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Encyclopedia of French Film Directors

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896 • ROZIER, JACQUES<br />

1997 Ils sont parmi nous (documentary; co-director<br />

with Clémence Barret; also screenwriter)<br />

1998 Kafkaland (short; also screenwriter)<br />

Merci le Foot (short; also screenwriter)<br />

Qu’il était beau l’An 2000 (documentary; codirector<br />

with Clémence Barret; also screenwriter)<br />

1999 Godard à la Télé (documentary; mediumlength)<br />

2002 Chirac Image par Image (documentary; mediumlength)<br />

Jospin Image par Image (documentary; mediumlength)<br />

Le Pen Image par Image (documentary; mediumlength)<br />

2003 Faits divers à la Une (documentary; mediumlength)<br />

L’Express a Cinquante Ans (documentary;<br />

medium-length; also co-screenwriter)<br />

2004 Le Direct à la Télé (documentary; mediumlength)<br />

A la Recherche de la Folie perdue (documentary,<br />

short; also co-screenwriter)<br />

Paris sous les Eaux (documentary; mediumlength;<br />

also co-screenwriter)<br />

2006 Comiques et Présidents (documentary; mediumlength;<br />

also co-screenwriter)<br />

ROZIER, JACQUES (November 10, 1926, Paris,<br />

France–)<br />

A graduate <strong>of</strong> the IDHEC, he began directing shorts<br />

before working as an assistant director to Jean Renoir<br />

(1955 <strong>French</strong> Cancan / USA: Only the <strong>French</strong> Can, France<br />

/ Italy) and to <strong>French</strong> TV fi lmmakers. He appeared as<br />

himself in an episode <strong>of</strong> Cinéastes de notre Temps (1964<br />

“La Nouvelle Vague par elle-même,” André S. Labarthe,<br />

Robert Valey) and co-wrote and co-produced Peter<br />

Fleischmann’s Frevel (France / West Germany, 1984).<br />

<strong>Film</strong>ography<br />

1947 Langage de l’Ecran (short)<br />

1954 Une Epine au Pied (short)<br />

1955 La Rentrée des Classes (short; also co-screenwriter,<br />

editor)<br />

1958 Blue Jeans (short)<br />

1962 Dans le Vent (short)<br />

1963 Adieu Philippine / Desideri nel sole (also coscreenwriter,<br />

co-dialogist; France / Italy; shot<br />

in 1960)<br />

1964 Paparazzi (short)<br />

Bardot et Godard / Le Parti des Choses (short)<br />

1973 Du Côté d’Orouet (also co-screenwriter, dialogist;<br />

shot in 1969)<br />

1976 Les Naufragés de l’Île de la Tortue (also screenwriter,<br />

dialogist; shot in 1974)<br />

Nono Nénesse (short; co-director with Pascal<br />

Thomas; also co-screenwriter, co-dialogist)<br />

1983 Lettre de la Sierra Morena (also screenwriter,<br />

actor)<br />

1986 Maine Océan (also co-screenwriter, co-dialogist,<br />

actor)<br />

1995 Comment devenir Cinéaste sans se prendre la<br />

Tête (short)<br />

2001 Fifi Martingale (shot in 1999–2000)<br />

Television <strong>Film</strong>ography<br />

1964 Ni Figue ni Raisin (TV series)<br />

Cinéastes de notre Temps (episodes “Luis Buñuel,”<br />

“Jean Vigo”)<br />

1965 Dim Dam Dom (TV series)<br />

1983 Lettres d’un Cinéaste: Jacques Rozier (documentary;<br />

short)<br />

1990 Joséphine en Tournée<br />

1992 Revenez Plaisirs exilés! (Alceste)<br />

ROZIER, WILLY (William Rozier / June 27, 1901,<br />

Talence, Gironde–May 26, 1983, Talange, Moselle,<br />

France)<br />

A former swimming champion (he represented<br />

France at the Amsterdam Olympic Games <strong>of</strong> 1928),<br />

he entered fi lms as an actor (1928 La Venenosa, Roger<br />

Lion; Le Kinkajou, short, Jean de Marguenat; 1931 Les<br />

Monts en Flammes, Luis Trenker, Joë Hamman; Calais-<br />

Douvres, <strong>French</strong>-language version <strong>of</strong> Anatole Litvak’s<br />

Nie wieder Liebe, Jean Boyer, France / Germany; Autour<br />

d’une Enquête, <strong>French</strong>-language version <strong>of</strong> Robert Siodmak’s<br />

Voruntersuchung, Robert Siodmak, Germany<br />

/ France; 1932 Le Petit Ecart, <strong>French</strong>-language version<br />

<strong>of</strong> Reinhold Schüntzel’s Der kleine Seltensprung, Henri<br />

Chomette, Germany / France; Avec l’Assurance / USA:<br />

With Assurance, Roger Capellani; Le Bolide, short, Roger<br />

Capellani; Haut les Mains!!!, short, Maurice Champreux;<br />

1933 La Guerre des Valses, <strong>French</strong>-language version <strong>of</strong><br />

Ludwig Berger’s Walzerkrieg, Raoul Ploquin, Germany<br />

/ France). A fi lm director since 1933, he created his<br />

production company, Sport <strong>Film</strong>s, and conceived an<br />

underwater camera, the Aquafl ex.<br />

<strong>Film</strong>ography<br />

1933 N’épouse pas ta Fille (short; also screenwriter,<br />

dialogist, editor)

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