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Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

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1969 Une Femme douce / UK: A Gentle Creature / USA:<br />

A Gentle Woman). He was also an assistant director<br />

(1932 Chair ardente, René Plaissetty; 1939 Grand Père,<br />

Robert Péguy; 1946 Martin Roumagnac / USA: The<br />

Room Upstairs, Georges Lacombe) and technical adviser<br />

(1944 Le Voyageur sans Bagages, Jean Anouilh).<br />

<strong>Film</strong>ography<br />

1938 Clodoche (co-director with Claude Orval)<br />

1947 Miroir<br />

LANCELOT, MARTINE (May 18, 1948, Neuillysur-Seine,<br />

Hauts-de-Seine, France–)<br />

<strong>Film</strong>ography<br />

1975 Images à propos de “Enluminures autour des<br />

Minutes du Procès de Gilles de Rais” / L’Etrange<br />

Histoire de Gilles de Rais<br />

1979 S’il vous plaît . . . la Mer? (also screenwriter,<br />

dialogist)<br />

1995 Jinebana, la Maladie des Esprits (documentary)<br />

1997 Ambiance familiale (documentary)<br />

1998 Jean Lescure, Le Poète et la Couleur (documentary)<br />

2003 De Bamako à Monaco (documentary)<br />

2006 La Maladie silencieuse (documentary)<br />

2007 Sisikurun, la Pirogue qui fume (documentary)<br />

LANDRON, FRANCK (January 24, 1957, France–)<br />

After studying architecture, he joined the Ecole Louis<br />

Lumière, a fi lm school from which he graduated in<br />

1982. He entered fi lms as a cameraman and cinematographer<br />

on several shorts before serving as an assistant<br />

to director Claude Berri (1986 Jean de Florette;<br />

Manon des Sources / Manon delle sorgenti / USA: Manon<br />

<strong>of</strong> the Spring) and Magali Clément (1988 La Maison<br />

de Jeanne). In 1986, he co-founded a fi lm production<br />

company, Les <strong>Film</strong>s en Hiver, which fi nanced several<br />

<strong>of</strong> his movies. Other credits (as producer): 1995<br />

Parenthèses (short, Philip Mattéaccioli); 2000 En attendant<br />

(short, Serge Hazanavicius); Le Battement d’Ailes<br />

du Papillon / UK and USA: Happenstance (Laurent<br />

Firode); 2004 Inguélézi (François Dupeyron); 2006 La<br />

Serre de Glace (short, Marc Barbé); 2007 Kozak (short,<br />

Olivier Fox).<br />

<strong>Film</strong>ography<br />

1981 In Out (short; also screenwriter, producer)<br />

1982 L’Amour noir (short; also screenwriter, producer,<br />

editor)<br />

LANG, MICHEL • 591<br />

1983 L’Esprit de Contradiction (short; also screenwriter,<br />

producer)<br />

Johnny, fais-moi mal! (short; also screenwriter,<br />

producer)<br />

1984 La Leçon de Cinéma (short; also screenwriter,<br />

producer)<br />

1985 La Lampe électrique (short; also screenwriter,<br />

producer)<br />

1990 Un Amour de trop / USA: Sandra (also screenwriter,<br />

delegate producer)<br />

1992 A Table (short; also screenwriter, delegate<br />

producer, actor)<br />

1997 Le Secret de Polichinelle (also co-screenwriter,<br />

delegate producer, actor; shot in 1994–1996)<br />

1998 Samedi, Dimanche et Fêtes short; also screenwriter,<br />

delegate producer)<br />

2004 Les Textiles (also co-screenwriter, cinematographer,<br />

producer)<br />

LANG, MICHEL (June 9, 1939, Paris, France–)<br />

After studying <strong>French</strong> literature and American civilization<br />

and literature, he became a second assistant<br />

director (1961 Le Président / Il presidente / UK: The<br />

President, Henri Verneuil, France / Italy; 1962 Un Singe<br />

en Hiver / UK: It’s Hot in Hell / USA: A Monkey in Winter,<br />

Henri Verneuil; Le Doulos / Lo spione / UK: The Finger<br />

Man / USA: Doulos: The Finger Man, Jean-Pierre Melville,<br />

France / Italy; 1965 Furia à Bahia pour OSS 117 / OSS<br />

117 furia a Bahia / UK: Mission for a Killer / USA: OSS<br />

117 Mission for a Killer, André Hunebelle, France / Italy;<br />

Fantômas se déchaîne / Fantomas minaccia il mondo /<br />

USA: Fantomas Strikes Back / The Vengeance <strong>of</strong> Fantomas,<br />

André Hunebelle, France / Italy; Un Milliard dans un Billard<br />

/ Allarme in cinque banche / Diamantenbillard / UK:<br />

Diamonds Are Brittle / USA: Diamonds Are Cue, Nicolas<br />

Gessner, France / Italy / West Germany) and then<br />

fi rst assistant director (1966 Estouffade à la Caraïbe /<br />

Avventurieri per una rivolta / Pagati per morire / UK: The<br />

Looters / USA: Gold Robbers, Jacques Besnard, France /<br />

Italy; 1967 Le Grand Restaurant / USA: What’s Cooking<br />

in Paris, Jacques Besnard; 1968 La Blonde de Pékin / La<br />

bionda di Pechino / Die Blonde von Peking / USA: Peking<br />

Blonde / The Blonde von Peking, Nicolas Gessner, France<br />

/ Italy / West Germany, shot in 1966; A tout casser /<br />

Quella carogna di Frank Mitraglia / UK: The Great Chase<br />

/ USA: Breaking It Up, John Berry, France / Italy; Salut<br />

Berthe!, Guy Lefranc; Béru et ces Dames, Guy Lefranc;<br />

1969 L’Auvergnat et l’Autobus, Guy Lefranc; 1970 12 +<br />

1 / Una su tredici / UK: Twelve plus One / US video: The<br />

13 Chairs, Nicolas Gessner, Luciano Lucignani, France

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