Rivière du Hibou,” Robert Enrico; 1967 Le Voleur /<br />

Il ladro di Parigi / UK: The Thief / USA: The Thief <strong>of</strong> Paris,<br />

also editor, Louis Malle, France / Italy; 1970 Les Caprices<br />

de marie / Portami quello che hai e prenditi quello<br />

che vuoi / USA: Give Her the Moon, also editor, lyricist;<br />

Les Caprices de Marie, Philippe de Broca, France / Italy;<br />

1982 Les Quarantièmes Rugissants / UK: The Roaring<br />

Forties, also editor, Christian de Chalonge). He collaborated<br />

as a screenwriter on a few fi lms (1964 Un<br />

Monsieur de Compagnie / . . . Poi ti sposero / USA: Male<br />

Companion, also screenwriter, dialogist, Philippe de<br />

Broca, France / Italy; 1965 Les Baisers / I baci, segment<br />

“Baiser de 16 Ans,” Claude Berri, France / Italy; 1966<br />

L’Homme de Marrakech / L’uomo di Casablanca / El<br />

hombre de Marrakech / UK and USA: That Man George,<br />

as co-screenwriter, co-adapter, Jacques Deray, France<br />

/ Italy / Spain) and played a small part in Lacenaire / US<br />

video: The Elegant Criminal, Francis Girod).<br />

<strong>Film</strong>ography<br />

1961 Le Complexe d’Artix (documentary; short)<br />

1968 Ne jouez pas avec les Martiens / USA: Don’t<br />

Play with Martians (also co-screenwriter, coadapter,<br />

co-dialogist)

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